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Smithsonian American Art Museum

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Re:Frame

‘Re:Frame’ the Picture

A new video web series, ‘RE:Frame’ explores American art’s many meanings and connections with experts across the Smithsonian

In 1912, sculptor Alexander Phimister Proctor created Buffalo (model for Q Street Bridge).

Re:Frame

What Do Bovids, Bridges and the West Have to Do With American Art?

In the debut episode of “Re:Frame,” Smithsonian curators explore the iconic symbol of the West, the American Bison

The exhibit room appears nearly monochromatic and devoid of life before the augmented reality app reveals Ruffner's invented plants.

This Artist Imagines How Nature Evolves Following an Environmental Apocalypse

Ginny Ruffner’s “Reforestation of the Imagination” at the Renwick uses augmented reality to show the plants that might grow after environment devastation

Smithsonian Voices

A Smithsonian Art Historian Reflects on American Artists and Their Fascination With Notre-Dame

Senior curator Eleanor Harvey on why the cathedral has been beloved by American artists for years

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Smithsonian Voices

How Time-Based Media Intersects With Perspectives From the LGBTQ Community

The curator of time-based media at the Smithsonian American Art Museum talks about upcoming initiatives emphasizing women artists and LGBTQ+ perspectives

Mi Vida by Jesse Treviño, 1971-73

How American Artists Engaged with Morality and Conflict During the Vietnam War

The Smithsonian American Art Museum’s new show documents the turbulent decade and the provocative dialog happening in a diverse art community

"Tiffany Chung's exhibition opens our eyes to a history hidden in plain sight, illuminating the war and its aftermath from the perspective of those who lived through it," says curator Sarah Newman.

For Tiffany Chung, Finding Vietnam’s Forgotten Stories Began as a Personal Quest

To map the post-war exodus, the artist turned to interviews and deep research, starting with her own father’s past

Beyoncé and Jay-Z filmed their "Apeshit" music video at the Louvre, further publicizing the already iconic museum

These Were 2018’s Most Popular Art Exhibitions and Museums

Celebrities including Beyoncé, Jay-Z, Rihanna and the Obamas helped galleries achieve record-breaking visitor numbers

Michelle Obama is the 14th consecutive First Lady to have a cattleya orchid named in her honor (above). Last year, the Melania Trump orchid was earning acclaim in the plant world.

Here’s How Horticulturalists Made the Michelle Obama Orchid

This year’s orchid show takes over the cavernous naturally-lit Kogod Courtyard with thousands on view

An assemblage Assimilation? Destruction? by ceramicist Sharif Bey, is primarily about globalization and cultural identity. It is also a reference to Bey’s identity as a potter and an artist of color.

Four Craft Artists Use Their Medium to Tell the Story of Our Times

The Renwick’s newest show challenges everything you thought you knew about craft art

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Smithsonian Voices

One Lesson From Burning Man—Embrace the Dust

One Lesson From Burning Man—Embrace the Dust

The dozen or so cameras watching the musicians sent live video from the performance to a rack of computers, which used off-the-shelf artificial intelligence algorithms to create the eerie visuals.

The Musical Performance “Sight Machine” Reveals What Artificial Intelligence Is “Thinking” About Us

Like artist Trevor Paglen’s other work, the show asked viewers to reexamine the human relationship to technology

Traylor's works (above: Man with Yoke, detail) are drawing fans worldwide for their exuberant modern composition and design.

Bill Traylor Depicted His Brutal Lifetime With Vibrant Art

A new Smithsonian show, seven years in the making, takes a deep dive into the life of a self-taught artist and former slave

Mean Dog (Verso: Man Leading Mule), c. 1939-1942, by Bill Traylor, poster paint and pencil on cardboard

Born Into Slavery, Bill Traylor Would Become a Leading Light of Self-Taught Art

A new show at the Smithsonian American Art museum highlights his work

Prototype for a Nonfunctional Satellite (Design 4; Build 4), 2013, a mixed media installation at a hangar in Nevada by Trevor Paglen.

This Artist Dwells in the Clandestine World of Classified Secrets and Surveillance

MacArthur Award recipient Trevor Paglen is launching his own satellite into space this fall—as a work of art

Robert Indiana's Love (1967). The design has become a ubiquitous staple of contemporary Americana.

Archives Reveal Touching Stories on the Life of Robert Indiana, the Man Who Invented “LOVE”

Smithsonian curators reflect on the legacy of the iconic artist, following his death at age 89

Diane Arbus with her photograph A young Brooklyn family going for a Sunday outing, N.Y.C., 1966

A Window into the World of Diane Arbus

Photographs from the portfolio, “A box of ten,” reveal some of the photographer’s secrets

"Untitled," a previously known James Castle work

Cool Finds

Eleven Never-Before-Seen Artworks Found in the Walls of James Castle’s House

The renowned Idaho Outsider artist was known for squirreling his drawings and sculptures away in the walls and ceiling of his Boise home

"Do Ho Suh: Almost Home" at the Smithsonian American Art Museum, 2018

Future of Art

How This Globetrotting Artist Redefines Home and Hearth

An ethereal 3D installation by the Korean-born Do Ho Suh combines places the artist has lived in the past

Shrumen Lumen by FoldHaus, 2018

Future of Art

How One Museum Curator Is Bringing Burning Man Out of the Desert

The outré scene of unrestrained revelry and cutting-edge art in Nevada’s Black Rock Desert comes to the Renwick Gallery

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