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Smithsonian American Art Museum

Women Who Shaped History

How Frida Kahlo’s Love Letter Shaped Romance for Punk Poet Patti Smith

Sealed with a kiss, the 1940 note reflects the “earthly human love” between Kahlo and fellow artist Diego Rivera

Femme au beret orange et au col de fourrure (Marie Thérèse), by Pablo Picasso, 1937

New Exhibition Featuring Picasso, O’Keeffe, Hopper and Many Others Brings Modernism Into Focus

The artistic risk and adventure of 20th-century modernism is explored at the Smithsonian American Art Museum

Ellsworth Kelly, "Red Yellow Blue V," 1968

Why Ellsworth Kelly Was a Giant in the World of American Art

The artist’s minimalism put the essence of his subjects above all

Echelman's sculpture is inspired by data supplied by NASA and NOAA, the National Oceanic and Atmospheric Administration, measuring the effects of the earthquake and tsunami that ravaged Tohoku, Japan in 2011.

The Renwick Reopens

How One Artist Learned to Sculpt the Wind

Artist Janet Echelman studied ancient craft, travel the world and now collaborates with a team of specialists to choreograph the movement of air

Dawe says he loved having to work with the Renwick building’s 19th-century architectural details as a backdrop.

The Renwick Reopens

Artist Gabriel Dawe Made a Rainbow Out of 60 Miles of Thread

The artwork is an optical illusion that delights the senses; as if the artist embroidered the air

Villareal’s piece, titled Volume (Renwick), holds pride of place above the museum’s historic grand stairway. It uses LEDs embedded in 320 mirrored stainless steel rods.

The Renwick Reopens

Leo Villareal’s 23,000 Points of Light Illuminate the Renwick Gallery

With tens of thousands of individual LEDS, a dangling light sculpture majestically redefines the grand staircase at the Renwick

“The making of these trees was so much in that spirit—in terms of dodging the ease of digital and instead doing this all by hand,” says Grade.

The Renwick Reopens

This Artist Recreated a Magnificent 40-Foot-Tall Tree From the Cascade Mountains by Hand

Artist John Grade painstakingly built a 150-year-old giant hemlock out of half a million blocks of reclaimed wood

Shindig by Patrick Dougherty is on view at the newly renovated Renwick Gallery.

The Renwick Reopens

This Tilting, Twirling Artwork, Sculpted Entirely of Sticks, Is Having a Shindig

Stick man Patrick Dougherty’s sculptures evoke a playful urge to crawl inside

Marking the reopening of the Renwick Gallery, Donovan constructed 10 towers by stacking and gluing hundreds of thousands of index cards on top of each other.

The Renwick Reopens

What Do One Million Index Cards, Stacked Atop Each Other, Look Like? Artist Tara Donovan Does It Again

The artist’s looming installation recalls the volcanic fairy chimneys of Turkey’s Cappadocia region

“The Chesapeake is one of my favorite waterways, partly because people outside of the area aren’t as familiar with it,” says Maya Lin, who created Folding the Chesapeake at the Renwick Gallery.

Maya Lin Used 54,000 Marbles to Model the Chesapeake Bay

The artist’s highly imaginative waterway was created using satellite imagery from NASA

A detail of Jennifer Angus' work In the Midnight Garden, 2015

The Renwick Reopens

How Thousands of Dead Bugs Become a Mesmerizing Work of Extraordinary Beauty

With much love for the insect world, artist Jennifer Angus crafts an installation made entirely out of beetles, cicadas, katydids and weevils

When people come to the Smithsonian,” says lighting designer Scott Rosenfeld, (inside the gallery displaying the work of mixed media artist Gabriel Dawe) “they want to experience art. They don’t have to worry about spectrum.”

The Renwick Reopens

The Renwick’s New Lighting Saves Energy, Money, Art, and Your Eyes, All at the Same Time

There’s way more to it than just screwing in the bulb and the museum’s chief lighting designer is turning it into an artform

The Renwick Reopens

The Renwick’s Curator-in-Charge On What It Means to Open Ourselves to Wonder

Before the renovation, Nicholas Bell asked nine artists to tour the building and think deeply about public spaces dedicated to art

The Renwick Gallery of the Smithsonian American Art Museum, after a $30 million renovation, is qualified once again to be called the "American Louvre."

The Renwick Reopens

The Renwick: Finally The Gem It Was Meant to Be

When the newly renovated museum reopens this month, one of Washington D.C.’s most storied buildings will be elegantly reborn

Girl Behind Bottle (Jean Patchett) by Irving Penn, New York, 1949, printed 1978

A Major Retrospective of Photographer Irving Penn Includes Previously Unseen Works

At the Smithsonian American Art Museum, view works from the master photographer’s 70-year career

Edward Burtynsky, Oil Spill #10 Oil Slick at Rip Tide, Gulf of Mexico, June 24, 2010, chromogenic print

Age of Humans

This Stunning Contemporary Art Captures Terror, Wonder and Wit in the Anthropocene

Smithsonian art historian Joanna Marsh selects nine works that tell stories about life in the age of humans

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The Innovative Spirit

This Interactive Installation Rains a Poem Down on Viewers

Artists Camille Utterback and Romy Achituv wrote the software that drives an artwork, in which onlookers catch letters falling on a large screen

Mouth (for L’Oréal), New York, 1986; printed 1992.

How Irving Penn Turned Fashion Photography Into a Fine Art

A new show at the Smithsonian American Art Museum looks back at a photo giant who blurred the lines

Plaster cast of Greek Slave, 1843, by Hiram Powers

The Scandalous Story Behind the Provocative 19th-Century Sculpture “Greek Slave”

Artist Hiram Powers earned fame and fortune for his beguiling sculpture, but how he crafted it might have proved even more shocking

Digital artist Jeremy Sutton's finished painting captured the many elements of the event.

This Is How You Live Paint an Event

Artist Jeremy Sutton painted on his iPad while musicians performed and visitors played virtual reality games at the Smithsonian American Art Museum

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