Shindig by Patrick Dougherty is on view at the newly renovated Renwick Gallery.

The Renwick Reopens

This Tilting, Twirling Artwork, Sculpted Entirely of Sticks, Is Having a Shindig

Stick man Patrick Dougherty’s sculptures evoke a playful urge to crawl inside

Marking the reopening of the Renwick Gallery, Donovan constructed 10 towers by stacking and gluing hundreds of thousands of index cards on top of each other.

The Renwick Reopens

What Do One Million Index Cards, Stacked Atop Each Other, Look Like? Artist Tara Donovan Does It Again

The artist’s looming installation recalls the volcanic fairy chimneys of Turkey’s Cappadocia region

“The Chesapeake is one of my favorite waterways, partly because people outside of the area aren’t as familiar with it,” says Maya Lin, who created Folding the Chesapeake at the Renwick Gallery.

Maya Lin Used 54,000 Marbles to Model the Chesapeake Bay

The artist’s highly imaginative waterway was created using satellite imagery from NASA

A detail of Jennifer Angus' work In the Midnight Garden, 2015

The Renwick Reopens

How Thousands of Dead Bugs Become a Mesmerizing Work of Extraordinary Beauty

With much love for the insect world, artist Jennifer Angus crafts an installation made entirely out of beetles, cicadas, katydids and weevils

When people come to the Smithsonian,” says lighting designer Scott Rosenfeld, (inside the gallery displaying the work of mixed media artist Gabriel Dawe) “they want to experience art. They don’t have to worry about spectrum.”

The Renwick Reopens

The Renwick’s New Lighting Saves Energy, Money, Art, and Your Eyes, All at the Same Time

There’s way more to it than just screwing in the bulb and the museum’s chief lighting designer is turning it into an artform

The Renwick Reopens

The Renwick’s Curator-in-Charge On What It Means to Open Ourselves to Wonder

Before the renovation, Nicholas Bell asked nine artists to tour the building and think deeply about public spaces dedicated to art

The Renwick Gallery of the Smithsonian American Art Museum, after a $30 million renovation, is qualified once again to be called the "American Louvre."

The Renwick Reopens

The Renwick: Finally The Gem It Was Meant to Be

When the newly renovated museum reopens this month, one of Washington D.C.’s most storied buildings will be elegantly reborn

Girl Behind Bottle (Jean Patchett) by Irving Penn, New York, 1949, printed 1978

A Major Retrospective of Photographer Irving Penn Includes Previously Unseen Works

At the Smithsonian American Art Museum, view works from the master photographer’s 70-year career

Edward Burtynsky, Oil Spill #10 Oil Slick at Rip Tide, Gulf of Mexico, June 24, 2010, chromogenic print

Age of Humans

This Stunning Contemporary Art Captures Terror, Wonder and Wit in the Anthropocene

Smithsonian art historian Joanna Marsh selects nine works that tell stories about life in the age of humans

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The Innovative Spirit

This Interactive Installation Rains a Poem Down on Viewers

Artists Camille Utterback and Romy Achituv wrote the software that drives an artwork, in which onlookers catch letters falling on a large screen

Mouth (for L’Oréal), New York, 1986; printed 1992.

How Irving Penn Turned Fashion Photography Into a Fine Art

A new show at the Smithsonian American Art Museum looks back at a photo giant who blurred the lines

Plaster cast of Greek Slave, 1843, by Hiram Powers

The Scandalous Story Behind the Provocative 19th-Century Sculpture “Greek Slave”

Artist Hiram Powers earned fame and fortune for his beguiling sculpture, but how he crafted it might have proved even more shocking

Digital artist Jeremy Sutton's finished painting captured the many elements of the event.

This Is How You Live Paint an Event

Artist Jeremy Sutton painted on his iPad while musicians performed and visitors played virtual reality games at the Smithsonian American Art Museum

Yasuo Kuniyoshi, in his New York City Studio in 1940, is at work on the painting Upside Down Table and Mask, currently on view at the Smithsonian American Art Museum.

Meet the Iconic Japanese-American Artist Whose Work Hasn’t Been Exhibited in Decades

A reexamination of the inventive artist, who blended American and Japanese traditions, brings rarely seen works from around the world to the Smithsonian

In Camille Utterback's 1999 Text Rain, viewers become part of the artwork.

In this Exhibition You Can Play with the Artworks, Or Even Be the Art

A dizzying array of wildly unorthodox works from video games to computer codes makes up this summer’s blockbuster “Watch This!” show

"Boogie Down" at the White House, Big D & Mingering, 1975

Journey to Mingering Mike’s Magical, Musical World

A new exhibition features the playful LP album covers of a man who built a make-believe musical empire filled with genius and joy

The Birth of Eve by Judith Schaechter, 2013 was recently added to the collections of the Smithsonian American Art Museum's Renwick Gallery.

This Stained Glass Window, New to the American Art Museum, Is Like Nothing You’ve Ever Seen Before

Artist Judith Schaechter is pushing the boundaries of her craft, adding her own twist to age-old techniques

The Innovation Handi-hour will be held on the third floor of the Smithsonian American Art Museum on Wednesday, March 25, 2015, from 5:30-9 p.m. Admission is $10 at the door.

The Innovative Spirit - OLD

Innovation Handi-Hour Gives Creative Types the Chance to Dive-in Hands First

These artists blur boundaries between craft and manufacturing, using lasers, computers and 3D printers

Etude 1, 1967- 1968, is a piece of Thermo fax paper with an image that looks like a four-leaf-clover, with four overlapping circles. Each circle has concentric inner circles composed of individual letters of the alphabet.

New Works by Nam June Paik Are Discovered at the Smithsonian American Art Museum

While inventorying the massive archival materials left by the artist, a researcher comes across forgotten works of art

Mid-century Santa and Mrs. Claus on candy canes skis.

The Evolving Face of Santa, As Seen in the Smithsonian’s Vast Collections

A look into Smithsonian’s vast archives reveals that Father Christmas tends to get a makeover with every generation that embraces him

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