Fred Tomaselli, Migrant Fruit Thugs, 2006.

Art Meets Science

The Threatened Birds in These Artworks Might One Day Go the Way of the Dodo

The Smithsonian American Art Museum’s exhibition explores mankind’s relationship to birds and the natural world

James Castle, Untitled, n.d., found paper, soot.

A World Of His Own: The Art of James Castle

Born profoundly deaf, the self-taught artist’s body of work depicts his unique relationship to the world around him

Estes has been painting scenes of cities and nature for half a century.

Richard Estes’ Incredibly Realistic Paintings Require a Double Take

Like stage sets, there seem to be a million stories embedded in the works of Richard Estes, icon of photorealism

Demaking, says Ed Fries, is "like haiku" for programmers, an exercise in "enforcing constraints on yourself as a tool for creativity."

Demaking Halo, Remaking Art: ‘Halo 2600’ Developer Discusses the Promise of Video Games

Ed Fries talks with Smithsonian magazine about programming the Atari 2600 and shaping the future of interactive media.

"Cloud Music" scans the skies about the Smithsonian American Art Museum's Lincoln Gallery and turns the clouds (and occasional flock of birds) into sound.

If Clouds Could Make Music, What Would it Sound Like?

How an engineer, video analyst and musician created a pioneering artwork that makes music from the sky

Carlos, by Joseph Rodriguez: a sense of ownership of the city

An Exploration of Latino Art at the Smithsonian

Smithsonian Secretary G. Wayne Clough previews a new exhibit at the American Art Museum

In Robert Walter Weir’s c. 1838 canvas of St. Nicholas (detail), perhaps influenced by a Washington Irving story, the painter envisioned both an enigmatic trickster and a dispenser of holiday cheer.

A Mischievous St. Nick from the Smithsonian American Art Museum

The 19th-century artist Robert Walter Weir took inspiration from Washington Irving to create a prototype of Santa Claus

The Luce Foundation Center is a three-story exploratorium located in the top levels of the American Art Museum.  The final quests in "Ghosts of a Chance" took place here on October 25.  Nearly 250 people participated.

The End of the Game, a Mystery in Four Parts

In a first-hand account of participating in an alternative reality game, one player gets caught up in the challenge

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Earl Cunningham? Who He?

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The Beauty in the Blight

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Posters

At the National Museum of American Art

South Koreans stand by the cauldron of the 1988 Summer Olympics

A Video Visionary

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