Archives of American Art

Portrait of Henry Ossawa Tanner with a palette, circa 1935 / unidentified photographer. Henry Ossawa Tanner papers, 1860s-1978, bulk 1890-1937. Archives of American Art, Smithsonian Institution.

How a Photograph Solved an Art Mystery

Women's life class at the Chase School of Art, circa 1896 (detail) / unidentified photographer. F. Luis Mora papers, 1891-1986, bulk 1891-1922. Archives of American Art, Smithsonian Institution.

Halloween Costume Guide: Archives Style (Last-Minute Edition)

S. Fullerton (Spencer Fullerton) Weaver invitation to Mary Fanton Roberts, 19--?. Mary Fanton Roberts papers, 1880-1956. Archives of American Art, Smithsonian Institution.

Halloween Costume Guide: Archives Style

Still from home movies of Paris studio and zoo, between 1934 and 1936. Marion Sanford and Cornelia Chapin papers, 1929-1988. Archives of American Art, Smithsonian Institution.

Why Would an Archives Copy a Film Twice?

Photograph of Fred Becker creating an etching plate at Atelier 17 in New York City (detail), 194- / unidentified photographer. Fred Becker papers, 1913-2004, bulk 1940-2000. Archives of American Art, Smithsonian Institution.

Cohorts and Collaborators: Fred Becker's Connections through Printmaking

Photograph of Alma Thomas at Whitney Museum of American Art exhibition opening (detail), 1972 / unidentified photographer. Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.

Alma's Stripes: How An Artist Found Abstraction in Her Work and Her Fashion

Alfred and Walter Pach as young boys, ca. 1889 (detail) / Pach Brothers, photographer. Walter Pach papers, 1857-1980, Archives of American Art, Smithsonian Institution.

Why Poor School Reports Didn’t Stop One Artist from Spelling Success

Flyer for Chilean mural protest: part II, not after 1973 October 27 (detail). Lucy R. Lippard papers, 1930s-2010, bulk 1960s-1990. Archives of American Art, Smithsonian Institution.

Aesthetics of Disobedience

Rockwell Kent with a group of dogs (detail), circa 1940 / unidentified photographer. Rockwell Kent paper, Archives of American Art, Smithsonian Institution.

Dog Days of Summer

Photograph of Tony DeLap spray painting sculpture in Costa Mesa studio (detail), 1970 March / unidentified photographer. Tony DeLap papers, circa 1950-2015. Archives of American Art, Smithsonian Institution.

Acquisitions: Tony DeLap Papers

Macbeth Gallery, ca. 1896 / unidentified photographer. Macbeth Gallery records, 1838-1968, bulk 1892-1953. Archives of American Art, Smithsonian Institution.

Fifty Ways to Use an Archive

Photograph of Don Reitz loading a kiln on his farm in Spring Green, Wisconsin, circa 1965 / unidentified photographer. Don Reitz papers, circa 1940-2015. Archives of American Art, Smithsonian Institution.

Acquisitions: Don Reitz Papers

Detail from Ludwig sketchbook, learning from That Person's work, 2005. Matt Mullican papers, circa 1968-2017. Archives of American Art, Smithsonian Institution.

Dice and Divination: Matt Mullican's Symbols

Detail of page 3 of Trek Vol. 1, no. 2, 1943 February. Esther McCoy papers 1876-1990, Archives of American Art, Smithsonian Institution.

Miné Okubo, Number 13660

Detail from Roberto Matta letter to Allan Frumkin, circa 1952. Allan Frumkin Gallery records, 1880-2016. Archives of American Art, Smithsonian Institution.

Acquisitions: Allan Frumkin Gallery Records

Detail of cardboard box with price code key for Winslow Homer paintings, between 1900 and 1950. Doll & Richards records, Archives of American Art, Smithsonian Institution.

Cracking Codes: What Does an Artichoke Have to Do With Selling Art?

Photograph of John Steuart Curry sketching a football practice at the University of Wisconsin-Madison, 1936 or 1937 / unidentified photographer. John Steuart Curry and Curry family papers, 1848-1999. Archives of American Art, Smithsonian Institution.

Sketching at the Scrimmage Line: The Story of a Photograph

Miné Okubo letter to Kay Sekimachi and Bob Stocksdale, ca. 1980. Bob Stocksdale and Kay Sekimachi papers, 1937-2014. Archives of American Art, Smithsonian Institution.

A Friendship in Letters: Miné Okubo and Kay Sekimachi

Entry for December 12, 1941, Toku Shimomura Diary, National Museum of American History, Smithsonian Institution.

How Superman and His Grandmother's Diary Inspired Roger Shimomura

Mock Up for mural, 1994. Juan Sánchez papers, 1977-2005. Archives of American Art, Smithsonian

Acquisitions: Juan Sánchez Papers

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