Smithsonian Voices

From the Smithsonian Museums

Grayscale image of Robert Hughes sitting on the sloping curve of a building examining something in his hands, with a modernist church in the background.

New Collections: Robert Hughes Papers

The personal papers of art critic Robert Hughes offer insights into his seminal series "The Shock of the New"

Baseball cards with faces of artists superimposed on them fanned out on a desk above a blue box with text that reads ARTBALL, an image of a batter, catcher, and umpire, with a red circle that says set 1.

What If Major League Baseball Fielded a Team and the Players Were Duchamp, Calder, Marisol, O’Keeffe and Pollock?

Color image of white erasers in blue and white sleeves in front of a green and white mug full of pencils with a phone and jar of pens in the background next to a color image of a computer and microfilm scanner with images of scans on the screen.

The Tools We Use

LEFT: Grayscale photographic contact sheet with images of Connie Zehr and assistants constructing a work of art. RIGHT: Page from a wire-bound sketchbook with a sample square of liquid polyester and notes made in pencil.

New Collections: Connie Zehr Papers and Cherie Raciti Papers

Composite image of four archival items: a photograph of a woman with her arms and legs crossed over each other, a red document with black text, a document with mineral samples and handwritten notations in ink, and an image of foil rubbings of a carpet.

How Playing With Failure Led Students to Archival Exploration

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New Collections: Robert Hughes Papers

New Collections: Marjorie Kreilick Papers

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