A Tradition of Service: Colonel Wayne Don

Col. Wayne Don, a citizen of the Cupig and Yupik tribes, talks about his service in the Regular Army and the Alaska Army National Guard. Col. Don, who has been deployed to Bosnia, Afghanistan, and other overseas posts, is a member of the Advisory Committee helping to build the National Native American Veterans Memorial on the grounds of the Smithsonian's National Museum of the American Indian in Washington, D.C.

A Tradition of Service: Navy Veteran S. Joe Crittenden, Deputy Principal Chief of the Cherokee Nation

S. Joe Crittenden, deputy principal chief of the Cherokee Nation, talks briefly about his service in the U.S. Navy in the mid-1960s and what it has meant to his life. Five years ago, Deputy Chief Crittenden testified in support of the Act of Congress creating the National Native American Veterans Memorial. Now he is a member of the advisory committee seeing the memorial through to its dedication in 2020.

"To Indigenize the Western World"—Artist and Organizer Jordan Cocker

Jordan Cocker describes herself as “Indigenous in two ways—as Native American from the Southern Plains, K’gou màyí, a Kiowa woman; and as Pasifika, a Tongan woman.” Thinking of herself “in halves,” however, doesn't reflect her lived experience. “The years spent on and between my two ancestral territories,” she says, “braided together my two lines in a good way. Everything is about the ancestors—who they are by name, what they did, where they went, and the legacy that they created and passed down to me. My ancestors on both sides of my family survived colonization, boarding school, and so many other types of trauma so that I can live in a good way.” The museum’s Dennis Zotigh interviews Jordan for Asian American Pacific Heritage Month.

Inuit Women's Survival Skills, Which Kept Arctic Explorers Alive, Help Heal Residential School Survivors

This May the National Museum of the American Indian was privileged to host four remarkable Inuit women from Nunavut who were in Washington as guests of the Embassy of Canada to attend the opening of the exhibition "Captain George Comer and the Inuit of Hudson Bay." At a related symposium, Bernadette Dean, Rosie Kowna Oolooyuk, Manitok Thompson, and Veronica Connelly spoke of the knowledge of land, ocean, ice, sky, and animal behavior their people shared with George Comer, a whaler who wintered over at Cape Fullerton 14 times in the early 1900s. They also described the knowledge Inuit women needed to make life-saving caribou and sealskin clothing. Now they're concerned with passing that knowledge on, to help museums conserve Inuit collections and to help Inuit women heal from the deep-rooted scars left from attending Indian Residential Schools.

A Brief Balance of Power—The 1778 Treaty with the Delaware Nation

The Treaty with the Delaware Nation, signed at Fort Pitt in September 1778, represents a time when the newly independent United States needed American Indian allies to drive British troops from forts and outposts west of the Appalachian Mountains. Despite the treaty's provisions, however, conflict continued in the Ohio Territory, leading the Delaware people to look for safer lands farther north and west. This month, delegations from the Delaware Nation at Moraviantown, in southern Ontario; the Delaware Tribe of Indians, in northeastern, Oklahoma; and the Delaware Nation, in central Oklahoma, came to the National Museum of the American Indian in Washington, D.C., to see the Treaty of Fort Pitt placed on exhibit and to honor their forebears, who made their marks to secure the future of their people.

"To Reach More, Serve More, Inspire More, and Just Live More"—Hip Hop Artist Supaman

Christian Parrish Takes The Gun (Apsáalooke Nation), who performs as Supaman, has won a Nammy (Native American Music Award), an Aboriginal Peoples Music Choice Award, and the 2017 MTV Video Music Award for "Best Fight Against the System"—the last as part of the group of Native and non-Native musicians who recorded "Stand Up/Stand N Rock." What motivates him, however, isn't recognition but spirituality, Native culture and values, the people he meets on the road, and the chance to make a difference in the world.

"The Swing of the Navajo Heartbeat and the Improvisation of Navajo Chants"—Musician Delbert Anderson

In celebration of Jazz Appreciation Month, the museum talks with musician Delbert Anderson. The sources of Anderson's always-evolving art are eclectic, ranging from jazz standards and improvisation, to Navajo spinning songs and the traditional melodies his grandfather hums, the scenery of the Navajo Nation, and the historic experience of both Native and African American people. “Most of the time I explain the Delbert Anderson Trio’s music as traditional Native American jazz—fusing ancient Navajo cultural music with the hard swing and funk of the jazz masters,” Anderson says. “But I’d rather just call it music.”

"Never Underestimate the Power of Your Mind"—Artist Caroline Monnet

Caroline Monnet—a multidisciplinary artist with roots in Algonquin, Quebecois, and French culture—talks about her background, artists she admires, the challenges contemporary Native artists face, and the hopes she and her colleagues in the ITWÉ Collective have for their art, including the installation "Manifestipi": "Our intention was to create a place of gathering where dialogue would be central to the experience. I think we’ve managed to achieve that. Each person comes out of the experience with a different perspective or take on the work. It is fantastic when an artwork becomes an experience."

The Choctaw Nation's Gift to the Irish

In 1847, only 14 years after their long, sad march along the Trail of Tears ended, Choctaw people in Oklahoma learned of the Irish famine. With great empathy, Choctaw individuals made donations totaling $170, the equivalent of several thousand dollars today, for the relief of the Irish poor. Here Judy Allen, historic projects office of the Choctaw Nation of Oklahoma, describes “an act that shaped tribal culture" and the lasting friendship it created between the two nations.

New Sound-and-Light Installation Brings to Life the Oneida Nation's Aid to the American Revolution

A new multimedia presentation surrounding the monumental sculpture "Allies in War, Partners in Peace" at the National Museum of the American Indian in Washington details the Oneida Nation's aid and support to the American Revolution. “This enhanced interpretation provides an immersive experience for visitors to understand the country's rich history, so that there is a deeper understanding of the nuance, texture and depth of that history,” says Oneida Nation representative Ray Halbritter. “This exhibit commemorates the friendship that was forged between the Oneida Nation and the United States during the Revolutionary War, as well as the incredible sacrifices made by our ancestors during the founding of our country.”

Teachers, Do You Need Better Resources? You’re Not Alone: Native Knowledge 360° Is Here to Help

Teachers often struggle, through no fault of their own, to locate culturally appropriate and historically accurate teaching materials about American Indians. Many textbooks, popular media, and prepackaged curricula relegate American Indians to the distant past and fail to illustrate the dynamic and diverse cultures of Native America. The National Museum of the American Indian—through the national education initiative Native Knowledge 360°, Teacher-in-Residence (TIR) Program, and outreach to educators—wants to change all that.

Native Film Advocate Michael Smith (1951–2018)—An Appreciation

Michael Smith (Fort Peck Sioux Tribe), the founder and director of the American Indian Film Institute and American Indian Film Festival, was an advocate for Native people and a leader in bringing their voices to mainstream media through film. His dedication to showcasing films by or about American Indians and First Nations people was tireless. He could be seen at conventions, film festivals, tribal communities—even at local diners—where he would chat with anyone about his loves: the American Indian Film Festival and his family.

Long journey: A traditional kayak frame comes to New York

In May 2018, when the museum in New York opens its new imagiNATIONS Activity Center (iAC), one highlight will be a traditional Yup’ik kayak frame—15 feet of historically correct white spruce driftwood—made at the Qayanek Qayak Preservation Center in Kwigillingok, Alaska. The New York iAC will offer young museum-goers hands-on experiences that make vivid the origins and outcomes of Native innovation, including the genius of kayak-building.

Mile-marker from the Dakota Access Pipeline protests makes the point that U.S. treaty history is still being written

Signs nailed to a mile-marker at the DAPL protest show how far people came and from how many places to stand up for treaty rights and the right of Native Nations to be consulted as governments. Now the final section of the exhibition "Nation to Nation" at the National Museum of the American Indian, the mile-marker stands as a powerful symbol of the fact that American Indian treaties remain U.S. law, and that their stories are not finished. It also serves as a symbol of modern resistance.

Smithsonian in New York and the Embassy of Canada in Washington celebrate Arctic art

As summer turns to fall, wonderful exhibitions in New York City and Washington, D.C., feature works by Inuit women from the acclaimed artists' community of Kinngait, or Cape Dorset, on Baffin Island, Nunavut, Canada. The Smithsonian's National Museum of the American Indian’s George Gustav Heye Center in New York currently hosts "Akunnittinni: A Kinngait Family Portrait," featuring works by Pitseolak Ashoona and her daughter and granddaughter. The Embassy of Canada in the United States is presenting the one-artist show "Ningiukulu Teevee: Kinngait Stories."

Just doing "what I could," Wilma Mankiller changed Native America

Q’eswachaka, the Last Inka Suspension Bridge

Suspension bridges, which connected Andean peoples who had previously been isolated from one another, were essential to the organization and administration of the Inka Empire and played a crucial role in the social history of the region into the 20th century. No wonder neighboring communities take pride in getting together each year to rebuild the last Inka bridge.

Musician Spencer Battiest talks heritage, motivation, and Standing Rock ahead of museum concerts

Award-winning singer Spencer Battiest (Seminole Tribe of Florida/Choctaw) is a third- or fourth-generation musician, but his cultural roots go even deeper. “I’ve always had close ties with my tribe since I was young,” Spencer explains. “As I push forward in my career and see how far I can go, I always carry my tribe with me.” Battiest’s reverence for his heritage is palpable in his work. His music videos have Native directors, actors, tech hands, and producers. “I love doing business with other Natives. That’s always been my thing.”

Writing as Cathartic Practice and with Intention toward the Audience: Autumn White Eyes on Poetry

Autumn White Eyes (enrolled member of the Oglala Lakota Nation, Turtle Mountain Anishinaabe, Northern Cheyenne, and Pawnee descent) talks about writing, revision, and the evolution of her work. She sees poetry and spoken word as forms of oral tradition and storytelling: "I was lucky to grow up with my great grandmothers," she says, "and I loved hearing them tell stories, which always sounded like poetry to me." Their stories are one source of her inspiration; others include the writing and performance styles of John Trudell, Mayda del Valle, Tanaya Winder, Supaman.