Smithsonian Voices

From the Smithsonian Museums

California Natives gather in front of City Hall to celebrate Los Angeles's second annual Indigenous Peoples Day. October 14, 2019, Los Angeles, California. (Photo courtesy of Helena Tsosie)

Rethinking How We Celebrate American History—Indigenous Peoples’ Day

On Indigenous Peoples’ Day 2020, the museum brings young Native activists together online to discuss the tension between history and memory, and how both are reflected in the current racial and social landscape. Hip-hop artist Frank Waln contributes a musical performance. From left to right: Musician Frank Waln; panelists Brook Thompson, Dylan Baca, Lina Krueck, Julian Brave NoiseCat, Michaela Pavlat, and Alberto Correa III. (Photos courtesy of the participants)

Five Ideas for Celebrating Indigenous Peoples’ Day 2020

Native American veterans of the Vietnam War stand in honor as part of the color guard at the Vietnam Veterans War Memorial. November 11, 1990, Washington, D.C. (Photo by Mark Reinstein/Corbis via Getty Images)

Native Americans Have Always Answered the Call to Serve: National VFW Day 2020

Cody Ayon (Tsistsistas [Southern Cheyenne]) enlisted in both the U.S. Navy and the New Mexico Army National Guard. The Native community of Albuquerque welcomed then-Lieutenant Ayon home with a Soldier Dance after his service during the Iraq War. (Steven Clevenger [Osage], courtesy of Cody Ayon)

“We took our way of life with us to keep us strong. We represented our tribes in keeping with these values.” —Captain Cody Ayon

An Indigenous couple marries on the beach at Assateague Island National Seashore and Assateague State Park. Many of the United States' National Parks are places of historical, cultural, and sacred meaning for Native communities. (Photo used with the permission of Desirée Shelley Flores)

How Native Americans Bring Depth of Understanding to the Nation’s National Parks

A Diné child begins her much-anticipated school year online in Albuquerque, New Mexico. (Courtesy of Cornillia Sandoval, used with permission)

Returning to School in Indian Country during the Pandemic

Dressed in ceremonial regalia, Senator Ben Nighthorse Campbell (Northern Cheyenne), a veteran of the Korean War, stands with World War II veteran Senator Daniel K. Inouye and Native American veterans of the Vietnam War during the opening of the National Museum of the American Indian on the National Mall. September 21, 2004, Washington, D.C. (Mario Tama/ AFP for the National Museum of the American Indian, Smithsonian)

A Native American Remembrance on Korean Armistice Day

People protest against the name of the Washington, D.C., NFL team before a game between Washington and the Minnesota Vikings. Minneapolis, November 2, 2014. (John McDonnell/The Washington Post via Getty Images)

Ending the Use of Racist Mascots and Images

Cegape or Strike the Kettle (Lakota, ca. 1841–?). Untitled painting, collected in 1893. North or South Dakota. 20/5176. Most large paintings of this kind focus on a single event, often a battle. This painting, made by a follower of Sitting Bull, shows warriors—figures on horseback carrying lances and shields—within the Lakota way of life. (National Museum of the American Indian, Smithsonian)

144 Years after the Battle of Little Bighorn, Lakota Values Endure

Adrian Stevens (Ute/Shoshone–Bannock/San Carlos Apache) and Sean Snyder (Dine/Ute), a couple who regularly participate in powwows. (Courtesy of Adrian Stevens, used with permission)

Pride Month 2020: Perspectives on LGBTQ Native Americans in Traditional Culture

Jim Thorpe (Sac and Fox), with the inscription “To my little girl Grace From Dad Jim Thorpe 1951.” The photo, in the original folder frame, shows Thorpe during his career with the Canton Bulldogs football team, ca. 1915 to 1920. Grace Thorpe Collection, NMAI.AC.085 (pht_092_002). (National Museum of the American Indian Archives Center, Smithsonian)

Happy Birthday, Jim Thorpe! We're Celebrating by Making His Daughter's Archives More Accessible Online

Drum used by Native American soldiers during Operation Iraqi Freedom, 2007 and 2008. 27/167. The drum was also used in a Cheyenne Soldier Dance held for Cody Ayon (Southern Cheyenne) in 2010 when he returned to the United States. Mr. Ayon gave the drum to the museum in 2018. (National Museum of the American Indian)

Memorial Day in Indian Country

Gabrielle Lee (Kanaka Maoli), the first Native Hawaiian cultural interpreter on the staff of the National Museum of the American Indian, in a small section of the New York Botanical Garden that features plants native to Hawai‘i. (Courtesy of Gabbi Lee)

Aloha Opens the Door to Learning

Patricia Stone (Akimel O'otham) and Leonard Stone (Akimel O'otham) with their new baby, 1965. Gila River Indian Community, Arizona. (Helge Teiwes Collection, NMAI.AC.070)

How Do American Indians Celebrate Mother's Day?

Visitors look at a large, cut-paper work by Ian Kuali’i (Native Hawaiian and Mescalero Apache), on view at the Red Bull House of Art Detroit. Kuali’i was a resident artist at the experimental, noncommercial arts organization in 2016. (Red Bull, courtesy of Ian Kuali’i)

From aspiring breakdancer to accomplished artist, Ian Kuali’i traces his path so far

Ceramic olla purchased from Soledad Lala (Soboba Luiseño), Riverside, California, for the collections of the Museum of the American Indian, with a sketch by the collector, E. H. Davis. Olla: NMAI 7/1952. Drawing: Expedition Sketch Book, No. 2, November 1917. Edward H. Davis Papers, Huntington Free Library Collection 9166, Cornell University Library (National Museum of the American Indian, Smithsonian; sketch courtesy of the Cornell University Library)

Spotlight on Collections: Reuniting Objects and Expedition Field Notes

Chief Warrant Office Two Misty Dawn Lakota (Oglala Lakota) takes part in the White House Conference on Supporting Contemporary Native American Veterans. Washington, D.C., November 19, 2019. (White House photo by Andrea Hanks)

"I Chose to Serve Because of My Mother. I Wanted to Make Her Proud."—Chief Warrant Officer Two Misty Dawn Lakota

Genízaro Delvin Garcia standing in remains of the 18th-century Santa Rosa de Lima Church. Abiquiú, New Mexico, 2019. (© 2020 Russel Albert Daniels)

“Developing Stories: Native Photographers in the Field” Presents Contemporary Native Experiences from the Inside

From a Dance Performance on the Residential School Experience to a Symposium Celebrating Native Women's Art, Women’s History Month Matters at the National Museum of the American Indian

Coiled basket jar, ca. 1900, made by Mary Burkhead (Western Mono). Madera County, California. 16/5503. Through archival research, the museum now knows that a Western Mono woman named Mary Burkhead made this coiled basketry jar, information not listed on the catalog card. The research is part of a multiyear, multi-institutional project to recover information that was separated from, or perhaps never a part of, the museum's catalog records. (National Museum of the American Indian, Smithsonian. Note: Objects and catalog cards in these photo composites are not to scale.)

Spotlight on Collections: Expanding Both What We Know and What's Available Online

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