Author: Cécile R. Ganteaume

Cécile R. Ganteaume

In addition to curating Developing Stories: Native Photographers in the Field, Cécile R. Ganteaume is co-curator of the exhibition Americans, on view at the museum on the National Mall, and author of Officially Indian: Symbols That Define the United States. Ganteaume serves on the curatorial committee of the Smithsonian American Women’s History Initiative and is a recipient of a 2011 Secretary of the Smithsonian’s Excellence in Research Award and a team recipient of the 2018 Smithsonian Excellence in Exhibitions Award. (Photo by R.A.Whiteside, National Museum of the American Indian)

Genízaro Delvin Garcia standing in remains of the 18th-century Santa Rosa de Lima Church. Abiquiú, New Mexico, 2019. (© 2020 Russel Albert Daniels)
Woodrow Wilson “Woody” Roach. Italy, 1944 or 1945. (Photo courtesy of Della Boyer)
Manitok Thompson, Veronica Connelly, Rosie Kowna Oolooyuk, and Bernadette Dean at the National Museum of the American Indian's Cultural Resources Center. The four women—skilled caribou and sealskin clothing makers, and fluent Inuktitut-speakers and knowledge keepers—traveled to Washington from Nunavut as guests of the Embassy of Canada to attend the opening of the embassy's exhibition
In the exhibition
A 1948 Indian Chief motorcycle, a loan from the Barber Vintage Motorsports Museum in Birmingham, Alabama, is on view in the atrium of the museum. When Americans opens in the fall, the motorcycle will be moved to the exhibition gallery.
The famous engraving of Pocahontas made by Simon van de Passe (1595–1647) mirrors the Renold Elstrack (1570–1625 or after) engraving of Queen Elizabeth—and the 31 other engravings of British sovereigns published in 1618 in