Smithsonian American Art Museum

This year's titles include Daughter of the Dragon, Whalefall and Witness.

Smithsonian Scholars Recommend Their Favorite Books of 2023

Curators and staffers satisfied their endless curiosity with novels, short stories, biographies, art collections and journalistic reporting

Nam June Paik’s 1995 Electronic Superhighway: Continental U.S., Alaska, Hawaii—a pulsing map of the 50 states lined with 575 feet of multicolored neon tubing, with each state defined by flickering video from 336 televisions and 50 DVD players—is one of the museum’s most popular pieces.

With Renovated Galleries, the Smithsonian Expands Its Approach to Contemporary American Art

The historic hall in the American Art Museum where President Abraham Lincoln held his second inaugural ball welcomes more diverse voices and visions

Alma Thomas, Autumn Leaves Fluttering in the Breeze, 1973, acrylic on canvas, 40 x 50 in., Smithsonian American Art Museum, Bequest of the artist, 1980.36.9

Alma Thomas' Signature Style Is Full of Color and Tiled Brushstrokes

After a career as a schoolteacher, the Washington, D.C.-based painter flourished, creating vibrant patterns inspired by nature, the cosmos and music

Installation photography of Musical Thinking: New Video Art and Sonic Strategies, Smithsonian American Art Museum, 2023.

Video Artists Set the American Experience to Music

The Smithsonian American Art Museum brings its latest time-based media art to the widest possible audience, including the deaf and hearing impaired

Boston artist Peter Stephenson completed The Wounded Indian in 1850.

'Wounded Indian' Sculpture Will Return to Boston—Decades After It Was Supposedly Destroyed

The piece was rediscovered in 1999 at a Virginia museum, which has finally agreed to hand it over

Wendy Red Star (Apsáalooke/Crow), Four Seasons series: Summer, 2006, archival pigment print, edition 27, 23 x 26 inches

These Artists Are Redefining the American West

A new Smithsonian American Art Museum show surveys the work of Black, Asian American, Indigenous, LGBTQ+ and Latinx artists who have lived in the region

Pepón Osorio, El Chandelier, 1988

Pepón Osorio Pushes the Bounds of Public Art

The Puerto Rican artist emphasizes community in installations crafted from everyday objects

Tony Bennett painting in June 1971

Tony Bennett's Passion for Art Lives On in His Paintings

Smithsonian curators reflect on the beloved crooner's legacy as a musician and visual artist

The 10th installment of the Renwick Invitational, "Sharing Honors and Burdens," is on display at the Smithsonian American Art Museum’s Renwick Gallery. (Above: Memorial Beats by Lily Hope, 2021, thigh-spun merino and cedar bark with copper, headphones, and audio files, 16 × 4 × 10 in.)

Six Native Artists Share Their Honors and Burdens in This Year's Renwick Invitational

The emerging and established Native American and Alaska Native creators bring innovation to traditional art practices

Rhoda Goodridge in a 2 ¾-by-3 ¼-inch ambrotype made by her husband, the pioneering photographer Glenalvin Goodridge.

A Massive Archive Tells the Story of Early African American Photographers

Arresting portraits, now a part of the Smithsonian collections, illuminate the little-known role these artists played in chronicling 19th-century life

A brown-green vessel bearing the inscription, "A noble Jar for pork or beef / then carry it a round to the indian chief" made by the enslaved craftsman David "Dave" Drake, is now on view at the Smithsonian American Art Museum.

For the Enslaved Potter David Drake, His Literary Practice Was His Resistance

This 19th-century vessel, made to store meat, carries a powerful backstory of Drake's defiance of the laws of enslavement

Ihor Poshyvailo, director of the Maidan Museum in Kyiv and co-founder of Ukraine’s Heritage Emergency Response Initiative, along with his crew, salvages the remains of the Church of the Nativity of the Blessed Virgin Mary built in 1862 and shelled by the Russians in March 2022.

How Ukrainians Are Defending Their Cultural Heritage From Russian Destruction

The Smithsonian Cultural Rescue Initiative and its partners are aiding in the fight to protect the country's history and to document attempts to erase it

At the Natural History Museum, "Cellphone: Unseen Connections" opens June 23; at the Cooper Hewitt, Smithsonian Design Museum in New York City, "Give Me a Sign: The Language of Symbols" goes on view May 13; and "Ay-Ō's Happy Rainbow Hell" is part of the National Museum of Asian Art's centennial exhibitions, opening March 25.

Twenty-Three Smithsonian Shows to See in 2023

A rare Bible, George Clinton's colorful wig, Disney World history and Japanese ghosts debut this year

Philip Pearlstein (above in his studio, June 1971) was "unwaveringly interested in the landscape of the body,” says Stephanie Stebich, the director of the Smithsonian American Art Museum. 

Philip Pearlstein Painted the Naked Truth

Smithsonian curators remember the celebrated artist, who died last month at 98, and who viewed humanity with biting realism

This year's titles include I Was Better Last Night, Accidental Ecosystem and Winslow Homer: American Passage.

Smithsonian Scholars Pick Their Favorite Books of 2022

This wide-ranging list offers context for our rapidly changing world

“Dale Chihuly is one of the most important artists of the 21st century,” says Stephanie Stebich, the director of the Smithsonian American Art Museum, who is among the experts interviewed in a new documentary, "Master of Glass: The Art of Dale Chihuly."

The Unrivaled Legacy of Dale Chihuly

The pioneering glassmaker and octogenarian is the subject of a new Smithsonian Channel documentary

This month, Portraits, a podcast from the National Portrait Gallery, revisits "Finding Cleopatra," a Sidedoor episode with host Lizzie Peabody exploring the life of the artist Edmonia Lewis (above: a photographic portrait by Henry Rocher, c. 1890).

Cleopatra’s Iconoclastic Sculptor Was Her Own Kind of Queen

Smithsonian podcasts delve into the life of Edmonia Lewis, how astronauts sleep, the evolution of the human brain; and drop in on painter Kay WalkingStick

Albert “Kid” Mertz (above: Untitled, c. 1980) painted hundreds, possibly thousands of railroad spikes he had collected from tracks near his property, giving each spike a cheerful face.

The Allure of Self-Taught Art

SAAM’s new show “We Are Made of Stories” examines the 20th-century rise and creative vision of artists who make art without formal training

Edmonia Lewis circa 1870, photographed by Henry Rocher

After More Than 150 Years, Sculptor Edmonia Lewis Finally Gets Her Degree

A historian is fighting to honor the legacy of the 19th-century artist

In her new historic novel, Brooks reimagines the life of the itinerant artist Thomas J. Scott, who rendered the distinguished race horse in the oil painting, Portrait of Lexington, ca. 1857, a work that Smithsonian curator Eleanor Harvey describes as "visually riveting."

The Lost Story of Lexington, the Record-Breaking Thoroughbred, Races Back to Life

For her latest novel “Horse,” the Pulitzer-prize winning author Geraldine Brooks found inspiration in the Smithsonian collections

Page 1 of 10