Elisa Hough

Elisa Hough is the editor and web content manager at the Smithsonian Center for Folklife and Cultural Heritage.

Stories from this author

A man with short white hair, moustache, and glasses plays a wooden flute. Behind him, slightly out of focus, is a young woman with long dark hair in a bun and a black tank top.

With Birchbark and Breath, Sierra and Hawk Henries Bring Intergenerational Artistry to the ‘Dawnland’

The Dawnland Festival of Arts and Ideas in Bar Harbor, Maine, uplifts Wabanaki and Northeastern Native thought leadership and artistry with panel discussions, performances, and a thriving artists’ market.

Thousands of people assemble on the green grass of the National Mall to form a sunburst shape, the Smithsonian logo. The red-brick Smithsonian Castle rises in the background.

The Smithsonian Has 6,724 Staff Members With a Mission to Increase and Diffuse Knowledge. Hear How They Work ‘For the Common Good’

With astrophysicists and wildlife ecologists, art conservators and security officers, this discussion series invites visitors to go behind the scenes with experts across the institution.

Two men in blue shirts, blue jeans, leather belts, and white cowboy hats pose in front of a brown horse.

In Eastern Idaho, the Blackfoot Ranch Rodeo Celebrates Cowboys, Craftsmanship, and Community

Unlike regular rodeos, ranch rodeos are generally more family-friendly and focus on showcasing ranch-related events and hand skills, teamwork, and horsemanship.

Detail of album cover with black print of a warrior figure in profile wearing a feathered crown and armor.

A Journey to Right the Wrongs on Smithsonian’s ‘Anthology of Central and South American Indian Music’

In 1975, Alan Lazar compiled the anthology for Folkways Records. In the last year, Smithsonian Folkways staff found and corrected several errors in culture-group terminology, track information, and sequencing.

Turquoise mural covering the entire side of a building, with a pattern of waves along the bottom, and a brown textile with the Spanish words Viva la Vida! in the center.

In the First City Named for George Washington, a North Carolina Community Celebrates Its Latino Heritage

While artistically stunning, the creation of the new “Viva la Vida” mural follows a multiyear initiative of Washington, working with community leaders and the Latino community, to create a more inclusive, welcoming city through the arts.

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For Hawaiian Artist Roen Hufford, Making Kapa Bark Cloth Embodies an Exchange with Nature and a Way of Life

Participating in events like the Living Traditions Festival, this week in Salt Lake City, is an opportunity for Roen Hufford to honor her commitment to preserving a once at-risk art form.

Six elder Black women pose on a grassy hillside, each holding an enlarged black-and-white photo of a schoolhouse, protestors with signs, and a class photo.

The Mothers Who Marched for Equality in Hillsboro, Ohio

In May 1954, the Supreme Court ruled in Brown v. Board of Education that segregated schooling was illegal. That didn’t mean that schools changes overnight—or without a fight.

The face of a smiling young woman with face paint wearing beaded earrings against a colorful backdrop. Text: Mother Tongue Film Festival. February 19 to 22, Washington, D.C. 2026.

Your Invitation to the Smithsonian’s Mother Tongue Film Festival

27 languages, 25 films, 14 regions, 1 festival.

A group of people crouch and stand in front of a wall mural depicting desert plants.

A Catalyst for Culture in the Tucson Mall

Over a dozen artists from the sister cities of Tucson, Arizona, and Almaty, Kazakhstan, assembled for a cultural exchange in July 2025.

In the courtyard of a wooden home with tiled roof and carved doorways, strings of orange persimmons hang from a bamboo pole hung along an eave.

Our Director Reflects on “Culture of Everyday Life” and K-Culture after Visiting South Korea

What we call “folklife” in the United States—the traditions, activities, skills, beliefs, and tangible creations of a particular community—is known as the “culture of everyday life” in South Korea. But there are other differences in how we understand these concepts.

In a warmly lit room, a woman in a floral dress tells a story, both hands outstretched, for a small seated audience that watches her and smiles.

Top Five Folklife Stories of 2025

#ICYMI, here are the most-read articles from the Center’s online magazine this year.

Film still of an elder woman and a young man, both in wheelchairs, facing each other in conversation and smiling in a warmly lit living room. A man sits to the side, next to a laptop, also smiling.

A Glimpse at 'The Ride Ahead' and a More Inclusive Future With Filmmaker Samuel Habib

“Disabled people should have their voices heard, and we should be able to tell our own stories,” Habib says

A man wearing glasses, white headwrap, and apron holds a metal object to a flame in a forge, sparks flying toward the stone walls.

The Reappearing Art of Metalworking in Mukhrani, Georgia

In Georgian mythology, the blacksmith is often portrayed as a magical figure endowed with superhuman strength—sometimes even as a semi-divine being.

Map of North America with several points across the continent marked with a blue pinpoint.

Explore Native American Films in the Mother Tongue Story Map

Through documentaries and dramas, animations and music videos, this collection highlights the cultural and linguistic diversity of the Americas.

A woman in a yellow dress and long braids skateboarding on a half-pipe

On International Day of Indigenous Women, Meet Native Women Skaters Making Space in the Sport

This is how Imilla Skate celebrates skateboarding’s Indigenous past and present.

Close-up on a pair of hands removing multicolored dried corn kernels into a woven basket.

The Journey of Myaamia Native Corn to the Smithsonian Folklife Festival (A Photo Essay)

The journey of myaamia miincipi reflects the journey of the Myaamia people, who have been working tirelessly to reclaim their language and culture.

Timelapse photo of a bright pink night sky with the trails of stars creating concentric white circles. Tops of trees are lit up yellow at the bottom of the photo.

Finding Hope in Sidewalk Astronomy, From a Neighborhood Near You to a Galaxy Far, Far Away

During the 2025 Smithsonian Folklife Festival, sidewalk astronomers brought a sense of hope into Washington, D.C.

A collection of twelve custom-made, metallic signs is displayed against a dark background. The signs are arranged in three rows of four. The signs are a mix of gold and silver colors with various fonts and designs.

Indonesian Artists of SWEDA Build a Brand—with a Silver Lining

These jewelry artists came all the way from Yogyakarta, Indonesia, to Washington, D.C., to share the traditions and innovations of their silversmithing practice at the 2025 Smithsonian Folklife Festival.

Backshot of two men work together to pin blueprints of a building design to a corkboard wall.

In Charleston, American College of the Building Arts Educates the Next Generation of Craftspeople

Synthesizing liberal arts education with hands-on experience in architectural trades, ACBA strives to encourage the preservation, enrichment, and understanding of global architectural heritage.

A woman with long dark hair and dark outfit plays a white electric guitar on a dimly blue lit stage. She and her guitar are slightly blurry.

A Q&A With Musician Gretchen Gonzales Davidson on Arts and Advocacy

“For all of the art that is consumed by everybody, everywhere, every day, it’s a shame that art is often undervalued”

Wooden shelves and counter filled with jars are lit by two oil lamps.

In Appalachia, Women Carry Traditions in Folk Magic and 'Granny Witchcraft'

Folk magic goes by many names in the Appalachian Mountains: root work, granny magic, kitchen witchery, Braucherei, witchcraft

A dining table set with more than a dozen dishes of food, including white rice, meat on skewers, stewed vegetables, and sliced cucumbers.

Top 5 Folklife Stories from 2023

This year, Folklife Magazine published a sprawling diversity of stories—from Armenian protest movements to young Asian American farmers.

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The History Behind Argentina’s Unofficial Anthem for the 2022 World Cup

A viral chant energized the world champions during the tournament in Qatar

Two men with long hair, one older and one younger, perform with eyes closed on stage. They each hold a painted rattle, and the older man in the foreground also holds a microphone.

A Kumeyaay Folktale Illuminates Why the Sun and Moon Shine at Different Times

The celestial beings took a lesson from two frogs in love

Carolyn Smith collecting beargrass in Klamath National Forest, 2015. For beargrass to be supple enough for weavers to use in their baskets, it needs to be burned annually. Ideally, it is burned in an intentionally set cultural fire, where only the tops are burned, leaving the roots intact. Prescribed fires in the Klamath National Forest are few and far between, so weavers “follow the smoke” and gather, when they can, after wildfires sweep through the landscape. (Photo courtesy of Carolyn Smith)

How Indigenous Ecological Knowledge Offers Solutions to California’s Wildfires

“We need to reintegrate Indigenous traditional ecological knowledge and cultural and prescribed burning into our landscape,” Carolyn Smith says.

Lisa Marie Thalhammer holds her original LOVE poster with her mural in the background. (Photo by Grant Langford)

This D.C. Muralist Finds Pride and Power in Public Art

Living in Washington, D.C., allows Thalhammer to be close to the political action. It’s important for her to be part of the national conversation. She participates in rallies supporting LGBTQ rights as well as the Women’s March.

인삼주 Insam-ju is a ginseng liquor made by preserving ginseng in alcohol above thirty proof. Korean people often make insam-ju at home and take a shot daily for its health benefits. It is also shared with special guests and is often paired with samgyetang (ginseng chicken soup). (Photo by Grace Dahye Kwon)

How Ginseng Connects Me to the Roots of My Korean American Community

Although I grew up in the Northern Virginia area, with the third largest Korean American population in the United States, I always felt foreign, even in my own neighborhood. Adults butchered my name “Dahye” until I finally changed it to “Grace,” just to get through morning roll call.

(Photo courtesy of Masatsu “Masa” Kawamoto collection, Division of Work and Industry, Smithsonian’s National Museum of American History)

Cowboys in the Tropics: A History of the Hawaiian Paniolo

In 1793, while Hawai‘i was still an independent republic, British Captain George Vancouver gifted King Kamehameha I a small amount of cattle that quickly multiplied. In the early nineteenth century, several Mexican vaqueros (cowboys) were sent to the islands to teach Hawaiians how to ride horses and maintain the cattle. Roping cattle and riding horses seem fitting in the prairie grasslands of Oklahoma, but the Hawaiian style of cowboy traditions is unique to the landscape.

Chinese poetry carved on the wall of the Angel Island Immigration Station in the San Francisco Bay. (Text from Island: Poetry and History of Chinese Immigrants on Angel Island, 1910-1940)

The Chinese Poetry Left at Angel Island, the “Ellis Island of the West”

Angel Island Immigration Station was built in 1910 in the San Francisco Bay mainly to process immigrants from China, Japan, and other countries on the Pacific Rim. Its primary mission was to better enforce the Chinese Exclusion Act of 1882 and other anti-Asian laws enacted in subsequent years.

Elizabeth Acevedo (Photo by Jonathan B. Tucker)

How Poet Elizabeth Acevedo Brings Sacred Monsters to Life

What inspires Acevedo more than anything else are uncelebrated heroes. While pursuing an MFA in creative writing, she realized she wished to dedicate her writing to this idea. She felt somewhat isolated, as the only student in the program of African descent, of an immigrant background, and from a large city.

Barbara Dane with the Chambers Brothers at the 1965 Newport Folk Festival. (Photo by Diana Davies, Ralph Rinzler Folklife Archives)

How Barbara Dane Carries a Proud Tradition of Singing Truth to Power

Barbara Dane’s protest music took her to Mississippi Freedom Schools, free speech rallies at UC Berkeley, and in the coffeehouses where active-duty men and women steered clear of military police and regulations forbidding protests on bases.

Black Banjo Reclamation Project founders Hannah Mayree and Carlton “Seemore Love” Dorsey, with banjos made by Brooks Masten of Brooks Banjos in Portland, Oregon. (Photo by Avé-Ameenah Long)

A Quest to Return the Banjo to Its African Roots

The Black Banjo Reclamation Project aims to put banjos into the hands of everyday people.

Admas. From left, clockwise: Abegasu Shiota, Henock Temesgen, Tewodros Aklilu, and Yousef Tesfaye. (Photo courtesy of Frederiksberg Records)

Sons of Ethiopia: A Snapshot of Admas and D.C. Music in the 1980s

Admas draws from and rearranges “golden era” Ethiopian music with then-fairly-new synthesizer and drum-machine rhythms.

Zapotec weaver Porfirio Gutiérrez at work in his studio. (Photo courtesy of the artist)

How We Can Travel the World and Share Culture through Craft

The Folklife Festival Marketplace offers authentic craftwork created by artisans representing communities from recent Festival programs: Armenia, Peru, Mexico, and Brazil, along with other countries around the globe