Smithsonian Voices

From the Smithsonian Museums

My Post (37).jpg

Native American Arts in Focus: Sustaining Traditions—Digital Memories

Discover how artist Kelly Church is ensuring that centuries of Indigenous traditions are preserved for future generations with her beautifully woven basketry.

James Akers, The Wild One (B)

Contemporary Glass Art Exhibition Brings Fresh Global Perspectives to the Renwick Gallery

Angel Rodríguez-Díaz, The Protagonist of an Endless Story, 1993, oil on canvas, 72 x 57 7/8 in. (182.9 x 147.0 cm.), Museum purchase made possible in part by the Smithsonian Latino Initiatives Pool and the Smithsonian Institution Collections Acquisition Program, 1996.19, © 1993, Angel Rodriguez-Diaz.

Exhibition Showcases How Artists Challenge Mythic Conceptions of the American West

Oree Originol, Justice for Kayla Moore and Justice for Layleen Polanco, from Justice for Our Lives, 2014-2020, 78 digital images, Smithsonian American Art Museum, Museum purchase through the Patricia Tobacco Forrester Endowment, 2020.51A-MM, © 2014, Oree Originol.

Chicanx Queer Visions: Fighting for Change and Exploring Identity

Oree Originol, Justice for Our Lives, 2014-Present, 78 digital images, Smithsonian American Art Museum, Museum purchase through the Patricia Tobacco Forrester Endowment, 2020.51A-MM, © 2014, Oree Originol. Photo of Installation by Albert Ting.

Protest and Remembrance: Chicanx Artists Confront Police Brutality

Eric J. García, Chicano Codices #1: Simplified Histories: The U.S. Invasion of Mexico 1846-1848, 2015, offset lithograph on paper, Smithsonian American Art Museum, Museum purchase through the Lichtenberg Family Foundation, 2020.21.1R-V, © 2020, Eric J. García

Chicano Artists Challenging History and Reclaiming Cultural Memory

Lauren Fensterstock, The totality of time lusters the dusk, 2020, glass, Swarovski crystal, quartz, obsidian, onyx, hematite, paper, Plexiglas, wood, cement, lath, and mixed media, dimensions variable, (Courtesy Claire Oliver Gallery. Photo by Ron Blunt)

Lauren Fensterstock in Focus: Finding Inspiration in the End of the World

Xavier Viramontes,

Chicano Graphic Arts and the Making of the Landmark Exhibition "¡Printing the Revolution!"

“I’ll take Alexander von Humboldt for $500, Alex.”

Jeopardy! Champion Ken Jennings on Lessons Learned from Alexander von Humboldt

Chiura Obata,

Chiura Obata: Artist Interrupted

What's a mastodon doing at SAAM? Dr. Advait Mahesh Jukar, a Deep Time Fellow and Paleontologist at the Smithsonian's National Museum of Natural History, answers our questions.

Hips Don't Lie: The American Incognitum

Chapter three begins with an image of a black walnut branch and its hanging flowers.

Designing for Humboldt: Five Questions with Karen Siatras

Frederic Edwin Church, “Study for “The Heart of the Andes,”” 1858, oil on canvas, 10 1/4 x 18 1/4 in., Olana State Historic Site, New York State Office of Parks, Recreation and Historic Preservation, OL.1981.47.A.B.

A Brush with Nature: Alexander von Humboldt and Frederic Church

Gather your supplies for flower exploration and natural dye lab. All photos by Gloria Kenyon.

Flower Exploration and Natural Dye Lab

Christi Belcourt (Michif),

How Native Women Artists Guided the Creation of "Hearts of Our People"

Friedrich Georg Weitsch, Portrait of

Before There Was Beyoncé, There Was Humboldt

David Levinthal,

The Puck Stops Here: David Levinthal's Hockey Photographs

The

Burning Man: Through the Fire

Visitors leave hand-written notes after viewing the exhibition,

"Art Does Have an Impact": Visitors Respond

The author

Pitch Perfect: On David Levinthal, Roberto Clemente, and Baseball

Latest

Native American Arts in Focus: Sustaining Traditions—Digital Memories

Are You Feeling Spooky or Soulful This Season?

Categories
Archive