Smithsonian Voices

From the Smithsonian Museums

Kevin Bubriski, World Trade Center Series, New York City, 2001, gelatin silver print, Smithsonian American Art Museum, Gift of the Consolidated Natural Gas Company Foundation, 2003.65.1, © 2001, Kevin Bubriski

The Art of Remembering 9/11

Two Covers from

New Comic Series Presents Ten Visionaries and Rule Breakers in SAAM’s Collection

Angel Rodríguez-Díaz, The Protagonist of an Endless Story, 1993, oil on canvas, 72 x 57 7/8 in. (182.9 x 147.0 cm.), Museum purchase made possible in part by the Smithsonian Latino Initiatives Pool and the Smithsonian Institution Collections Acquisition Program, 1996.19, © 1993, Angel Rodriguez-Diaz.

Exhibition Showcases How Artists Challenge Mythic Conceptions of the American West

Oree Originol, Justice for Kayla Moore and Justice for Layleen Polanco, from Justice for Our Lives, 2014-2020, 78 digital images, Smithsonian American Art Museum, Museum purchase through the Patricia Tobacco Forrester Endowment, 2020.51A-MM, © 2014, Oree Originol.

Chicanx Queer Visions: Fighting for Change and Exploring Identity

Claggett Wilson, Saviors of France--Jeanne d'Arc, St. Louis, Clovis and the Hands of the Common Soldier, ca. 1919, watercolor on paperboard, Smithsonian American Art Museum, Gift of Alice H. Rossin, 1981.163.13

Discoveries from the Collection: Honoring Sacrifice this Memorial Day with U.S. Military Cemetery Historian

Eric J. García, Chicano Codices #1: Simplified Histories: The U.S. Invasion of Mexico 1846-1848, 2015, offset lithograph on paper, Smithsonian American Art Museum, Museum purchase through the Lichtenberg Family Foundation, 2020.21.1R-V, © 2020, Eric J. García

Chicano Artists Challenging History and Reclaiming Cultural Memory

Alma Thomas, Autumn Leaves Fluttering in the Breeze, 1973, acrylic on canvas, Smithsonian American Art Museum, Bequest of the artist, 1980.36.9

Five Women Changemakers in American Art

Untitled (Old Maid's Puzzle). Holmes County, Ohio, circa 1930. This is the first quilt the Brown’s purchased, in 1976, that started their Amish quilt collection.

The Graphic Appeal of Amish Quilts

Unidentified, Untitled (Side with the Farmworkers), front and reverse views, c. 1973, screenprint on computer tractor paper, Smithsonian American Art Museum, Gift of the Margaret Terrazas Santos Collection, 2019.52.4

From Recycling to Revolution: Alternative Media in Chicanx Protest Art

Julia Kwon’s interactive art projects facilitate solidarity and community

Making the Most: In the Studio with Julia Kwon

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The Art of Remembering 9/11

Across the Nation and Around the Globe: Learning with American Art

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