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Smithsonian American Art Museum and the Renwick Gallery

Alma Thomas, Autumn Leaves Fluttering in the Breeze, 1973, acrylic on canvas, Smithsonian American Art Museum, Bequest of the artist, 1980.36.9

Five Women Changemakers in American Art

Celebrating Women’s History Month by illuminating the stories of women who challenged both what art could be and who could be an artist

Untitled (Old Maid's Puzzle). Holmes County, Ohio, circa 1930. This is the first quilt the Brown’s purchased, in 1976, that started their Amish quilt collection.

The Graphic Appeal of Amish Quilts

Celebrating National Quilting Day with a gift of Amish quilts

Unidentified, Untitled (Side with the Farmworkers), front and reverse views, c. 1973, screenprint on computer tractor paper, Smithsonian American Art Museum, Gift of the Margaret Terrazas Santos Collection, 2019.52.4

From Recycling to Revolution: Alternative Media in Chicanx Protest Art

How Chicanx protest artists in the 1970s used discarded materials in their work

Lauren Fensterstock, The totality of time lusters the dusk, 2020, glass, Swarovski crystal, quartz, obsidian, onyx, hematite, paper, Plexiglas, wood, cement, lath, and mixed media, dimensions variable, (Courtesy Claire Oliver Gallery. Photo by Ron Blunt)

Lauren Fensterstock in Focus: Finding Inspiration in the End of the World

New artwork explores how weather and celestial activity have been used as metaphor

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