Claudia Zapata

Claudia E. Zapata is a curatorial assistant of Latinx art at the Smithsonian American Art Museum, and is a doctoral candidate at Southern Methodist University. They received their BA and MA in art history from the University of Texas at Austin, specializing in Classic Maya art. Their research interests include curatorial methodologies of identity-based exhibitions, Chicanx and Latinx art, digital humanities, BIPOC zines, and designer toys. Zapata has curated exhibitions at Mexic-Arte Museum in Austin and other Texas institutions. They have published articles in Panhandle-Plains Historical Review, JOLLAS, Aztlán, Hemisphere, and El Mundo Zurdo 7.

Stories from this author

Oree Originol, Justice for Kayla Moore and Justice for Layleen Polanco, from Justice for Our Lives, 2014-2020, 78 digital images, Smithsonian American Art Museum, Museum purchase through the Patricia Tobacco Forrester Endowment, 2020.51A-MM, © 2014, Oree Originol.

Chicanx Queer Visions: Fighting for Change and Exploring Identity

Artists in SAAM's exhibition <em>¡Printing the Revolution!</em> explore pressing issues of the LGBTQ+ community

Eric J. García, Chicano Codices #1: Simplified Histories: The U.S. Invasion of Mexico 1846-1848, 2015, offset lithograph on paper, Smithsonian American Art Museum, Museum purchase through the Lichtenberg Family Foundation, 2020.21.1R-V, © 2020, Eric J. García

Chicano Artists Challenging History and Reclaiming Cultural Memory

Chicano artists use graphics to reframe history with new perspectives

Unidentified, Untitled (Side with the Farmworkers), front and reverse views, c. 1973, screenprint on computer tractor paper, Smithsonian American Art Museum, Gift of the Margaret Terrazas Santos Collection, 2019.52.4

From Recycling to Revolution: Alternative Media in Chicanx Protest Art

How Chicanx protest artists in the 1970s used discarded materials in their work

Xavier Viramontes,

Chicano Graphic Arts and the Making of the Landmark Exhibition "¡Printing the Revolution!"

Exploring the origins of the exhibition that combines innovative printmaking practices with social justice