Smithsonian Voices

From the Smithsonian Museums

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Native American Arts in Focus: Sustaining Traditions—Digital Memories

Discover how artist Kelly Church is ensuring that centuries of Indigenous traditions are preserved for future generations with her beautifully woven basketry.

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Are You Feeling Spooky or Soulful This Season?

James Akers, The Wild One (B)

Contemporary Glass Art Exhibition Brings Fresh Global Perspectives to the Renwick Gallery

Carmen Lomas Garza, Camas para Sueños, 1985, gouache on paper

Exploring Latinx Stories in American Art

Kevin Bubriski, World Trade Center Series, New York City, 2001, gelatin silver print, Smithsonian American Art Museum, Gift of the Consolidated Natural Gas Company Foundation, 2003.65.1, © 2001, Kevin Bubriski

The Art of Remembering 9/11

Volunteer Helen Dickerson (L) and staff member Colleen Brown (R) connected with students for virtual lessons from 2004-2011; Photo by SAAM staff.

Across the Nation and Around the Globe: Learning with American Art

Two Covers from

New Comic Series Presents Ten Visionaries and Rule Breakers in SAAM’s Collection

Jenova Chen, Kellee Santiago, Flower, 2007, video game for SONY PS3, color, sound, Smithsonian American Art Museum, Gift of thatgamecompany, 2013.70, © 2008 Sony Computer Entertainment American LLC. Flower is a registered trademark of Sony Computer Entertainment America LLC. Developed by thatgamecompany.

Building Community Through Video Games

Angel Rodríguez-Díaz, The Protagonist of an Endless Story, 1993, oil on canvas, 72 x 57 7/8 in. (182.9 x 147.0 cm.), Museum purchase made possible in part by the Smithsonian Latino Initiatives Pool and the Smithsonian Institution Collections Acquisition Program, 1996.19, © 1993, Angel Rodriguez-Diaz.

Exhibition Showcases How Artists Challenge Mythic Conceptions of the American West

Photo by Darren Milligan

SAAM Arcade 2021: What Is a Game Jam?

Oree Originol, Justice for Kayla Moore and Justice for Layleen Polanco, from Justice for Our Lives, 2014-2020, 78 digital images, Smithsonian American Art Museum, Museum purchase through the Patricia Tobacco Forrester Endowment, 2020.51A-MM, © 2014, Oree Originol.

Chicanx Queer Visions: Fighting for Change and Exploring Identity

Claggett Wilson, Saviors of France--Jeanne d'Arc, St. Louis, Clovis and the Hands of the Common Soldier, ca. 1919, watercolor on paperboard, Smithsonian American Art Museum, Gift of Alice H. Rossin, 1981.163.13

Discoveries from the Collection: Honoring Sacrifice this Memorial Day with U.S. Military Cemetery Historian

Oree Originol, Justice for Our Lives, 2014-Present, 78 digital images, Smithsonian American Art Museum, Museum purchase through the Patricia Tobacco Forrester Endowment, 2020.51A-MM, © 2014, Oree Originol. Photo of Installation by Albert Ting.

Protest and Remembrance: Chicanx Artists Confront Police Brutality

Paul Manship, Four Angels (sketch for Altar Triptych, American Military Cemetery, Anzio, Italy), ca. 1955, pen and ink and pencil on paper, Smithsonian American Art Museum, Bequest of Paul Manship, 1966.47.147

Discoveries from the Collection: Honoring Service and Sacrifice in American Art

Eric J. García, Chicano Codices #1: Simplified Histories: The U.S. Invasion of Mexico 1846-1848, 2015, offset lithograph on paper, Smithsonian American Art Museum, Museum purchase through the Lichtenberg Family Foundation, 2020.21.1R-V, © 2020, Eric J. García

Chicano Artists Challenging History and Reclaiming Cultural Memory

Alma Thomas, Autumn Leaves Fluttering in the Breeze, 1973, acrylic on canvas, Smithsonian American Art Museum, Bequest of the artist, 1980.36.9

Five Women Changemakers in American Art

Untitled (Old Maid's Puzzle). Holmes County, Ohio, circa 1930. This is the first quilt the Brown’s purchased, in 1976, that started their Amish quilt collection.

The Graphic Appeal of Amish Quilts

Unidentified, Untitled (Side with the Farmworkers), front and reverse views, c. 1973, screenprint on computer tractor paper, Smithsonian American Art Museum, Gift of the Margaret Terrazas Santos Collection, 2019.52.4

From Recycling to Revolution: Alternative Media in Chicanx Protest Art

Lauren Fensterstock, The totality of time lusters the dusk, 2020, glass, Swarovski crystal, quartz, obsidian, onyx, hematite, paper, Plexiglas, wood, cement, lath, and mixed media, dimensions variable, (Courtesy Claire Oliver Gallery. Photo by Ron Blunt)

Lauren Fensterstock in Focus: Finding Inspiration in the End of the World

Julia Kwon’s interactive art projects facilitate solidarity and community

Making the Most: In the Studio with Julia Kwon

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Native American Arts in Focus: Sustaining Traditions—Digital Memories

Are You Feeling Spooky or Soulful This Season?

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