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Renwick Gallery

The exhibit room appears nearly monochromatic and devoid of life before the augmented reality app reveals Ruffner's invented plants.

This Artist Imagines How Nature Evolves Following an Environmental Apocalypse

Ginny Ruffner’s “Reforestation of the Imagination” at the Renwick uses augmented reality to show the plants that might grow after environment devastation

An assemblage Assimilation? Destruction? by ceramicist Sharif Bey, is primarily about globalization and cultural identity. It is also a reference to Bey’s identity as a potter and an artist of color.

Four Craft Artists Use Their Medium to Tell the Story of Our Times

The Renwick’s newest show challenges everything you thought you knew about craft art

Shrumen Lumen by FoldHaus, 2018

Future of Art

How One Museum Curator Is Bringing Burning Man Out of the Desert

The outré scene of unrestrained revelry and cutting-edge art in Nevada’s Black Rock Desert comes to the Renwick Gallery

This year's crop of Smithsonian winter shows is as disparate as it is delightful.

This Holiday Season, Make Merry in a Museum

From heavenly light shows to diabolical dollhouses, the Smithsonian’s winter exhibitions offer something for everyone

Viewers are invited to sprawl on the carpeted floor and look up.

People Are Lying on the Floor To See this Dazzling Ceiling Puzzle

The work pays homage to the vaulted domes, ornate Italianate arches and Art Deco geometric forms of nine of the nation’s historic ceilings

Rick Araluce's The Final Stop, installed at the Renwick Gallery, is a world unto itself.

At This Spectral Subway Platform, Trains Approach But Never Arrive

An otherworldly art installation debuts at the Renwick just in time for Halloween

Three-Room Dwelling (detail) by Frances Glessner Lee, about 1944-46

Home Is Where the Corpse Is—at Least in These Dollhouse Crime Scenes

Frances Glessner Lee’s “Nutshell Studies” exemplify the intersection of forensic science and craft

This resplendent Tibetan shrine room will greet visitors to the Sackler Gallery's upcoming "Encountering the Buddha" exhibition.

From Egyptian Cats to Crime Scenes, Here’s a Preview of the Smithsonian’s Upcoming Shows

Gallery-goers in D.C. and NYC are in for a mental workout with shows that deliver on everything from the experimental to the traditional

Peter Voulkos in his Glendale Boulevard Studio in Los Angeles California

The Ceramicist Who Punched His Pots

Influenced by avant-garde poets, writers and Pablo Picasso, Peter Voulkos experimented with the increasingly unconventional

Vessel (#2309) by June Schwarcz, 2006, electroplated copper foil and enamel, gold plated

The Innovative Spirit fy17

Artist June Schwarcz Electroplated and Sandblasted Her Way Into Art Museums and Galleries

The Renwick hosts a 60-year career retrospective for the innovative California enamelist

Global Cities by Norwood Vivian, 2015

Mapping the World’s Great Cities in a Most Unusual, Yet Visually Arresting, Fashion

Part urban planner, part cartographer, sculptor Norwood Viviano uses state-of-the-art mapping tools to make powerful works of art

Monopoly, 2007 by Kristen Morgin

This Game of Monopoly Is Made Entirely of Clay

Kristen Morgin’s playful illusions explore ideas of abandonment and the American dream

Marion’s Morifolium Neckpiece by Jennifer Trask, 2011, includes sewing needles, antler, various teeth and bones and cast resin with bone powder, among other materials.

Bones and Blood Lurk Within These Stunning Works of Art

Sculptor Jennifer Trask sees a rich backstory in her materials

Peonies and Butterflies, Steven Young Lee, 2013, porcelain, cobalt inlay, gold luster decals. Collection of Lee and Mel Eagle

Steven Young Lee Crafts Perfectly Imperfect Pottery

Rigorously trained, this artist makes works that look woefully broken

Anonymous Donor looms, at more than ten feet tall. “As you are walking through it you’re just engulfed by the object,” says curator Nicholas Bell.

The Renwick Reopens

Artist Chakaia Booker Gives Tires a Powerful Retread

Booker empowers her monumental sculptures with new life, shaped by the shearing and bending and folding of repurposed rubber

Echelman's sculpture is inspired by data supplied by NASA and NOAA, the National Oceanic and Atmospheric Administration, measuring the effects of the earthquake and tsunami that ravaged Tohoku, Japan in 2011.

The Renwick Reopens

How One Artist Learned to Sculpt the Wind

Artist Janet Echelman studied ancient craft, travel the world and now collaborates with a team of specialists to choreograph the movement of air

Dawe says he loved having to work with the Renwick building’s 19th-century architectural details as a backdrop.

The Renwick Reopens

Artist Gabriel Dawe Made a Rainbow Out of 60 Miles of Thread

The artwork is an optical illusion that delights the senses; as if the artist embroidered the air

Villareal’s piece, titled Volume (Renwick), holds pride of place above the museum’s historic grand stairway. It uses LEDs embedded in 320 mirrored stainless steel rods.

The Renwick Reopens

Leo Villareal’s 23,000 Points of Light Illuminate the Renwick Gallery

With tens of thousands of individual LEDS, a dangling light sculpture majestically redefines the grand staircase at the Renwick

“The making of these trees was so much in that spirit—in terms of dodging the ease of digital and instead doing this all by hand,” says Grade.

The Renwick Reopens

This Artist Recreated a Magnificent 40-Foot-Tall Tree From the Cascade Mountains by Hand

Artist John Grade painstakingly built a 150-year-old giant hemlock out of half a million blocks of reclaimed wood

Shindig by Patrick Dougherty is on view at the newly renovated Renwick Gallery.

The Renwick Reopens

This Tilting, Twirling Artwork, Sculpted Entirely of Sticks, Is Having a Shindig

Stick man Patrick Dougherty’s sculptures evoke a playful urge to crawl inside

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