For the last 20 years, the National Museum of the American Indian's annual film festival has provided a venue for Native filmmakers who are telling their own stories in their own voices and using the medium as a catalyst for change. This year, from November 18 through 27, the museum presents Native Cinema Showcase entirely online, with many of the selections available to viewers around the world. Here, the museum’s New York film programmer highlights showcase films for every audience.
Join us to celebrate the Day of the Dead virtually with cultural and environmental presentations, music, and art online. Share memories of your loved ones on the museum's Facebook page. The roots of el Día de los Muertos are millennia-deep in Indigenous Mexico. Today, the holiday is celebrated in cities and towns throughout the United States and, increasingly, around the world. In addition to giving an overview of the observance and a look at the virtual programs being offered by the museum this weekend, Dennis Zotigh provides links to online resources, including family activities and good books for young readers.
On Monday, October 12, 14 states and the District of Columbia, more than 130 cities, and growing numbers of schools will observe Indigenous Peoples’ Day. If you and the young people in your life are looking for ways to honor and celebrate Native America at home, the teacher services coordinator at the National Museum of the American Indian in Washington, D.C., has ideas—from research resources for making your garden a native ecosystem, to good books for readers of all ages, to online programs where Native guests discuss issues of importance to us all.
On National Park Service Founders Day, the museum looks at the changing relationship between Native Americans and the National Park Service through the eyes of three Native rangers and interpreters: “I think Native interpreters steeped in their own tribal cultures are inclined to go the extra mile to educate the public about other vantage points of an historical event or issue,” writes Roger Amerman (Choctaw Nation of Oklahoma). “I worked extremely hard to tell a complicated story. Even when I was off the clock, I was still thinking of how to add to the story of my park.”
As families across the United States begin the new school year amid the coronavirus pandemic, Native people face steeper obstacles than many other Americans. The eight U.S. counties with the largest Native populations have nearly double the national average of confirmed cases of Covid-19, and Native Americans have the highest hospitalization rate of any ethnic group in the country. Many Native families live in multigenerational households or in isolated areas with limited access to public services or the Internet. Many students attend Bureau of Indian Affairs schools administered by the federal government. With all this in mind, the museum asked Native students, teachers, parents, and school administrators across Indian Country to share their concerns about returning to school right now.
As the country debates racist symbolism in monuments, sports, and commercial brands—and the Washington NFL franchise considers dropping the racial slur from its name—the director and board chair of the National Museum of the American Indian take the stand that the appropriation of Native language and imagery never serves to honor Indigenous people, histories, and cultures. On the contrary, it perpetuates racism and legitimizes racist acts.
For Lesbian, Gay, Bisexual, Transgender, and Queer Pride Month, Dennis Zotigh, a cultural specialist at the National Museum of the American Indian, invited Native friends to tell us how their traditional culture saw its LGBTQ members. A Chiricahua Apache friend replied, “Now, Dennis, this is a human question, not [just] Native.” We agree. But we also appreciate hearing what Native Americans have learned, reconstructed, or been unable to reconstruct about this part of our shared history and experience.
The exact date of Jim Thorpe's birth is unknown, but it is generally believed that the first Native American to win an Olympic gold medal for the United States—regarded by many as one of the greatest athletes of all time—was born on May 22, 1887, or May 28, 1888. In honor of his birth, the Smithsonian Transcription Center has added eight significant projects from the Grace Thorpe collection in the museum's archives, including Grace’s “Memories of Dad” and her answer to the frequently asked question “How does it feel to be Jim Thorpe’s daughter?” Read more about Grace Thorpe’s life, then consider becoming a Smithsonian digital volunteer and contributing to the Transcription’s Center’s work.
The call to serve in the U.S. armed forces has resonated for Native American, Alaska Native, and Native Hawaiian men and women from the country's founding to the present day. Veterans are honored at Native gatherings of all kinds, where they are often asked to perform flag-raisings, blessings, and traditional acknowledgements. In powwows, veterans lead the grand entry carrying eagle staffs and national, state, tribal, and military flags, important reminders that the roots of the modern powwow lie in warrior societies. Here, Native friends share the meaning of Memorial Day for their families.
The first Native Hawaiian cultural interpreter on the staff of the National Museum of the American Indian explores the importance of aloha in the Hawaiian worldview. “More than a greeting or salutation, aloha is like a feeling that encompasses many other feelings,” Gabrielle Lee writes, a set of values that “work together to build a profound sense of love and respect for others.” In the spirit of aloha, she sees museums as places to learn together. Celebrate Asian Pacific American Heritage Month by exploring the Smithsonian’s collections of art and objects from Hawai‘i and the Pacific: https://www.si.edu/spotlight/asian-american
In the early 20th century, Native people responded to the proclamation of Mother’s Day with powwows, ceremonies, rodeos, feasts, and songs that honor Native mothers. How do American Indians celebrate today? Recognizing that family traditions for many of us will be different this year, Native friends from across the United States and Canada share their thoughts on Mother’s Day.
Ian Kuali’i (Native Hawaiian and Mescalero Apache) is known both for his cut-paper art and for his background in hip hop and graffiti. In this profile, the museum’s Justin Mugits talks to Ian about the creative influences in his life and finding his space in urban contemporary and Indigenous art.
Since the turn of the 20th century, Native American photographers have taken the representation of their people into their own hands. In “Developing Stories: Native Photographers in the Field,” Russel Albert Daniels and Tailyr Irvine present original images that illustrate issues important to Native Americans today. Daniels (of Diné and Ho-Chunk descent) looks at the Genízaro people of Abiquiú, New Mexico. The Genízaro embrace the painful history of their ancestors and their perseverance in creating an enduring community. Irvine (Salish and Kootenai) visits the Flathead Reservation and nearby Missoula, Montana. She shows how blood quantum requirements for tribal enrollment complicate young people’s most personal decisions. Created in collaboration with the museum originally for exhibition in New York and Washington, as well as online, “Developing Stories” opens on the museum’s website with Daniels’ piece, to be followed this summer by Irvine’s essay.
Most of the Native American art we see in museums, in the United States and around the world, was created by women. In many traditional tribal governments, women formed the upper council, responsible for decisions of war and peace, and women have been elected to the highest offices in 20th-century Native nations throughout the United States. In short, Women’s History Month is important to our museum. Here are highlights of programs on the calendar in Washington, D.C., and New York City throughout March 2020.
For the close of African American History Month, and looking ahead to Smithsonian magazine's Museum Day April 4, we talk with Maria Marable-Bunch about her formal and informal education and her career in museums. A widely respected educator—recipient of the Alliance of American Museums’ Award for Excellence in Practice—and an accomplished artist, Maria, as she prefers to be called, is one of three associate directors of the Smithsonian’s National Museum of the American Indian.
Everything people need to know to join the National Museum of the American Indian in celebrating the diversity and contributions of Native Americans and Alaska Natives during Native American Heritage Month this November. For friends unable to visit Washington, D.C., or New York, the museum is webcasting many of these public programs live, then archiving them online.
A 20-second time-lapse video captures a couple of hours of work on a cut-paper piece by artist Ian Kuali’i (Native Hawaiian and Mescalero Apache). Here, Kuali’i is cutting along the sketched the outline of a portrait, though he also cuts freehand. (We asked he ever uses a projected image as a cutting guide. He doesn’t and offers the advice, “Simplify!”) Kuali'i, the 2019 Ronald and Susan Dubin Native Artist Fellow at the School for Advanced Research in Santa Fe, is demonstrating his art and talking with visitors tomorrow, October 19, 2019, at the National Museum of the American Indian in New York City.
Suzan Shown Harjo has helped shape current ideas about cultural representation and respect. In Congress and the courts, she has advocated for reforms from the restoration of Native American religious freedoms to the protection of sacred lands. And she has held the Smithsonian and other museums to higher standards in working with Native people and their cultural patrimony. Friday, September 20, we honor her life and work at a symposium on the National Mall in Washington and live online.
Designer Norma Baker–Flying Horse (enrolled citizen of the Mandan, Hidatsa and Arikara Nation) grew up loving toy high heels and secondhand accessories. "I was the most stylish six-year-old on the cattle ranch," she says. This year, Paris Fashion Week featured her work. "To be a Native American designer showing for the Fashion Week Studio was amazing. I felt like a childhood dream had come true." Happy Women's History Month!
The First Amendment of the U.S. Constitution states: “Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof.” Forty years ago, the American Indian Religious Freedom Act finally finally extended that right to the country's Native citizens. Here Native Americans who observe traditional ways talk about religious freedom.
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