Five Ideas for Celebrating Indigenous Peoples’ Day 2020

On Monday, October 12, 14 states and the District of Columbia, more than 130 cities, and growing numbers of schools will observe Indigenous Peoples’ Day. If you and the young people in your life are looking for ways to honor and celebrate Native America at home, the teacher services coordinator at the National Museum of the American Indian in Washington, D.C., has ideas—from research resources for making your garden a native ecosystem, to good books for readers of all ages, to online programs where Native guests discuss issues of importance to us all.

Native Americans Have Always Answered the Call to Serve: National VFW Day 2020

National Veterans of Foreign Wars Day, September 29, acknowledges the men and women who have served honorably in the U.S. military overseas in war or other imminent danger. The VFW traces its roots to the late 19th century and efforts to secure rights and benefits for veterans of the Spanish–American and Philippine–American wars. Its establishment, however, dates to 1914. A few years later, the participation of American Indians in the U.S. military during World War I helped bring down the last obstacles to their recognition as American citizens. Here, the museum looks at the mission and vision of the VFW and Native Americans' extraordinary record of service in combat.

Returning to School in Indian Country during the Pandemic

As families across the United States begin the new school year amid the coronavirus pandemic, Native people face steeper obstacles than many other Americans. The eight U.S. counties with the largest Native populations have nearly double the national average of confirmed cases of Covid-19, and Native Americans have the highest hospitalization rate of any ethnic group in the country. Many Native families live in multigenerational households or in isolated areas with limited access to public services or the Internet. Many students attend Bureau of Indian Affairs schools administered by the federal government. With all this in mind, the museum asked Native students, teachers, parents, and school administrators across Indian Country to share their concerns about returning to school right now.

Ending the Use of Racist Mascots and Images

As the country debates racist symbolism in monuments, sports, and commercial brands—and the Washington NFL franchise considers dropping the racial slur from its name—the director and board chair of the National Museum of the American Indian take the stand that the appropriation of Native language and imagery never serves to honor Indigenous people, histories, and cultures. On the contrary, it perpetuates racism and legitimizes racist acts.

Aloha Opens the Door to Learning

The first Native Hawaiian cultural interpreter on the staff of the National Museum of the American Indian explores the importance of aloha in the Hawaiian worldview. “More than a greeting or salutation, aloha is like a feeling that encompasses many other feelings,” Gabrielle Lee writes, a set of values that “work together to build a profound sense of love and respect for others.” In the spirit of aloha, she sees museums as places to learn together. Celebrate Asian Pacific American Heritage Month by exploring the Smithsonian’s collections of art and objects from Hawai‘i and the Pacific: https://www.si.edu/spotlight/asian-american

How Do American Indians Celebrate Mother's Day?

In the early 20th century, Native people responded to the proclamation of Mother’s Day with powwows, ceremonies, rodeos, feasts, and songs that honor Native mothers. How do American Indians celebrate today? Recognizing that family traditions for many of us will be different this year, Native friends from across the United States and Canada share their thoughts on Mother’s Day.

From aspiring breakdancer to accomplished artist, Ian Kuali’i traces his path so far

Ian Kuali’i (Native Hawaiian and Mescalero Apache) is known both for his cut-paper art and for his background in hip hop and graffiti. In this profile, the museum’s Justin Mugits talks to Ian about the creative influences in his life and finding his space in urban contemporary and Indigenous art.

"I Chose to Serve Because of My Mother. I Wanted to Make Her Proud."—Chief Warrant Officer Two Misty Dawn Lakota

Misty Dawn Lakota (Oglala Lakota) has been a member of the National Guard and a special agent with the Bureau of Indian Affairs, Office of Justice Services. She currently serves as a Chief Warrant Officer Two in the U.S. Army Reserves, awaiting deployment to Afghanistan, and a supervisory special agent with the U.S. Fish and Wildlife Service, Office of Law Enforcement. As the museum looks ahead to the dedication of the National Native American Veterans Memorial, Chief Lakota talks to us about the women in her family who have inspired her and the people for whom she serves.

“Developing Stories: Native Photographers in the Field” Presents Contemporary Native Experiences from the Inside

Since the turn of the 20th century, Native American photographers have taken the representation of their people into their own hands. In “Developing Stories: Native Photographers in the Field,” Russel Albert Daniels and Tailyr Irvine present original images that illustrate issues important to Native Americans today. Daniels (of Diné and Ho-Chunk descent) looks at the Genízaro people of Abiquiú, New Mexico. The Genízaro embrace the painful history of their ancestors and their perseverance in creating an enduring community. Irvine (Salish and Kootenai) visits the Flathead Reservation and nearby Missoula, Montana. She shows how blood quantum requirements for tribal enrollment complicate young people’s most personal decisions. Created in collaboration with the museum originally for exhibition in New York and Washington, as well as online, “Developing Stories” opens on the museum’s website with Daniels’ piece, to be followed this summer by Irvine’s essay.

From a Dance Performance on the Residential School Experience to a Symposium Celebrating Native Women's Art, Women’s History Month Matters at the National Museum of the American Indian

Most of the Native American art we see in museums, in the United States and around the world, was created by women. In many traditional tribal governments, women formed the upper council, responsible for decisions of war and peace, and women have been elected to the highest offices in 20th-century Native nations throughout the United States. In short, Women’s History Month is important to our museum. Here are highlights of programs on the calendar in Washington, D.C., and New York City throughout March 2020.

From new music and dance fusions to traditional festivals, the museum's Native American Heritage Month is something special

Everything people need to know to join the National Museum of the American Indian in celebrating the diversity and contributions of Native Americans and Alaska Natives during Native American Heritage Month this November. For friends unable to visit Washington, D.C., or New York, the museum is webcasting many of these public programs live, then archiving them online.

On the 75th Anniversary of D-Day, Native Americans Remember Veterans’ Service and Sacrifices

This year, 80 Native delegates have been asked to take part in the official commemoration of D-Day. Their responsibilities include offering ceremonies at American cemeteries and memorials in Normandy to honor the men and women who served during World War II—part a growing movement to acknowledge the historic service of Native Americans, Alaska Natives, and Native Hawaiians in the U.S. Armed Forces.

Winyan (Woman) Power: New Art by Kevin and Valerie Pourier Honors Women Who Stand Up for the Rights and Welfare of Others

"Winyan Wánakikśin" (Women Defenders of Others), a buffalo horn belt created by Lakota artists Kevin and Valerie Pourier, honors the strength and perseverance of women activists. Inspired by the Native women who took part in the Dakota Access Pipeline protests, the art work represents an important event in Native American, American, and environmental history, and speaks across artistic, cultural, and national boundaries.

Native Perspectives on the 40th Anniversary of the American Indian Religious Freedom Act

The First Amendment of the U.S. Constitution states: “Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof.” Forty years ago, the American Indian Religious Freedom Act finally finally extended that right to the country's Native citizens. Here Native Americans who observe traditional ways talk about religious freedom.

A Tradition of Service: Colonel Wayne Don

Col. Wayne Don, a citizen of the Cupig and Yupik tribes, talks about his service in the Regular Army and the Alaska Army National Guard. Col. Don, who has been deployed to Bosnia, Afghanistan, and other overseas posts, is a member of the Advisory Committee helping to build the National Native American Veterans Memorial on the grounds of the Smithsonian's National Museum of the American Indian in Washington, D.C.

A Tradition of Service: Navy Veteran S. Joe Crittenden, Deputy Principal Chief of the Cherokee Nation

S. Joe Crittenden, deputy principal chief of the Cherokee Nation, talks briefly about his service in the U.S. Navy in the mid-1960s and what it has meant to his life. Five years ago, Deputy Chief Crittenden testified in support of the Act of Congress creating the National Native American Veterans Memorial. Now he is a member of the advisory committee seeing the memorial through to its dedication in 2020.

"To Indigenize the Western World"—Artist and Organizer Jordan Cocker

Jordan Cocker describes herself as “Indigenous in two ways—as Native American from the Southern Plains, K’gou màyí, a Kiowa woman; and as Pasifika, a Tongan woman.” Thinking of herself “in halves,” however, doesn't reflect her lived experience. “The years spent on and between my two ancestral territories,” she says, “braided together my two lines in a good way. Everything is about the ancestors—who they are by name, what they did, where they went, and the legacy that they created and passed down to me. My ancestors on both sides of my family survived colonization, boarding school, and so many other types of trauma so that I can live in a good way.” The museum’s Dennis Zotigh interviews Jordan for Asian American Pacific Heritage Month.

"To Reach More, Serve More, Inspire More, and Just Live More"—Hip Hop Artist Supaman

Christian Parrish Takes The Gun (Apsáalooke Nation), who performs as Supaman, has won a Nammy (Native American Music Award), an Aboriginal Peoples Music Choice Award, and the 2017 MTV Video Music Award for "Best Fight Against the System"—the last as part of the group of Native and non-Native musicians who recorded "Stand Up/Stand N Rock." What motivates him, however, isn't recognition but spirituality, Native culture and values, the people he meets on the road, and the chance to make a difference in the world.

Just doing "what I could," Wilma Mankiller changed Native America