The cubs are a male named Paitoon and a female named Jilian. They were born April 29 and March 24, respectively, at the Nashville Zoo.

The Smithsonian's Ten Splashiest New Acquisitions of 2019

This year marks the arrival of a brilliant diamond, a hybrid space rocket, exciting paintings and two darling clouded leopard cubs

Boy Viewing Mount Fuji by Katsushika Hokusai, 1839

A Great Wave of Hokusai

The Freer Gallery—home to the largest collection of the popular Japanese artist’s paintings—unveils 120 rarely seen works

Marcel Duchamp by Henri Cartier-Bresson, 1968

Marcel Duchamp Played With the Definition of Art and Now the Public Can, Too

Art connoisseurs Aaron and Barbara Levine amassed a formidable body of the artist’s works; they'd like nothing better than for you to see it

The Anacostia Community Museum is just reopening its doors after a seven-month, $4.5 million improvement project amplifies the 52-year-old museum's welcoming outreach to the nearby neighborhoods and community.

At the Anacostia Community Museum, a Sleek New Look Comes with a New Director

With a hyper-local focus on neighborhood concerns, this Smithsonian museum is a mighty influencer

In an interview before the opening of his show, sculptor Lee Ufan (above: searching for materials on Long Island) says the significance for viewers is the "pure experience."

Lee Ufan's Transformative Sculptures Are in Dialogue With the Spaces They Inhabit

For the first time in the Hirshhorn Museum's history, the 4.3-acre outdoor gallery is devoted to a single artist

Sai Mado (The Distant Gaze) (detail) by Aida Muluneh, Ethiopia, 2016

Women's Voices Ring With a Resounding Roar in This New Show

The African Art Museum raises the profile of female artists showcasing their works from its collections

Chelsea Children by James McNeill Whistler, ca. 1997

After More Than Eight Decades, These Exquisite Whistler Watercolors Make Their Public Debut

Freer Gallery also revamps its popular Peacock Room, returning it to the way it looked a century ago

The colors of the curry refer to political groups at odds in contemporary Thailand—the red for the rural activists, the yellow for the royalists and the green for the ever-pervasive military.

This Performance Art Piece Is Being Served Up With Tasty, Warm Bowls of Curry

Amid evolving images of protest and strife, Rirkrit Tiravanija’s art at the Hirshhorn satisfies both visually and nutritionally

“In order to interpret the past," says Matternes (above), "you have to have a pretty good working knowledge of conditions in the present.”

Meet the Master Muralist Who Inspired Today's Generation of Paleoartists

The treasured Jay Matternes murals of lost Mesozoic worlds are featured in a new Smithsonian book

Curious sculptures have popped up throughout the Smithsonian campus in its gardens and are meant to show the inner-workings and relationships of insect and plant habitats.

The Gardens Around the National Mall Are Growing Giant Nests and Fanciful Tunnels

The new exhibition “Habitat” is a whimsical, art-filled lesson on ecosystems and how they work

Lead curator Tom Joyce traveled to Mali, Burkina Faso, Ghana, the Republic of Bénin and Togo (above: blacksmiths Kao Kossi and Ide Essozimna) to conduct research, film a half-dozen videos and help amass the 225 objects in the show.

How Blacksmiths Forged a Powerful Status Across the Continent of Africa

Iron tools, weapons, musical instruments and sculptures tell a tale of centuries of the craft’s influence

Marking the entry point for Section 14 is the sculpture Agua Caliente Women by artist Doug Hyde.

How the Agua Caliente Band of Cahuilla Indians Held On in Palm Springs

The one-mile square area, known as Section 14, competes for sovereignty with the wealthy in Southern California

Mi Vida by Jesse Treviño, 1971-73

How American Artists Engaged with Morality and Conflict During the Vietnam War

The Smithsonian American Art Museum’s new show documents the turbulent decade and the provocative dialog happening in a diverse art community

"Tiffany Chung's exhibition opens our eyes to a history hidden in plain sight, illuminating the war and its aftermath from the perspective of those who lived through it," says curator Sarah Newman.

For Tiffany Chung, Finding Vietnam’s Forgotten Stories Began as a Personal Quest

To map the post-war exodus, the artist turned to interviews and deep research, starting with her own father’s past

Mother III (detail) by Yun Suknam, (2013 version), 1993

Breakthrough Korean Feminist Artist Yun Suknam in Her First U.S. Museum Exhibition

With an assemblage portrait of her mother as the focal piece, the artist’s work is surrounded by the works of those who inspired her

Beneath the Space Window at the National Cathedral in Washington, D.C., where a seven-gram sample of moon rock is incorporated into the design, a sold-out crowd gathered this week for the celebration of the 50th Anniversary of Apollo 8.

NASA Won’t Be Going ‘Back’ to the Moon—It Wants to Go Beyond It

At a 50th-anniversary event for Apollo 8, NASA’s Jim Bridenstine envisioned the moon’s potential for future space exploration

Alice Neel Self-Portrait by Alice Neel, 1980

History's Selfies: Looking at Artists Looking at Themselves

National Portrait Gallery closes out 50-year anniversary celebration after widening the view to include more women, diverse backgrounds and emerging media

“I love all kinds of music and I really just want to continue to stretch my hands wide open, hold hands with other artists, and build these bridges, and just to be able to create new lanes of music,” says Steve Aoki, whose equipment recently went on view at the Smithsonian.

Why This Body-Surfing, Sound-Blasting, Cake-Throwing DJ Belongs in a Museum

Just as his new release tops the charts, Electronic Dance Music DJ Steve Aoki says he is "blown away" to have his turntable technology in the collections

Pulse Tank by Rafael Lozano-Hemmer, 2008

This Art Show Is Taking the Literal Pulse of America

Artist Rafael Lozano-Hemmer uses biometrics to make breathtaking spectacle

Untitled (Wash Day: Scrubbing the Clothes) by Clementine Hunter, ca. 1965

Self-Taught Artist Clementine Hunter Painted the Bold Hues of Southern Life

On view at NMAAHC, Hunter’s colorful artworks depict work in the field, church on Sundays, and laundry on the line

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