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National Museum of the American Indian

Smithsonian Voices

Quapaw 2.jpg

The Quapaw Treaty Was Honored for Only Six Years Before the United States Broke It

The document signed in 1818 serves as a reminder of the unfairness of the federal government's approach to negotiating with Native communities

Dennis Zotigh | May 22, 2024

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Connecting Community and Collections

The Role of Virtual Engagements in Home to Mi’kma’ki Shared Stewardship

Sydney Collins | May 3, 2024

Snow_Snake_Game painting.webp

How to Play Snow Snake, the Traditional Winter Game of the Haudenosaunee

This age-old game uses the techniques of skill and strength to propel a wooden pole down a long snow track

Dennis Zotigh | February 29, 2024

Cheyenne and Arapaho leadership examine their treaty

What the 1865 Cheyenne Arapaho Treaty Represents About the United States' Broken Promises to Native Americans

The important document is now on view at the National Museum of the American Indian in Washington, D.C.

Dennis Zotigh | May 23, 2023
NMAI MDCC Garment IMG_4309.JPG

How Shared Stewardship Is Bringing to Light One of the World’s Most Significant Holdings of Mi’kmaw Cultural Items

How do two institutions work in partnership across borders and time zones to care for cultural items? More than 25 years ago, the Mi’kmawey Debert Cultural Centre (MDCC) in Nova Scotia and the Smithsonian’s National Museum of the American Indian began a partnership that continues today.

Caitlin Mahony | February 21, 2023
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Five Ideas for Celebrating Indigenous Peoples’ Day 2022

From reading Indigenous authors to exploring Native plants, these activities suit everyone in the family

Renée Gokey | September 26, 2022
Bison on the Fort Belknap Reservation in Montana

The Return of a National Icon

Bison, commonly referred to by Native people as “buffalo,” were once on the brink of extinction. Discover how the revival of the bison became one of the United States' great conservation success stories.

Dennis Zotigh | September 13, 2022
Hawaiian wa'a (canoe)

Ka Mo‘olelo o Au Hou ma Wakinekona, D.C. | The Story Behind the Hawaiian Canoe in Washington, D.C.

For thousands of years, Native Hawaiians have traveled the Pacific in traditional voyaging canoes. A fixture on the National Mall for almost 20 years now, a wa‘a (Hawaiian canoe) named Au Hou has called Washington, D.C. home since the National Museum of the American Indian’s grand opening in 2004.

Gabbi C. K. Lee | May 24, 2022
Cynthia and her husband Walter

Museum's New Director Dr. Cynthia Chavez Lamar Says Her Goal Is 'Listening, Being Respectful and Asking for Help'

Chavez emphasizes how she plans to maintain her cultural and communal ties while working in Washington D.C.

Dennis Zotigh | February 22, 2022
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A Retro Look in the Archives Reveals Past Views on Language Derogatory to Native Americans

Although current views may point to “political correctness” for changes in language and terminology, by looking back through historical documents, it’s quite clear that this is not something new.

Maria Galban | February 1, 2022
The National Native American Veterans Memorial at the National Museum of the American Indian in Washington, D.C.

National Museum of the American Indian in Washington, D.C. to Reopen May 21

Last chance to see the popular exhibition "The Great Inka Road: Engineering an Empire," before it closes later this summer

Dennis Zotigh | May 5, 2021
Volunteers with the Navajo & Hopi Families Covid-19 Relief Fund distribute food and other essential supplies to isolated communities and farmsteads on the Navajo Nation and Hopi Reservation. As part of the Smithsonian's virtual program 24 Hours in a Time of Change, Shandiin Herrera (Diné)—seated on the left, wearing a Duke University sweatshirt—describes how this grassroots response to the COVID-19 pandemic came together last spring and shares her experiences as the fund's volunteer coordinator in Monument Valley, Utah. (Photo by Karney Hatch)

Smithsonian Wants Your 2020 Stories

What can one day tell us? This Friday, December 11, 2020, ten Smithsonian museums and cultural centers are taking a snapshot of this extraordinary year, offering a moment for reflection and sharing perspectives. Join us in this effort to document a day in the life of our nation and the world—a chance to consider together where we’ve been and where we’re going. In addition to collecting individuals’ and families’ stories—with the assistance of wide-ranging questions as prompts—the ten museums and centers present a series of free, virtual programs sharing different perspectives on the issues that have shaped this year. See https://24hours.si.edu/ for the schedule and to register for some of the programs.

the National Museum of the American Indian | December 9, 2020
Jim Thorpe (Sac and Fox), with the inscription “To my little girl Grace From Dad Jim Thorpe 1951.” The photo, in the original folder frame, shows Thorpe during his career with the Canton Bulldogs football team, ca. 1915 to 1920. Grace Thorpe Collection, NMAI.AC.085 (pht_092_002). (National Museum of the American Indian Archives Center, Smithsonian)

Happy Birthday, Jim Thorpe! We're Celebrating by Making His Daughter's Archives More Accessible Online

The exact date of Jim Thorpe's birth is unknown, but it is generally believed that the first Native American to win an Olympic gold medal for the United States—regarded by many as one of the greatest athletes of all time—was born on May 22, 1887, or May 28, 1888. In honor of his birth, the Smithsonian Transcription Center has added eight significant projects from the Grace Thorpe collection in the museum's archives, including Grace’s “Memories of Dad” and her answer to the frequently asked question “How does it feel to be Jim Thorpe’s daughter?” Read more about Grace Thorpe’s life, then consider becoming a Smithsonian digital volunteer and contributing to the Transcription’s Center’s work.

Rachel Menyuk | May 28, 2020
Ceramic olla purchased from Soledad Lala (Soboba Luiseño), Riverside, California, for the collections of the Museum of the American Indian, with a sketch by the collector, E. H. Davis. Olla: NMAI 7/1952. Drawing: Expedition Sketch Book, No. 2, November 1917. Edward H. Davis Papers, Huntington Free Library Collection 9166, Cornell University Library (National Museum of the American Indian, Smithsonian; sketch courtesy of the Cornell University Library)

Spotlight on Collections: Reuniting Objects and Expedition Field Notes

The collections of the National Museum of the American Indian include thousands of objects and images acquired during expeditions conducted or sponsored by our predecessor institution, the Museum of the American Indian–Heye Foundation. While some expeditions are well documented in collectors’ field notes and early publications, much of the information about specific objects or the individuals associated with them was never recorded on the museum’s catalog cards. A long-term, multi-institutional project to reconstruct objects’ acquisitions histories is reuniting this information with the collections. Here are a few things we’ve learned so far.

Maria Galban | April 18, 2020

From a Dance Performance on the Residential School Experience to a Symposium Celebrating Native Women's Art, Women’s History Month Matters at the National Museum of the American Indian

Most of the Native American art we see in museums, in the United States and around the world, was created by women. In many traditional tribal governments, women formed the upper council, responsible for decisions of war and peace, and women have been elected to the highest offices in 20th-century Native nations throughout the United States. In short, Women’s History Month is important to our museum. Here are highlights of programs on the calendar in Washington, D.C., and New York City throughout March 2020.

the National Museum of the American Indian | March 2, 2020
Coiled basket jar, ca. 1900, made by Mary Burkhead (Western Mono). Madera County, California. 16/5503. Through archival research, the museum now knows that a Western Mono woman named Mary Burkhead made this coiled basketry jar, information not listed on the catalog card. The research is part of a multiyear, multi-institutional project to recover information that was separated from, or perhaps never a part of, the museum's catalog records. (National Museum of the American Indian, Smithsonian. Note: Objects and catalog cards in these photo composites are not to scale.)

Spotlight on Collections: Expanding Both What We Know and What's Available Online

The National Museum of the American Indian has taken a major step toward making our collections more widely available: We have posted all of the museum’s ethnographic and contemporary art collections to the Smithsonian’s collections search center, more than tripling the number of our object records online. Equally important, a long-term, multi-institutional project to reconstruct objects' acquisitions history is adding significantly to what we know about the collections, the history of the museum, and collecting practices over time.

Maria Galban | January 24, 2020
Categories
  • American Culture (62)
  • American History (83)
  • Collections (15)
  • Contemporary Art (20)
  • Cultural Heritage (66)
  • Education (28)
  • Especially for Children (3)
  • Museum Studies (11)
  • Native American Veterans (20)
  • Technology & Innovation (3)
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