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National Museum of the American Indian

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How This Weekend's Native American Hoop Dance Championships Mark the Rebirth of a Dynamic Art Form

In 1991, my father and I decided to host a unique event to preserve a Native artform that began in the Southwest and transform it into a World Championship Contest. Little did we know our collaboration would take the art of hoop dancing to unknown levels of skill and performance.

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How Native Americans Are Celebrating the Holiday Season With Festive Meals, Public Service and Cherished Traditions

The winter holidays and especially Christmas have different meanings to tribes and Native individuals across Indian Country as they commune with friends and family

Indigenous family surrounding Santa Claus

How Christmas Is Celebrated Across Indian Country

A unique look at how Native people spend their winter holiday season

Michigan Anishinaabe women April Lindala, Linda Batiste-Cohen and Michelle Reed

Christmas Across Native America

Celebrations, memorials, and gatherings during the winter holiday season

From a Dance Performance on the Residential School Experience to a Symposium Celebrating Native Women's Art, Women’s History Month Matters at the National Museum of the American Indian

Most of the Native American art we see in museums, in the United States and around the world, was created by women. In many traditional tribal governments, women formed the upper council, responsible for decisions of war and peace, and women have been elected to the highest offices in 20th-century Native nations throughout the United States. In short, Women’s History Month is important to our museum. Here are highlights of programs on the calendar in Washington, D.C., and New York City throughout March 2020.

Alaska Magazine calls the Inuit drum-dance group Pamyua

From new music and dance fusions to traditional festivals, the museum's Native American Heritage Month is something special

Everything people need to know to join the National Museum of the American Indian in celebrating the diversity and contributions of Native Americans and Alaska Natives during Native American Heritage Month this November. For friends unable to visit Washington, D.C., or New York, the museum is webcasting many of these public programs live, then archiving them online.

Lyricist, musician, and dancer Christian Parrish Takes The Gun, aka Supaman. (Matika WIlbur)

"To Reach More, Serve More, Inspire More, and Just Live More"—Hip Hop Artist Supaman

Christian Parrish Takes The Gun (Apsáalooke Nation), who performs as Supaman, has won a Nammy (Native American Music Award), an Aboriginal Peoples Music Choice Award, and the 2017 MTV Video Music Award for "Best Fight Against the System"—the last as part of the group of Native and non-Native musicians who recorded "Stand Up/Stand N Rock." What motivates him, however, isn't recognition but spirituality, Native culture and values, the people he meets on the road, and the chance to make a difference in the world.

Jazz performer and composer Delbert Anderson (Navajo). (Shutterfreek Photography)

"The Swing of the Navajo Heartbeat and the Improvisation of Navajo Chants"—Musician Delbert Anderson

In celebration of Jazz Appreciation Month, the museum talks with musician Delbert Anderson. The sources of Anderson's always-evolving art are eclectic, ranging from jazz standards and improvisation, to Navajo spinning songs and the traditional melodies his grandfather hums, the scenery of the Navajo Nation, and the historic experience of both Native and African American people. “Most of the time I explain the Delbert Anderson Trio’s music as traditional Native American jazz—fusing ancient Navajo cultural music with the hard swing and funk of the jazz masters,” Anderson says. “But I’d rather just call it music.”

From left to right: Zack “Doc” Battiest, Taboo of the Black Eyed Peas, and Spencer Battiest in the music video

Musician Spencer Battiest talks heritage, motivation, and Standing Rock ahead of museum concerts

Award-winning singer Spencer Battiest (Seminole Tribe of Florida/Choctaw) is a third- or fourth-generation musician, but his cultural roots go even deeper. “I’ve always had close ties with my tribe since I was young,” Spencer explains. “As I push forward in my career and see how far I can go, I always carry my tribe with me.” Battiest’s reverence for his heritage is palpable in his work. His music videos have Native directors, actors, tech hands, and producers. “I love doing business with other Natives. That’s always been my thing.”

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