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Arts & Culture / Art & Artists

Untitled from the series "Witness 1979" by Hengameh Golestan, March 11 1979

Viewing Iran and Its Complexities Through the Eyes of Visual Artists

Compelling works from six female photographers tell stories of revolution, displacement and longing for home

The Evidence Room represents thousands of pages of testimony that was assembled by Robert Jan van Pelt, an architectural historian and the main expert witness in a British lawsuit brought by a Holocaust denier.

Using Art to Talk About the Holocaust in ‘The Evidence Room’

Museum staff discuss the reception of a difficult work that showed the vivid and painful documentation of a Nazi death camp

The artist says he paints to music, improvising his brushstrokes in the manner of a jazz soloist.

How Peter Wayne Lewis Infuses His Artwork With the Spirit of Jazz

A new exhibit explores bebop and the Buddha

A rooftop view with gargoyles on the left and other statuary, circa 1860.

A Hymn to Notre-Dame

In which the renowned author of thrillers and mysteries praises the Gothic beauty, damaged by fire but destined to inspire again

The process of coloring the test objects took between 15 and 40 minutes.

This New Dye Changes Color When Exposed to UV Light

Color-change shoes, jewelry, cars, furniture and more could be possible with this new MIT technology

Starlit Stratus rendering, by Sunggi Park

Art Meets Science

These Wild Sculptures Could Bring Sustainable Energy to the Desert

Winners of this year’s Land Art Generator Initiative competition proposed beautiful, power-generating works of public art for Abu Dhabi

A detail of Toledo’s self-portrait Eye of the Beholder (2017) uses gold leaf in a grid of refracted identities. All artwork used with permission of the artist.

What Makes Francisco Toledo ‘El Maestro’

Mexico’s most important living artist mixes magical realism with passionate rebellion

Iwo Jima by David Levinthal, from the series "History," 2013

What David Levinthal’s Photos of Toys Reveal About American Myth and Memory

A new show at the Smithsonian American Art Museum reflects on iconic events including JFK’s assassination, flag raising at Iwo Jima and Custer’s last stand

The sculptor Edmonia Lewis (above: by Henry Rocher, c. 1870), “really broke through every obstacle," says the Smithsonian's Karen Lemmey.

Women Who Shaped History

Sculptor Edmonia Lewis Shattered Gender and Race Expectations in 19th-Century America

As the orphaned child of a black father and a Native-American mother, Lewis rewrote the 19th-century definition of sculptor

"The paint went all over, and of course some of it went off the canvas," the photographer says of Pollock's technique, re-enacted here in his studio.

Dramatic New Photographs Recreate Scenes of Artists at Work

Adrien Broom’s series brings vitality to how we think about the likes of Jackson Pollock, Lee Krasner or Mark Twain

Style, identity and agency are fundamental themes in the work of Mickalene Thomas (above: Portrait of Mnonja).

Re:Frame

The Fierce Pride and Passion of Rhinestone Fashion

In this episode of ‘Re:Frame,’ Smithsonian curators investigate the intentionality and agency behind the clothing we wear

One witness to an 1859 Northern Lights display was the artist Frederic Edwin Church, who later painted Aurora Borealis (above, detail).

Re:Frame

The Crazy Superstitions and Real-Life Science of the Northern Lights

In the latest episode of ‘Re:Frame,’ Smithsonian curators take a deep dive into the dramatic painting ‘Aurora Borealis’ by Frederic Church

A new episode of the web series “Re:Frame” from the Smithsonian American Art Museum explores the story and artworks of Mingering Mike.

Re:Frame

All the World’s a Fantastical Stage for the Artist Mingering Mike

‘Re:Frame’ delves into a work of one of Washington D.C.’s most imaginative artists and his fascination with the historic Howard Theatre

“Re:Frame,” a video web series produced by the Smithsonian American Art Museum, investigates the compelling role graphite has played in the history of art—and in Teresita Fernández’s work.

Re:Frame

How Artist Teresita Fernández Turns Graphite, the Stuff of Stardust, Into Memories

A new episode of the Smithsonian’s ‘Re:Frame,’ explores the origin of graphite, a material artists have used for centuries

The artwork Harvest Time, (detail) by Doris Lee, is featured in the next episode of a new video web series, titled “Re:Frame.”

Re:Frame

How American Brewers Employed Fine Art to Sell Beer

The Smithsonian’s ‘Re:Frame’ investigates how artist Doris Lee gave beer a new post-prohibition image of domesticity and conviviality

In 1912, sculptor Alexander Phimister Proctor created Buffalo (model for Q Street Bridge).

Re:Frame

What Do Bovids, Bridges and the West Have to Do With American Art?

In the debut episode of “Re:Frame,” Smithsonian curators explore the iconic symbol of the West, the American Bison

Reframing American Art

A new web series, ‘Re:Frame,’ explores American art by making unexpected connections across the Smithsonian

In 2010, Cabico founded "Capturing Fire," a three-day international poetry festival for queer-identifying writers with the goal of encouraging more discussions and awareness about the queer experience.

Why Spoken Word Artist Regie Cabico Calls Himself an ‘Accidental Poet’

The renowned slam poetry artist is performing at Smithsonian’s Asian American Literature Festival in August and is featured in the latest Sidedoor podcast

In guises ranging from draconian schoolmarm to misanthropic homeless man, Blanchett (above: giving the eulogy at a funeral) performs monologues assembled from excerpts of artistic manifestos.

Cate Blanchett Dons 13 Guises in This Daring Art Installation

Julian Rosefeldt’s “Manifesto,” on view at the Hirshhorn, puts a satiric spin on art history’s seminal texts

A piece of locally painted art on display at the Marriott Port-au-Prince in Haiti.

Explore Port-au-Prince’s Triumphant Art Scene

Haiti’s capital city may still be recovering from the destructive earthquake that struck in 2010, but its art community is thriving

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