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Office of Academic Appointments and Internships

Smithsonian Voices

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, an example of an art hanging storage

Can Virtual Internships Help Protect Vulnerable Collections at the Smithsonian?

Every collections steward’s worst nightmare is receiving notification that a collections storage space has been damaged by a water or fire incident. Museum collections professionals are concerned with everyday threats like small or persistent water leaks, and larger, catastrophic events such as natural disasters, mechanical or operating system failures, or fires. Effective ways to prevent and prepare for a collections emergency is to perform risk assessments and to create an emergency response and recovery plan. Such a plan provides staff with an understanding of an action before it has occurred and informs them on how to react if an emergency emerges.

Karina Elizabeth Gomez | July 23, 2021

Amelia Joe-Chandler, Hogan Teapot, 2013. Hammered copper and cast silver. 7.5 x 11 x 9cm.
National Museum of the American Indian, 26/9781. Photo courtesy of the artist, Amelia Joe-Chandler.

Steeped in Memory: Amelia Joe-Chandler’s Hogan Teapot at NMAI

Nestled in an archival box in the storage vaults of the National Museum of the American Indian, I encountered a small, copper sculpture that points to an entirely different sense of place. Hogan Teapot (2013) by Diné (Navajo) artist Amelia Joe-Chandler is a living homage to the idea of home—particularly her family’s home in Dinétah, the ancestral homelands of the Navajo Nation in the American Southwest. The brilliancy of the copper recalls the traditional form of the hogan, a dome-shaped structure with a log or stone framework that is traditionally covered with mud that hardens like rock. With a door outlined in silver on the side, the lid handle as a stove pipe, and a cast tree and two small sheep as the handle, Joe-Chandler’s sculpture changes the ubiquitous form of the teapot into a site of personal encounter through these allusions to her family’s home.

Christine Garnier | February 2, 2021

Alba Campo Rosillo giving a gallery talk

A Painted Homage to A Political Giant: G.P.A. Healy’s Posthumous Portrait of President Lincoln

U.S. artist George Peter Alexander Healy’s (1813 – 1894) 1887 portrait of President Abraham Lincoln (1809 – 1865) was the culmination of a career devoted to presidential portraiture. The image, conceived years after the sitter passed away, helps us understand the practice of nineteenth-century portraiture as much as the challenge of posthumous portrait painting. The result of Healy’s work is an iconic image of a political giant that still resonates today.

Alba Campo Rosillo | January 19, 2021

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