Smithsonian Center for Folklife & Cultural Heritage

(Photo courtesy of Mariachi Reyna de Los Angeles)

The Quarter-Century Reign of Mariachi Reyna

Far from a “girl band” or pop novelty, the group’s success is a hard-earned triumph of gender justice.

Vahagn working on a clay jug. (Photo by Narek Harutyunyan, My Armenia Program)

The Potter's Wheel: An Inexhaustible Source of Energy

Master potter Vahagn Hambardzumyan is among those who carry on Syunik, Armenia's rich pottery traditions with a modern touch.

Anto Kilislian prepares lahmajoun at the 2018 Smithsonian Folklife Festival. (Photo by Sonya Pencheva, Ralph Rinzler Folklife Archives)

Food and Longing in the Armenian Diaspora

Armenians both borrowed from and contributed to the culinary lexicons of the regions they inhabit

Photo courtesy of Alicia D. Williams

How Alicia D. Williams Is Reviving Storytelling for Black Children

Williams wanted a different story for her daughter—and for herself. So, she set out to write it.

Master basket weaver Arthur Petrosyan sits and works on a project. (Photo by Narek Harutyunyan, My Armenia Program)

Travel the Sweetest Route through Vayots Dzor and Syunik, Armenia

Numerous popular traditions regarding beekeeping are associated with the medicinal properties of the use of beeswax. Grandpa Grisha, a beekeeper with 50 years of experience, remembers it all very well.

Barbara Dane with the Chambers Brothers at the 1965 Newport Folk Festival. (Photo by Diana Davies, Ralph Rinzler Folklife Archives)

How Barbara Dane Carries a Proud Tradition of Singing Truth to Power

Barbara Dane’s protest music took her to Mississippi Freedom Schools, free speech rallies at UC Berkeley, and in the coffeehouses where active-duty men and women steered clear of military police and regulations forbidding protests on bases.

Making crates to leave the camp, September 1945, Heart Mountain, Wyoming. (Illustration by Estelle Ishigo, courtesy Estelle Ishigo Collection, Heart Mountain Wyoming Foundation. Gift of Bacon Sakatani in Memory of Arthur and Estelle Ishigo)

What They Carried When the Japanese American Incarceration Camps Closed

The closing of the World War II camps marks its seventy-sixth anniversary in 2021.

Black Banjo Reclamation Project founders Hannah Mayree and Carlton “Seemore Love” Dorsey, with banjos made by Brooks Masten of Brooks Banjos in Portland, Oregon. (Photo by Avé-Ameenah Long)

A Quest to Return the Banjo to Its African Roots

The Black Banjo Reclamation Project aims to put banjos into the hands of everyday people.

Sasun, a local guide, takes in the view of Mount Ughtasar. (My Armenia Program)

See Armenia Through the Eyes of a Local Guide

The landscape of Armenia is diverse. Often, there are several sub-regions within a single region, each with their own distinct set of tourist destinations

Jim McDowell holds his jug, “Emmett Till.” (Photo By Rimas Zailskas, courtesy of Asheville Made Magazine)

Facing History: Lessons from the Potter’s Wheel

Jim McDowell, known to many simply as “the Black Potter,” is a ceramicist who specializes in stoneware face jugs.

Categories
Archive

Page 4 of 5