Michael Smith (Fort Peck Sioux Tribe), the founder and director of the American Indian Film Institute and American Indian Film Festival, was an advocate for Native people and a leader in bringing their voices to mainstream media through film. His dedication to showcasing films by or about American Indians and First Nations people was tireless. He could be seen at conventions, film festivals, tribal communities—even at local diners—where he would chat with anyone about his loves: the American Indian Film Festival and his family.
As summer turns to fall, wonderful exhibitions in New York City and Washington, D.C., feature works by Inuit women from the acclaimed artists' community of Kinngait, or Cape Dorset, on Baffin Island, Nunavut, Canada. The Smithsonian's National Museum of the American Indian’s George Gustav Heye Center in New York currently hosts "Akunnittinni: A Kinngait Family Portrait," featuring works by Pitseolak Ashoona and her daughter and granddaughter. The Embassy of Canada in the United States is presenting the one-artist show "Ningiukulu Teevee: Kinngait Stories."
From our museum in New York: Native designers, artists, and entrepreneurs who are making their mark on fashion take a day off to work with young people hoping to become a part of that world. Some pointers? Communicate, collaborate, and support each other. Expect creative fields to be an ongoing struggle—keep working! And remember, perfection is not the goal.
Autumn White Eyes (enrolled member of the Oglala Lakota Nation, Turtle Mountain Anishinaabe, Northern Cheyenne, and Pawnee descent) talks about writing, revision, and the evolution of her work. She sees poetry and spoken word as forms of oral tradition and storytelling: "I was lucky to grow up with my great grandmothers," she says, "and I loved hearing them tell stories, which always sounded like poetry to me." Their stories are one source of her inspiration; others include the writing and performance styles of John Trudell, Mayda del Valle, Tanaya Winder, Supaman.