Samantha Baskind

Samantha Baskind

Samantha Baskind is Distinguished Professor of Art History at Cleveland State University. She is the author of five books, most recently The Warsaw Ghetto in American Art and Culture.

Philip Pearlstein (above in his studio, June 1971) was "unwaveringly interested in the landscape of the body,” says Stephanie Stebich, the director of the Smithsonian American Art Museum. 

Philip Pearlstein Painted the Naked Truth

Smithsonian curators remember the celebrated artist, who died last month at 98, and who viewed humanity with biting realism

Living in an era when wealthy Gilded Age Americans assembled large collections of Western European art, Freer aimed to carve out a position by collecting something new and different.

Why the U.S. Rejected—Then Embraced—a Detroit Industrialist's Rare Collection of Asian Art

The legacy of voracious collector Charles Lang Freer, a good friend of James McNeill Whistler, is marked by tension and irony

“Dale Chihuly is one of the most important artists of the 21st century,” says Stephanie Stebich, the director of the Smithsonian American Art Museum, who is among the experts interviewed in a new documentary, "Master of Glass: The Art of Dale Chihuly."

The Unrivaled Legacy of Dale Chihuly

The pioneering glassmaker and octogenarian is the subject of a new Smithsonian Channel documentary

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The Story Behind One of the Most-Mocked Paintings in U.S. History

Long ridiculed, the Howard Chandler Christy artwork of the signing of the U.S. Constitution shows democracy at its most realistic

In her new historic novel, Brooks reimagines the life of the itinerant artist Thomas J. Scott, who rendered the distinguished race horse in the oil painting, Portrait of Lexington, ca. 1857, a work that Smithsonian curator Eleanor Harvey describes as "visually riveting."

The Lost Story of Lexington, the Record-Breaking Thoroughbred, Races Back to Life

For her latest novel “Horse,” the Pulitzer-prize winning author Geraldine Brooks found inspiration in the Smithsonian collections

With the world on the brink of destruction, three of the earliest comic book superheroes (above: an array of 1940s covers from the Smithsonian collections) joined in the war effort, hawking bonds, boosting morale and entertaining troops.

Before the Riddler, Batman's Archenemy Was Hitler

A Smithsonian collection of vintage Golden Age comic books tells a story of WWII propaganda, patriotism and support of the war effort

Titled Avant-Garde, the monumental shaped canvas alludes to Liu as a “guard” of a socialist reality she did not condone.

The Revolutionary Portraiture of Hung Liu

For this large-scale retrospective of the Asian American artist, who died this summer, east meets west in an exquisite collision

“Titian made art into his late 80s and I’m now past that. I always wanted to paint like an old master, or rather an old mistress,” says the photorealist painter and sculptor Audrey Flack. “A radical contemporary old mistress.”

Stand Aside, Old Masters: This Feminist Artist Is Cultivating Her Old Mistress Legacy

Now 90 years old, the renowned photorealist Audrey Flack shows no sign of slowing down

Before donating the 45.5-carat Hope Diamond to the Smithsonian Institution, the jeweler Harry Winston had Bradford Bachrach photograph Eleanor Kidd—the face of Lucky Strike cigarettes—wearing the gem in 1958.

The Story Behind the Photography Studio That Captured America

For generations, Bachrach Photographers made everyone, from JFK to Duke Ellington to everyday people, look great

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