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A Smithsonian magazine special report

One Vancouver Forest Played Just About Every Wooded Locale on “The X-Files”

Misty forests near Seymour Falls. JWPhotowerks
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On the show, The Lower Seymour Conservation Reserve played host to devil worshipers, killer fungi and Neanderthal women. JWPhotowerks
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The park stood in for a diverse number of locations, including the Ecuadorian highlands and the taiga forests of Siberia. JWPhotowerks
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Rice Lake in the Lower Seymour Conservation Reserve. David Wei/Alamy
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An eerie sunburst through the trees in Mount Seymour Provincial Park. Another nearby shooting location. Michael Wheatley/All Canada Photos/Corbis
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On the shore of Rice Lake. Marlene Ford/Corbis
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In City of Glass, Douglas Coupland describes Vancouver as the Everycity, a place visually diverse enough to stand in for most any urban setting in North America, “save for those in the American Southwest and possibly Miami.” That and great tax credits explains why so many TV shows and movies are shot there, as much of the first five seasons of The X-Files were, before production moved to L.A., when the show lost its overcast, foggy “wet coast” look.

Most of the wooded scenes on the show—noteworthy for how they showcased Scully’s collection of amazing fluorescent Lands End parkas—were shot in a single north-Vancouver forest. And fans, naturally, are flocking.

The Lower Seymour Conservation Reserve in Lynn Valley, Vancouver, has by one recent account played everything from the Ecuadorian highlands to the taiga forests of eastern Siberia. In one instance (Season 2, Episode 8: “One Breath”) it even stood in for agent Skuly’s mid-coma dreamscape. Over five seasons, the LSCR played host devil worshipers, killer fungi, and Neanderthal women. In “Patient X,” it stood in for both a forest in Kazakhstan and Virginia’s Shenandoah National Park. Quite the range, this place.

Gillian Anderson and David Duchovny recently returned to Vancouver to begin shooting the limited-run revival of the show. No word on whether this most dynamic of landscapes will make an appearance, but we want to believe.

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