Carol Burnett's charwoman costume from her award-winning variety show (above in 1973) is now held in the collections of the Smithsonian’s National Museum of American History.

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Carol Burnett Reveals How She Came to Create the Charwoman

Celia Cruz (above in 2001 at the Kennedy Center in Washington, D.C.) was "a phenomenon," says the Smithsonian's Ashley Mayor, one of the organizers of the new exhibition "Entertainment Nation," opening in December at the National Museum of American History.

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The Enduring Legacy of Celia Cruz, the 'Queen of Salsa'

Actor Charlotte Cushman defied gender norms, often dressing in a masculine style represented in this 1853 portrait from the Smithsonian's National Portrait Gallery. She managed her own career and demanded equal pay with male actors.

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The Rise and Fall, and Rise Again, of America’s First Celebrity—a Woman Who Loved Other Women

Billie Jean King wore this dress when she beat Bobby Riggs, a former number-one male player, during the 1973 “Battle of the Sexes.”

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What America’s Pop Culture Says About the Nation Itself

The signpost of hometowns for each of the characters in the sitcom "M*A*S*H" is now held in the collections of the Smithsonian's National Museum of American History, where it will go on view December 9.

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Fifty Years and TV's 'M*A*S*H' Still Draws Audiences

The meteoric rise of Fernando Valenzuela, a left-handed pitcher (above: a monument at Dodger Stadium) from the rural town of Etchohuaquila in Sonora, Mexico, won the hearts of Latina and Latino audiences

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The Complicated Relationship Between Latinos and the Los Angeles Dodgers

The mostly retired singer-Songwriter Paul Simon told financier and philanthropist David M. Rubenstein that a recent dream has prompted him to work on a new extended piece of music.

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Paul Simon Has 50 Ways to Charm an Audience

Queen Liliʻuokalani (above in Honolulu in 1917) “was one of the most successful composers . . . so much so that her repertoire remains at the forefront of those performed by Hawaiian musicians today,” says the Smithsonian's John Troutman

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How the Music of Hawaiʻi’s Last Ruler Guided the Island’s People Through Crisis

“I love all kinds of music and I really just want to continue to stretch my hands wide open, hold hands with other artists, and build these bridges, and just to be able to create new lanes of music,” says Steve Aoki, whose equipment recently went on view at the Smithsonian.

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Why This Body-Surfing, Sound-Blasting, Cake-Throwing DJ Belongs in a Museum

“I knew we had the work cut out for us,” says Richard Barden, the Preservation Services manager. “When you really start looking at the slippers, you see how many different materials they are."

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The Return of Dorothy’s Iconic Ruby Slippers, Now Newly Preserved for the Ages