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WWII Anti-Fascist Film Goes Viral After Charlottesville

“Don’t Be A Sucker,” which was released in 1943, urged viewers to take a stand against divisive, prejudicial rhetoric

Still image from "Don't Be a Sucker," first released by U.S. War Department in 1943. (Public Domain)
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In 1943, the United States War Department released a 17-minute, anti-Nazi propaganda film warning against complicity in the face of prejudice. Some 70 years after its initial run, “Don’t Be a Sucker”—as the film was titled—has found a new audience. As Derek Hawkins reports for the Washington Post, the film's popularity has ballooned in the wake of the white nationalist rally that took place in Charlottesville, Virginia, this weekend, where one counter-protestor was killed and at least 19 others were injured.

A snippet of “Don’t Be A Sucker” first went viral after Michael Oman-Reagan, a Canadian anthropologist, posted a snippet of “Don’t Be A Sucker” to Twitter on Saturday night. As of Monday morning, the clip had been retweeted more than 135,000 times from his account alone.

The short film, which was updated and re-released during the Cold War in 1947, is available to watch in full on the Internet Archive. It opens with a young man who stops to listen to a blustering soapbox speaker railing against various minorities.

“I tell you, friends, we’ll never be able to call this country our own until it’s a country without,” the speaker cries. “Without what? Without Negros, without alien foreigners, without Catholics, without Freemasons.”

Another member of the audience, who speaks with a slight foreign accent, turns to the young man and says, “I’ve heard this kind of talk before, but I never expected to hear it in America.” He explains that he is a Hungarian-born professor who once worked in Berlin, where he witnessed the rise of Nazism.

In a flashback narrated by the professor, the film then delves into a capsule history of Nazi Germany. In a scene that patently parallels the soapbox speaker’s diatribe at the start of the film, now another crowd of men are gathered, this time in front of a Nazi speaker, who blames the country’s ills on Jews, Catholics and Freemasons. The footage cuts to a montage of Nazi atrocities: a Jewish shopkeeper is beaten, a priest is carted away by Nazi officers, an academic is arrested.

The German men who listened with rapt attention to the Nazi speaker do not fare well either; by the end of the film they are dead, killed on the frontlines of the war. These Nazi followers were “all playing a sucker’s game,” the professor says. “They gambled with other people’s liberty, and of course, they lost their own—a nation of suckers.”

A free Germany crumbled, he argues, because its citizens allowed themselves to be rendered apart by toxic rhetoric. “If those people had stood together, if they had protected each other, they could have resisted the Nazi threat,” he says. “But once they allowed themselves to be split apart, they were helpless. We must never let that happen to us or to our country. We must never let ourselves be divided by race, color or religion. Because in this country, we all belong to minority groups.”

The film’s rosy portrait of American diversity was undeniably hypocritical. At the time of the film’s release, schools, public facilities and the U.S. military were segregated by race. And as Robinson Meyer of the Atlantic points out, the U.S. government held 100,000 Japanese Americans in internment camps in 1943—the same year that “Don’t Be A Sucker” hit theaters.

The film also did little to probe into deeper questions about “what made one become not just a sucker but an out-and-out Nazi, or about what had made Nazism take hold when and where it had,” Benjamin L. Alpers writes in Dictators, Democracy, and American Public Culture: Envisioning the Totalitarian Enemy. 

But “Don’t Be A Sucker” may have appealed to a post-War audience because, despite its sentimental touting of American unity, it put forth a pragmatic message. “Though the U.S. Army and Navy remained segregated for another five years, they were already vast and diverse enterprises by 1943,” Robinson writes in the Atlantic. “Simply put, different people had to work together to win the Second World War. The same was true of the whole country.”

The European professor in “Don’t Be A Sucker” makes sure to emphasize that freedom and liberty “are not just fancy words.”

“This is a practical and priceless way of living,” he says. “But we must work hard at it. We must guard everyone’s liberty, or we may lose our own.”

By the end of the film, the young man appears to have been swayed by the professor’s speech. He gazes at the ground, where the soapbox speaker’s crumpled pamphlets lie discarded on the floor. Then a gust of wind comes and blows the papers away.

About Brigit Katz

Brigit Katz is a journalist based in New York City. Her work has appeared in New York magazine, Flavorwire, and Women in the World, a property of The New York Times.

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