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See the Stunning Winners of the Wildlife Photographer of the Year Contest, Capturing the Splendor and Drama of Nature

These 19 recognized images highlight the diversity across our planet and the value in appreciating and protecting the natural world

a coyote walks on an elevated grassy area with San Francisco's skyline in the background
a coyote walks on an elevated grassy area with San Francisco's skyline in the background
Coyotes and people coexist in San Francisco, despite an effort to eradicate them a century ago. This image and its portfolio won the Photojournalist Story Award. © Loren Elliott / Wildlife Photographer of the Year

See the Stunning Winners of the Wildlife Photographer of the Year Contest, Capturing the Splendor and Drama of Nature

a coyote walks on an elevated grassy area with San Francisco's skyline in the background
Coyotes and people coexist in San Francisco, despite an effort to eradicate them a century ago. This image and its portfolio won the Photojournalist Story Award. © Loren Elliott / Wildlife Photographer of the Year

From the beauty in blurry wings of birds to the gut-wrenching emotion of an elephant mourning a calf, the images honored in the latest Wildlife Photographer of the Year contest depict the highs and lows of nature.

Some zoom in to the millimeter scale, capturing fungus-like protists called slime molds, while others feature big, charismatic mammals.

“These photographs capture moments that are at once intimate, surprising and profoundly revealing,” Doug Gurr, director of London’s Natural History Museum, says in a statement. “Together they remind us that every species plays a role in the complex web of life—and why understanding and protecting the natural world has never been more important.”

In its 62nd annual iteration, the Wildlife Photographer of the Year contest, developed and produced by the Natural History Museum in London, received a record-breaking number of entries: Photographers from 121 countries and territories sent in 65,403 submissions.

Both the adult and young photographer winners were in black and white this year, a first for the contest. It demonstrates the “enduring power of monochrome imagery to tell compelling wildlife stories,” according to the statement.

The competition, widely considered the most prestigious wildlife photography contest in the world, aims to do more than just highlight animals. The wide-ranging scenes of life that earn accolades from the judges often have a conservation purpose, revealing “powerful stories from the natural world and the urgent need to protect it,” per the statement.

Displayed in a gallery online, this year’s recognized images will also be on view at London’s Natural History Museum from October 16 through July 11, 2027. In the meantime, check out the winning photos below.

The Aftermath by Federico Veronesi

an elephant carries a dead calf, its limbs out
An elephant carries around a dead calf. This image won the category for mammal behavior and the overall title of Wildlife Photographer of the Year. © Federico Veronesi / Wildlife Photographer of the Year

In Namibia’s Huab River Valley, Italian photographer Federico Veronesi was tracking elephants. He spotted drag marks in the sand of a dry riverbed and followed them to a group of the mammals. A female elephant revealed what had left the tracks: She was carrying a dead calf, with its leg wedged between her tusk and trunk.

“This photograph works on so many levels,” says Kathy Moran, chair of the jury that judged the images, in the statement. “Emotionally it’s a gut punch, heartbreakingly poignant. Intellectually it’s proof that animals have cognition.” Both Asian and African elephants have been known to mourn their dead and even bury them.

Labor of Love by Oscar Whitfield

a dung beetle pushes a large ball of dung, in black and white, with dirt floating around it
A dung beetle pushes a ball of dung somewhat larger than its body. This image won the category for 11- to 14-year-old photographers and the title of Young Wildlife Photographer of the Year. © Oscar Whitfield / Wildlife Photographer of the Year

Lying flat on the ground, young photographer Oscar Whitfield was eye-to-eye with this dung beetle in Zimbabwe. By rolling, eating and burying poop, the thousands of species of dung beetle worldwide help clean up environments and promote decomposition of waste.

“Photographing such a small, constantly moving subject is challenging, yet the image feels so intentional,” says Jasper Doest, a member of the jury, in the statement. “The photograph quietly reveals how life cycles depend on what we often overlook or dismiss.”

Protective Pose by Anton Sorokin

an orange newt wraps its front arms around two blades of grass and a sac of eggs, its back feet clasped together around the plants
A female California newt lays her eggs while grasping a clutch already laid by another newt. This photograph won the category for amphibian and reptile behavior. © Anton Sorokin / Wildlife Photographer of the Year

Freshly laid eggs of California newts are highly vulnerable to predation. Other newts, hungry and in densely packed populations, might be able to gulp down a clutch. So, female newts stick around to protect their eggs after laying, waiting until the gelatinous sac around them swells and the clutch becomes too big to be swallowed.

Biologist and photographer Anton Sorokin has watched newts many times, but this was the first time he saw this posture. In his winning shot, a newt cradles another clutch of eggs in her arms as she lays, her feet interlocked on an underwater stem to protect the eggs.

On the Outskirts by Loren Elliott

a coyote walks on an elevated grassy area with San Francisco's skyline in the background
Coyotes and people coexist in San Francisco, despite an effort to eradicate them a century ago. This image and its portfolio won the Photojournalist Story Award. © Loren Elliott / Wildlife Photographer of the Year

Wild coyotes prowl San Francisco’s Bernal Heights Park, hunting rodents in the urban environment alongside humans and their dogs. Residents have mixed feelings about the canines, as they can pose a risk to pets, but also benefit from the predators’ natural rodent control.

Photographer Loren Elliott created a portfolio featuring the coyotes, which number roughly 100 in a city of 800,000 human residents. Although coyotes are native to California, a government-sponsored campaign in the early 20th century resulted in their local eradication. But by the start of the 2000s, the animals had mysteriously returned.

Afternoon Snack by Alexis Tinker-Tsavalas

a close-up of two flies on a blade of grass, one predating on the other
A robber fly uses its needle-like mouthparts to pierce its prey. This image and its portfolio won the Rising Star Award. © Alexis Tinker-Tsavalas / Wildlife Photographer of the Year

The bubbles in the eyes of this unfortunate flesh fly—the victim in this predation event—suggest it has been injected with digestive enzymes from the larger robber fly, also known as an assassin fly. Those enzymes liquify the insect’s internal organs so that the robber fly can easily consume them.

In his portfolio spanning Germany and Northern Ireland, photographer Alexis Tinker-Tsavalas brings attention to tiny insects and arachnids. He created images with a large depth of field by stacking several photos that were focused in different areas.

Tiny Dancers by Kutub Uddin

orange stems grow from a log with fibrous threads on top of it, supporting green spheres with brown dots
Two slime molds grow from a log, forming spheres atop spindly stems. This photo and its collection won the Portfolio Award. © Kutub Uddin / Wildlife Photographer of the Year

Slime molds are mysterious and strange—not fitting into the categories of fungi, animals or plants, they can either be single cells or “supercells” with one cell membrane and many nuclei. They mostly grow on dead wood or leaf litter and tend to be small. The slime molds in this photograph are just one or two millimeters high.

Photographer Kutub Uddin, who created a macro photography portfolio of slime molds, describes them in a statement as “tiny clusters or unusual textures on the wood, often appearing as minute pins, spheres or dust-like groupings.” Here, these slime molds in West Sussex, England, are sprouting fine threads called capillitium, which will help emit spores for reproduction.

Warning Sign by Francisco Negroni

a dead puma is draped on top of a wire fence beside a field, its chin and tail resting on the wooden poles
A dead puma is draped across a fence. This photograph won the category for photojournalism. © Francisco Negroni / Wildlife Photographer of the Year

In Argentina’s Santa Cruz province, where the hunting of pumas has been banned since last year, a dead puma is displayed tied to a fence as a hunting trophy. Photographer Francisco Negroni had “never witnessed or photographed” such a scene before, he says in a statement.

Humans who raise livestock might kill pumas to thwart livestock predation. According to the statement, keeping sheep indoors at night and using guard dogs could protect livestock without resorting to hunting the cats.

The Great Divide by Alex Visbal

an overhead view of the Great Salt Lake cut through by a manmade barrier. On the left the water is pink, and on the right it is more clear. Mountains rise in the background
A artificial barrier splits the Great Salt Lake in Utah. This image won the category for wetlands. © Alex Visbal / Wildlife Photographer of the Year

A human-made line cuts through Stansbury Bay on Utah’s Great Salt Lake, cutting off an area turned pink by microbes that thrive in salty water.

“The Great Salt Lake has been under pressure for decades from water diversion, climate change and industrial extraction,” photographer Alex Visbal writes on Instagram. “This photograph shows how a single engineered line can change an entire wetland.”

Since this photo was taken, Utah has brought this area under conservation management, according to a statement.

Urban Jungle by Seth Forestson

a monitor lizard carries a fish in an urban park with a city skyline in the background. A few others surround it, including a bird
A common water monitor walks with its prey in Bangkok's Lumphini Park. This photo won the category for urban wildlife. © Seth Forestson / Wildlife Photographer of the Year

The second-largest lizard species in the world, a common water monitor carries a fish in Bangkok. These animals spend most of the day warming their bodies in the sun, but they’re also generalist predators that will eat anything they can find—making them well-adapted for city living.

At Lumphini Park in Thailand, photographer Seth Forestson waited for the creatures to become active, then captured this shot—lying low against the mud to include the city skyline.

Making Morays by Tony Wu

a large moray eel and a much smaller one, illuminated by a point of light
Researchers don't know much about the courtship and spawning of Abbott's moray eels. This photo of the behavior won the category for underwater photography. © Tony Wu / Wildlife Photographer of the Year

The mating behavior of Abbott’s moray eels had long been a mystery. But a team of biologists and photographer Tony Wu have been working to shine light on this hidden activity for years.

With a red-light source and custom fisheye lens, Wu began photographing this male in 2024 in Kyushu, Japan. His resulting images, which are helping inform scientific studies, might be the first to document Abbott’s moray eel courtship and spawning.

Escape Artistry by Michał Michalski

a flock of birds flies in front of leafless birch trees in dark lighting
A flock of birds flies in front of a barren forest. This photograph won the category for natural artistry. © Michał Michalski / Wildlife Photographer of the Year

This photograph might look like forest with crisp, autumn leaves, but don’t be deceived. Photographer Michał Michalski stood in front of a sunflower field in Poland, which was filled with feeding birds like goldfinches and bramblings. When a sparrowhawk startled the flock, the birds took off in unison, and Michalski captured their beating wings, blurred in front of the bare birch trees.

Shedding Light by Agorastos Papatsanis

the stalks of clumps of mushrooms glow yellow in the dark
When exposed to ultraviolet light, the stalks of beautiful bonnet mushrooms emit a glow in the dark. This image won the category for plants and fungi. © Agorastos Papatsanis / Wildlife Photographer of the Year

Under ultraviolet light, the stems of these beautiful bonnet mushrooms glow in a bright yellow. Some fungi produce their own light, but these, captured by photographer Agorastos Papatsanis on the lower slopes of Greece’s Mount Olympus, work a little differently. They are fluorescent, meaning that they absorb light of one wavelength—ultraviolet—and re-emit it at another wavelength of visible light.

Night-Time Catch by Alex Lindbloom

an overhead view of a whale shark approaching a rectangular fishing platform in the dark
A whale shark approaches a fishing platform off the coast of Indonesia. This photograph won the category for oceans. © Alex Lindbloom / Wildlife Photographer of the Year

At dawn, this mobile net-fishing platform, or bagan, provided the only light for photographer Alex Lindbloom’s drone flying off the coast of Papua, Indonesia. He found a whale shark, the biggest fish species alive, curious about the fishers’ catch.

Whale sharks have declined by 50 percent globally over the past 75 years, and off West Papua, Indonesia, almost two-thirds of them have injuries from human-related causes, such as tour boats and fishing gear. Bagans might cause minor injuries, but they don’t typically result in death, per a statement, and local communities attract tourists with the predictable appearance of sharks at these platforms.

Scenes From the Swamp by Isak Pretorius

two large blue-gray birds with wide bills pull up vegetation, the rightmost bird spreading its wings
Two pelican-like shoebill birds pull up vegetation in a swamp. This photo won the category for bird behavior. © Isak Pretorius / Wildlife Photographer of the Year

These flat-beaked shoebill birds might have been gathering nesting material as photographer Isak Pretorius watched them pull up vegetation and drop it. Shoebills are known to be elusive, so Pretorius felt lucky to find two of them when canoeing through Uganda’s Mabamba Swamp with a guide. Classified as a vulnerable species, fewer than 5,300 adult shoebills are thought to remain in the wild.

A Watchful Eye by Aaron Sanders

an octopus is hidden behind a piece of kelp with only one eye showing in the light and its suckers slightly visible through the kelp
A single eye of an octopus peeks out from behind a piece of kelp. This photo won the category for animal portraits. © Aaron Sanders / Wildlife Photographer of the Year

A common octopus makes eye contact with photographer Aaron Sanders from behind a curtain of kelp. “We remained perfectly still, watching one another with a seemingly shared curiosity,” he says in a statement. The silhouette of the cephalopod’s suckers can be seen through the seaweed.

Sanders spotted the creature when diving off England’s Porthkerris Beach. Common octopuses have been spotted more frequently in the region during the past two years. They prefer warm waters, typically found around the Mediterranean, but this recent “bloom” in abundance is thought to be linked to rising sea temperatures.

The Meeting Place by James Lewin

an elephant, several giraffes and a handful of zebras gather at a watering hole, with the elephant spraying a zebra's head with water from its trunk
Herbivores gather at a watering hole, and an elephant sprays a zebra with its trunk. This image won the category for animals in their environment. © James Lewin / Wildlife Photographer of the Year

Giraffes, zebras and elephants gather at a watering hole for a drink in Kenya’s Chyulu Hills National Park. Herbivores might spend more time in these areas when elephants are around, potentially because their large size could deter predators. Here, a young male elephant sprays zebras in a scene captured by photographer James Lewin.

Shifting Sand by Sitaram Raul

a scorpion burrows into the sand, tossing grains of sand behind it, only its rear legs and curled tail visible
A scorpion burrows into the sand, leaving only its rear legs and curled tail visible. This photo won the category for invertebrate behavior. © Sitaram Raul / Wildlife Photographer of the Year

A scorpion tosses sand as it burrows to escape the heat of the rising sun in India’s Thar Desert. Photographer Sitaram Raul timed the shot to get the sand grains suspended in the air. Buthacus scorpions like this one use stiff bristles as snowshoes to keep from sinking into the dunes.

“What you see in the final image is just a small part of the story,” Raul writes on Instagram. “Behind it are hours in the field, patience, curiosity and a desire to see nature a little differently.”

Flight of the Bumblebee by Amelie Davis

a bumblebee flies in a garden moving toward the camera in bright light
A bumblebee flies in a garden on a bright day. This photo won the category for photographers ages 10 and under. © Amelie Davis / Wildlife Photographer of the Year

Using her dad’s iPhone, young photographer Amelie Davis captured a common carder bee mid-flight in a garden in southern England. Davis had spent months photographing bees, but on this particular day, the flowers were “teeming with bees,” she says in a statement.

Birdsong Painted in Light by Konrad Gräeter

a blackbird sings from a sparse branch in near-darkness
A blackbird sings from a branch at dawn. This photo won the category for 15- to 17-year-old photographers. © Konrad Gräeter / Wildlife Photographer of the Year

Male Eurasian blackbirds sit on elevated perches and sing to attract mates in spring—and their most complex songs come in the morning, according to a statement. Females, in reply, give a softer tune.

In a German vineyard, young photographer Konrad Gräeter captured an image of this male blackbird singing, framed through the foliage at dawn. “With this image I try to show that the beauty of nature is all around us, if we only look,” Gräeter writes on Instagram.

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