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Pope Leo XIV Makes a Splash for His 71st Birthday, Announcing a Water-Themed Art Exhibition at the Vatican Library

Dilivium
Dilivium, a sculpture by the French artist JR, spans roughly 230 feet across the Vatican Apostolic Library’s facade.  JR / Vatican

In celebration of his 71st birthday, Pope Leo XIV this week announced the opening of a new contemporary art exhibition at the Vatican Apostolic Library, in Rome. “AQVA: Catastrophe and Wonder” brings together the works of three modern artists and an abundance of old texts to explore water’s life-giving and destructive double nature.  

Open to the public from September 25 through May 14, “AQVA” is the inaugural chapter of a five-year exhibition series, “Catastrophe and Wonder,” that will explore historical threats to the written word—including fire, light, insects and humans—and invite visitors to “look beyond fear to discover new avenues of interpretation and artistic creation,” according to a statement from the pope’s library. The show is being held there in an effort to encourage in-person engagement.

“While on the one hand it is right to facilitate access to this treasure for study, including through digitization and online access, on the other it is also necessary to preserve and encourage the ancient practice of physically making one’s way to the Library,” Pope Leo XIV says in a statement. “For it is not merely a repository of books from which one can conveniently draw using a computer at home, but an atmosphere created by relationships, exchange and the sharing of ideas.”

Catastrophe and Wonder
Centuries-old manuscripts, engravings, prints and cookbooks join modern art pieces in the new exhibition, which is the first chapter in a five-year cycle called “Catastrophe and Wonder.” Olivia Rainaldi / Vatican

Two central artworks, one modern and one ancient, ground the exhibition’s aquatic theme. A 230-foot-long sculpture of a crashing black-and-white wave, called Dilivium, stretches across the historic library’s outdoor facade. Created by the French artist JR, the piece recreates the scene of a biblical flood as originally imagined in an 1866 wood engraving by Gustave Doré, reports Artsy’s Katie White. According to the artist, it is a metaphor for existential crises of climate change, polarization and the new frontiers of A.I., which Pope Leo has consistently addressed throughout his papacy.

Did you know? Patron of the arts

Last month, in response to Pope Leo XIV’s first Encyclical Letter, the Vatican announced another inaugural exhibition, titled “Exercises in Empathy,” set to be held in various cities around the world.

“The library at the Vatican came to see me because, for them, water represents their biggest fear,” JR tells Designboom’s Kat Barandy. “It’s the fact that one day water comes and takes away all the memory … all the trace of a civilization that they’ve been preserving.” 

Inside the library, two copies of Ippolito Salviani’s 470-year-old treatise Aquatilium Animalium Historiae, which contains dozens of engravings and studies of marine life, will be on display alongside other centuries-old artifacts, manuscripts and prints that feature aquatic adventures, beasts, science and myths.   

“Believing that the wisest response to fear is to pause and confront it directly, we invited three extraordinarily creative minds to dialogue with our heritage,” Don Giacomo Cardinali, vice prefect and commissioner for exhibition activities, says in the library’s statement. “In doing so, we have discovered unexpected horizons within the very elements that typically daunt us.”

AAH Engraving
Aquatilium animalium historiae, originally published in 1554, contains dozens of engravings of fish. Two copies, both 470 years old, are on display at “AQVA,” which opens to the public in late September.  Olivia Rainaldi / Vatican

Once visitors have made their way past JR’s sculpture and Salviani’s texts, they will experience a unique combination of fonts and fish. American artist Bill Moran has spent years creating LetterFish, a collection of creatures whose component parts—ampersands, parentheses, letters and other typographic symbols—serve as a visual language unto themselves. Fourteen of these original prints will be on display.

LetterFish
Fourteen original LetterFish, created by artist Bill Moran, are featured in the new AQVA exhibition. Each print showcases a fish species made from typographic elements.  Olivia Rainaldi / Vatican

Joining the “art that swims”—as Moran calls his works—are six gastronomic narratives written by the Italian chef Fulvio Pierangelini, whose modern expertise will accompany a global survey of historical cookbooks—from Europe, China, South America, Russia and Japan—that are stored in the Vatican’s archives.  

“I am deeply honored to contribute to this project and its accompanying agenda,” Pierangelini says in the library’s statement. “In both, I share my own interpretation of the fish recipes discovered within a magnificent text preserved with infinite care and wisdom by this extraordinary library.” 

In a separate statement, Pope Leo XIV announced that the library would undergo an expansion project to make room for the Vatican’s growing collection of manuscripts. 

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