Asphalt Is the Canvas for This Year’s World Street Painting Festival in Joplin, Missouri, Which Honors 100 Years of Route 66
Immersive paintings, which function as massive optical illusions, pay tribute to the “Mother Road” and its influence on American culture
Sixteen artists from around the world are converging on asphalt in Joplin, Missouri, to prepare illusory artworks for this year’s World Street Painting festival, which opens to the public June 6.
Artists use existing surface lines, chalk and special tools to create artworks that seem to pop off the pavement, reports KY3’s Jackie Garrity. Each creation takes about three days to make.
“All artworks are designed to be experienced: you can stand on them, step inside them, or feel as if you’re floating through the past,” reads last year’s festival description. “Find the perfect perspective, get your photo taken, and become part of a 3D illusion.”
This year’s themed festival will pay homage to a distinctly American past. Joplin is located near where Missouri meets Kansas and Oklahoma along the famed Route 66, the so-called “Mother Road” connecting Chicago to California that is celebrating its 100 birthday this year. The road became an official federal highway on November 11, 1926, but it wasn’t all paved until 1938.
“Route 66 is more than a road—it’s a shared American story,” Bill Thomas, commissioner of the Route 66 Centennial Commission, said in a January statement.
Did you know? History of street painting
Street painting has a long history. According to the Cleveland Museum of Art, in the 16th century, artists in Italy known as the Madonnari created portraits of the Madonna in plazas and market areas around cathedrals. In England, these kinds of artists were called screevers, and in Germany they were known as strassenmalers.
Four artists each from the United States and the Netherlands, and one each from Italy, Japan, Bosnia and Herzegovina, France, Germany, Poland, Mexico and India, will showcase street paintings that capture some element of the route’s influence.
“They’re all Route 66 themes, so they’re not just Joplin- or Missouri-centric,” Patrick Tuttle, director of Joplin’s Convention and Visitors Bureau, tells KY3. “They span the entire route, and people pick up on those elements along the way. They’re fun and very interactive. You can stand on them and take pictures. It’s really neat.”
The World Street Painting festival is one of many exhibitions this year that celebrate the historic route with artistic expression. It joins a national quilt project, Native American gathering, auto show, immersive dome theatre shows and a new orchestral suite.
“Route 66 has become a symbol of the heritage of travel and the legacy of seeking a better life shared by the people of the United States… [it] has been enshrined in the popular culture of the United States,” reads the 2020 public law that called for the celebration of the route’s centennial.
That pop culture includes motels with neon signs, outlandish roadside attractions, road trips to national parks and musical references, Elana Scherr, a journalist with Car & Driver magazine, tells Ari Daniel on the podcast “There’s More to That.”
Since the World Street Painting Festival launched, several shows have been held in Joplin and in the Netherlands, where the festival’s organizers are based. Stops over the past decade have focused on Vincent van Gogh, climate, freedom, the Olympics, power and music. Last year, the festival arrived in the Dutch city of Tiel to commemorate its history of thousands of years. Ten street paintings served as “living history books” that told a story of the town’s Bronze Age beginnings, role in World War II, agriculture and architecture.
“It’s a really different type of art because we are in the street mostly with the people walking and asking questions, interested in our art,” Jean-Marc Navello, a street painter from France, told KSMU’s Michele Skalicky at a festival in 2025. “And I like the idea that the people can have fun and interact with my hard work. … Many people don’t dare to go inside the museums, and I think it’s a way to bring them to the art.”