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Stricken with AIDS, Robert Maplethorpe casts himself in this 1988 self-portrait as the figure of death. “What he is doing,” Ward says, “is refusing to accept our pity. He is refusing to be defined by us: poor gay man, poor dying gay man. He is also dying with dignity, turning himself into the King of Death. He is owning his status. And what he is telling us is that we are all going to die. We are all mortal and this is the fate that awaits us all. And I also think he is making a statement that he is going to survive after death because of his work as an artist. He is transcending death through art.”
Photos from: Portrait Gallery's Hide/Seek Uncovers an Intricate Visual History of Gay Relationships »