Review of 'Bingo Night at the Fire Hall and Now North of Now'- page 1 | History | Smithsonian
Current Issue
July / August 2014  magazine cover
Subscribe

Save 81% off the newsstand price!

Review of 'Bingo Night at the Fire Hall and Now North of Now'

Review of 'Bingo Night at the Fire Hall and Now North of Now'

Smithsonian Magazine | Subscribe

Bingo Night at the Fire Hall
Barbara Holland
Harcourt Brace, $22

North of Now
W. D. Wetherell
Lyons Press, $27.95

In 1990, while working for a Philadelphia advertising agency and writing on the side, Barbara Holland inherited her mother's summer cabin in the Blue Ridge Mountains of Northern Virginia. Unable to find a buyer for the "one-bedroom, one-bath house without furnace or insulation," and unable to pay her rent in Philadelphia as well as taxes and upkeep on the cabin, Holland made a choice. "I quit my job and gave my landlord notice. I kissed my children and friends goodbye and stuffed my possessions into a U-Haul."

Though Holland's cabin was only 50 miles northwest of the Washington beltway, life was so different in this land of gentle farmers and county fairs, it might as well have been 500. "I had been ripped out of context," writes the author, "and the torn edges continued to drip blood, slowly, for months." Indeed, being an outsider was not easy in a land where "from cradle to grave, my neighbors swing in a hammock of family ties and nobody leaves except for the churchyard."

Though never pushy, Holland was quietly persistent and was rewarded with small victories along the way. Late one afternoon, desperate for companionship, she drove down the mountain to a neighborhood tavern. Finding the tables filled with early diners, she eased as unobtrusively as possible onto a bar stool. "No one is rude," she writes, "but I can feel the subterranean shudder."

Bravely, Holland begins making regular stops at the tavern on the way home from her part-time job writing obituaries for the county newspaper. One day the barmaid nods when the author enters. Months later, when Holland pushes open the tavern door, the barmaid asks, "The usual?" Eventually the men at the bar talk to her. "I am still an aberration," Holland writes, "but no other woman . . . has ever sat at the bar. Only I have managed to claim a stool there where I can look at faces and hear voices after the quiet days." The reader shares her triumph.

Winters are a true hardship, a time when it's difficult to believe that the nation's capital is so close. Claustrophobia mounts as snow drifts Holland's doors shut and blocks sunlight from windows. The road down the mountain is closed to anyone without a pickup and a plow. Weeks pass with the companionship of only her two cats.

Other than the telephone or the television, theirs is the only conversation she hears for weeks at a time. "Except when the wind whines, sleet rattles, an owl calls, or a branch cracks under its load of ice," she writes, "the quiet is so intense I can hear the cat breathing." It is a silence "so complete it circles around and turns into something like a sound, a song I could understand if I listened long enough." Eventually her ears "ache with paying attention, straining to hear trees dreaming, foxes walking, stars wheeling, rocks thinking."

Holland survives her lonely winters and grows to love her adopted corner of the world. "Very slowly I got used to living among people of goodwill and grew nicer myself. Remembered to say please and thank you to the waitress and gas-station attendant. Smiled more."

But there is trouble in paradise. The land and the people are being threatened, and Holland's book is as much a tragedy as it is a love story. To the east, houses are thrown up in developments named for what they have replaced — Rolling Meadows, Forest Glen — and on the hillside beneath Holland's mountain home, where peaches once grew, the development-cum-golf course is styled The Orchard. "Of course people do need to play golf," she writes, "but what shall we do for peaches?"

Tags

Comment on this Story

comments powered by Disqus