Fairfield University Art Museum
1073 North Benson Road, Fairfield, CT 06824 - United States
The Fairfield University Art Museum (FUAM) is a dynamic space for engagement with the visual arts on the campus of Fairfield University. FUAM presents special exhibitions showcasing works of art in all media from a broad swathe of time periods and world cultures, ancient to contemporary, in both the Bellarmine Hall Galleries, and the Walsh Gallery in the Quick Center for the Arts. FUAM is an essential academic and cultural resource that brings original works of art to the Fairfield University community, and to the residents of Fairfield County and beyond by partnering with local schools and cultural institutions, and by serving all audiences through outreach, free admission and free events.
Gifts of Gold: The Art of Japanese Lacquer Boxes
January 17 – May 15, 2020
In our Bellarmine Hall Galleries, the Gifts of Gold: The Art of Japanese Lacquer Boxes will introduce viewers to the medium, functions, decorative techniques, and symbolic associations of Japanese lacquer by presenting approximately twenty exquisite works ranging from the 15th through the 21st centuries, complemented by a few select paintings. The exhibition will consist of four groupings with the following themes: 1) forms in black and red 2) seasonal and auspicious motifs 3) poetic and literary associations 4) materials and techniques. Objects in the exhibition are drawn from institutional and private collections, as well as featuring a 19th century writing box recently acquired by the Fairfield University Art Museum.
Archives of Consciousness: Six Cuban Artists
January 24 – May 15, 2020
In our Walsh Gallery, we have our exhibition, Archives of Consciousness: Six Cuban Artists. The exhibition features recent and key past works by internationally renowned artists, this exhibit explores the many mythologies of liberation and fulfillment promised by modern life as well as the peculiar challenges they represent for island Cubans who must navigate Cuba’s contradictory system of combining capitalism with Communist rule since the fall of the Soviet Union in 1991. Through sculpture, painting, photography and mixed media, artists Roberto Diago, Manuel Mendive, Eduardo (“Choco”) Roca, Abel Barroso, Mabel Poblet and Luis Camejo interrogate the ways that consumerism, migration, patriarchy and the legacies of slavery shape the definitions and differential experiences of freedom that twenty-first-century technology affords all of us. Yet these works anchor the viewer in deeply Cuban locations of consciousness, revealing how austerity and sacrifice, self-reliance and dependence, fear and valor, joy and anguish reflect central principles of survival in a society where egalitarian dreams have long clashed with scarcity, poverty and painful political realities.
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