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The Smithsonian Life List
28 Places to See Before You Die
28 Places to See Before You Die—the Taj Mahal, Grand Canyon and More
Smithsonian Magazine Staff
We've traveled the globe and compiled a "life list" of places to visit before taking the ultimate trip to the great beyond
Master Class
Joseph A. Harriss
Like generations of painters before them, artists from around the globe go to Paris to copy the masterpieces at the Louvre
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The Mona Lisa. The Venus de Milo. The Winged Victory of Samothrace. The collection in the Louvre Museum in Paris is an Art History 101 checklist. And yes, you must see the works in person. No photograph or Web site has the same impact as standing dwarfed before the myriad intricacies of Renaissance painter Paolo Veronese's 22-foot-tall Wedding Feast at Cana. But a pick-and-choose tour of famous masterpieces ignores the full scope of the collection. Begun by King François I in 1546, the 35,000 pieces are a narrative of artistic vision from antiquity through the mid-19th century.
The Louvre is the granddaddy of public art museums. In 1793 the medieval fortress-turned-royal palace was opened to all the people by order of the French Revolutionary government. Fostered later by Napoleon, who understood the propaganda value of a collection of world masterpieces, it was also a center for the education of artists. "The Louvre was the inspiration for other art museums," says Andrew McClellan, author of Inventing the Louvre and a professor of art history and museum studies at Tufts University. "It is the quintessential example of the museum idea: that you can go into one place and confront the surviving products of distant cultures and the finest things that have ever been made."
So how to take it all in? "The only way to do it is to go back repeatedly," counsels McClellan, who estimates he's visited about 75 times. In the words of Paul Cézanne, "Keep good company—that is, go to the Louvre."
The Mona Lisa. The Venus de Milo. The Winged Victory of Samothrace. The collection in the Louvre Museum in Paris is an Art History 101 checklist. And yes, you must see the works in person. No photograph or Web site has the same impact as standing dwarfed before the myriad intricacies of Renaissance painter Paolo Veronese's 22-foot-tall Wedding Feast at Cana. But a pick-and-choose tour of famous masterpieces ignores the full scope of the collection. Begun by King François I in 1546, the 35,000 pieces are a narrative of artistic vision from antiquity through the mid-19th century.
The Louvre is the granddaddy of public art museums. In 1793 the medieval fortress-turned-royal palace was opened to all the people by order of the French Revolutionary government. Fostered later by Napoleon, who understood the propaganda value of a collection of world masterpieces, it was also a center for the education of artists. "The Louvre was the inspiration for other art museums," says Andrew McClellan, author of Inventing the Louvre and a professor of art history and museum studies at Tufts University. "It is the quintessential example of the museum idea: that you can go into one place and confront the surviving products of distant cultures and the finest things that have ever been made."
So how to take it all in? "The only way to do it is to go back repeatedly," counsels McClellan, who estimates he's visited about 75 times. In the words of Paul Cézanne, "Keep good company—that is, go to the Louvre."

The last time we were at the Louvre (Dec. 2006) with our kids we took an overview tour of the most famous paintings and sculptures. It was an hour and a half and I highly recommend it if you don't have a lot of time or have kids who give you "the look" when you tell them you're going to a museum!
Posted by Donna on July 15,2008 | 09:25PM