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The Creation of Adam by Michelangelo

The Measure of Genius: Michelangelo’s Sistine Chapel at 500

Half a millennium later, the story of the painting of the Sistine Chapel is as fascinating as Michelangelo’s masterpiece itself
April 10, 2009 | By Jamie Katz

The Feast of Esther

Jan Lievens: Out of Rembrandt's Shadow

A new exhibition re-establishes Lievens' reputation as an old master, after centuries of being eclipsed by his friend and rival
March 2009 | By Matthew Gurewitsch

Vincent van Goghs The Starry Night

Van Gogh's Night Visions

For Vincent Van Gogh, fantasy and reality merged after dark in some of his most enduring paintings, as a new exhibition reminds us
January 2009 | By Paul Trachtman

Andy Warhol Pop Politics

Warhol's Pop Politics

Andy Warhol's political portraits anticipated today's blurred boundaries between public office and stardom
October 31, 2008 | By Julia Ann Weekes

Robert Rauschenberg

Recalling Robert Rauschenberg

On the artist’s innovative spirit
May 19, 2008 | By Amei Wallach

Four Fishwives, 1881

Hidden Depths

Winslow Homer took watercolors to new levels. A Chicago exhibition charts the elusive New Englander's mastery
May 2008 | By Robert M. Poole

Beneath the Surface

A high-tech investigation helps explain Winslow Homer's staying power
May 2008 | By Robert M. Poole

A Parisian Ball

“No More Long Faces”

Did Winslow Homer have a broken heart?
May 2008 | By Amanda Bensen

Courbet

Larger than Life

Whether denouncing France's art establishment or challenging Napoleon III, Gustave Courbet never held back
April 2008 | By Avis Berman

John Alexander

A retrospective of artist John Alexander's work debuted at the Smithsonian American Art Museum in December and travels next to Houston's Museum of Fine Arts.
March 2008 | By Jess Blumberg

Van Gogh painted this portrait of himself

Letters from Vincent

Never-before-exhibited correspondence from van Gogh to a protégé displays a thoughtful exacting side of the artist
January 2008 | By Arthur Lubow

Van Gogh in Auvers

The artist's tumultuous last days
January 2008 | By Lyn Garrity

“I am equally engaged by what is the beautiful and what is the degraded,” says Sanditz (in her Tivoli, New York, studio). A recent painting, Pearl Farm I (at right), was inspired by her visits to pearl farms in China, where discarded plastic bottles were used as buoys to mark the oyster beds.

Painting the Edge

With an eye for despoiled landscapes, Lisa Sanditz captures the sublime
October 2007 | By Arthur Lubow

Frida Kahlo: Public Image, Private Life

The Real Frida Kahlo

A new exhibition offers insights into the Mexican painter's private life
September 01, 2007 | By Julia Kaganskiy

"The painter," Edward Hopper often observed, "paints to reveal himself through what he sees in his subject." Chop Suey dates from 1929.

Hopper

Mystery. Longing. A whole new way of seeing. A stunning retrospective reminds us why the enigmatic American artist retains his power
July 2007 | By Avis Berman

Applying ink to a work in progress, abstract artist Maggie Michael paints with her canvases literally at her feet: "I enjoy being on the ground and moving around my canvas, looking and seeing from all the different directions."

Artist on the Rise

Contemporary artist Maggie Michael shakes up abstract painting by giving control a chance
April 01, 2007 | By Courtney Jordan

Thomas Buechner portrait of Bill Zinsser

Two Men and a Portrait

One wondered how an artist brings paint to life. The other showed him
April 2007 | By William Zinsser

Rembrandt van Rijn, master painter of the Golden Age, made this portrait of himself as a young man in 1634. During his lifetime, he painted, etched and drew some 70 self-portraits.

Rembrandt at 400

Astonishing brushwork, wrinkles-and-all honesty, deep compassion. What's the secret of his enduring genius?
December 2006 | By Stephanie Dickey

An Almost Mystical Feeling

Master painter Rembrandt was also a talented draftsman and printmaker
December 2006 | By Stephanie Dickey

An Interview with Stephanie Dickey, author of "Rembrandt at 400"

Stephanie Dickey discusses Rembrandt's ambition and what it was like to see the paintings in person
December 01, 2006 | By Amy Crawford


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