Renwick Gallery

Three-Room Dwelling (detail) by Frances Glessner Lee, about 1944-46

Home Is Where the Corpse Is—at Least in These Dollhouse Crime Scenes

Frances Glessner Lee's "Nutshell Studies" exemplify the intersection of forensic science and craft

This resplendent Tibetan shrine room will greet visitors to the Sackler Gallery's upcoming "Encountering the Buddha" exhibition.

From Egyptian Cats to Crime Scenes, Here's a Preview of the Smithsonian's Upcoming Shows

Gallery-goers in D.C. and NYC are in for a mental workout with shows that deliver on everything from the experimental to the traditional

Peter Voulkos in his Glendale Boulevard Studio in Los Angeles California

The Ceramicist Who Punched His Pots

Influenced by avant-garde poets, writers and Pablo Picasso, Peter Voulkos experimented with the increasingly unconventional

Vessel (#2309) by June Schwarcz, 2006, electroplated copper foil and enamel, gold plated

Artist June Schwarcz Electroplated and Sandblasted Her Way Into Art Museums and Galleries

The Renwick hosts a 60-year career retrospective for the innovative California enamelist

Global Cities by Norwood Vivian, 2015

Mapping the World's Great Cities in a Most Unusual, Yet Visually Arresting, Fashion

Part urban planner, part cartographer, sculptor Norwood Viviano uses state-of-the-art mapping tools to make powerful works of art

Monopoly, 2007 by Kristen Morgin

This Game of Monopoly Is Made Entirely of Clay

Kristen Morgin’s playful illusions explore ideas of abandonment and the American dream

Marion’s Morifolium Neckpiece by Jennifer Trask, 2011, includes sewing needles, antler, various teeth and bones and cast resin with bone powder, among other materials.

Bones and Blood Lurk Within These Stunning Works of Art

Sculptor Jennifer Trask sees a rich backstory in her materials

Peonies and Butterflies, Steven Young Lee, 2013, porcelain, cobalt inlay, gold luster decals. Collection of Lee and Mel Eagle

Steven Young Lee Crafts Perfectly Imperfect Pottery

Rigorously trained, this artist makes works that look woefully broken

Anonymous Donor looms, at more than ten feet tall. “As you are walking through it you’re just engulfed by the object,” says curator Nicholas Bell.

Artist Chakaia Booker Gives Tires a Powerful Retread

Booker empowers her monumental sculptures with new life, shaped by the shearing and bending and folding of repurposed rubber

Echelman's sculpture is inspired by data supplied by NASA and NOAA, the National Oceanic and Atmospheric Administration, measuring the effects of the earthquake and tsunami that ravaged Tohoku, Japan in 2011.

How One Artist Learned to Sculpt the Wind

Artist Janet Echelman studied ancient craft, travel the world and now collaborates with a team of specialists to choreograph the movement of air

Dawe says he loved having to work with the Renwick building’s 19th-century architectural details as a backdrop.

Artist Gabriel Dawe Made a Rainbow Out of 60 Miles of Thread

The artwork is an optical illusion that delights the senses; as if the artist embroidered the air

Villareal’s piece, titled Volume (Renwick), holds pride of place above the museum’s historic grand stairway. It uses LEDs embedded in 320 mirrored stainless steel rods.

Leo Villareal's 23,000 Points of Light Illuminate the Renwick Gallery

With tens of thousands of individual LEDS, a dangling light sculpture majestically redefines the grand staircase at the Renwick

“The making of these trees was so much in that spirit—in terms of dodging the ease of digital and instead doing this all by hand,” says Grade.

This Artist Recreated a Magnificent 40-Foot-Tall Tree From the Cascade Mountains by Hand

Artist John Grade painstakingly built a 150-year-old giant hemlock out of half a million blocks of reclaimed wood

Shindig by Patrick Dougherty is on view at the newly renovated Renwick Gallery.

This Tilting, Twirling Artwork, Sculpted Entirely of Sticks, Is Having a Shindig

Stick man Patrick Dougherty’s sculptures evoke a playful urge to crawl inside

Marking the reopening of the Renwick Gallery, Donovan constructed 10 towers by stacking and gluing hundreds of thousands of index cards on top of each other.

What Do One Million Index Cards, Stacked Atop Each Other, Look Like? Artist Tara Donovan Does It Again

The artist's looming installation recalls the volcanic fairy chimneys of Turkey’s Cappadocia region

“The Chesapeake is one of my favorite waterways, partly because people outside of the area aren’t as familiar with it,” says Maya Lin, who created Folding the Chesapeake at the Renwick Gallery.

Maya Lin Used 54,000 Marbles to Model the Chesapeake Bay

The artist’s highly imaginative waterway was created using satellite imagery from NASA

A detail of Jennifer Angus' work In the Midnight Garden, 2015

How Thousands of Dead Bugs Become a Mesmerizing Work of Extraordinary Beauty

With much love for the insect world, artist Jennifer Angus crafts an installation made entirely out of beetles, cicadas, katydids and weevils

When people come to the Smithsonian,” says lighting designer Scott Rosenfeld, (inside the gallery displaying the work of mixed media artist Gabriel Dawe) “they want to experience art. They don’t have to worry about spectrum.”

The Renwick's New Lighting Saves Energy, Money, Art, and Your Eyes, All at the Same Time

There’s way more to it than just screwing in the bulb and the museum’s chief lighting designer is turning it into an artform

The Renwick’s Curator-in-Charge On What It Means to Open Ourselves to Wonder

Before the renovation, Nicholas Bell asked nine artists to tour the building and think deeply about public spaces dedicated to art

The Renwick Gallery of the Smithsonian American Art Museum, after a $30 million renovation, is qualified once again to be called the "American Louvre."

The Renwick: Finally The Gem It Was Meant to Be

When the newly renovated museum reopens this month, one of Washington D.C.’s most storied buildings will be elegantly reborn

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