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Parthenon

Sean Jolly, iStockphoto

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Parthenon

  • By Kathleen Burke
  • Smithsonian magazine, January 2008

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    Unlocking Mysteries of the Parthenon

    Evan Hadingham

    Efforts to restore the ancient temple of Athena are yielding new insights

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    More than 2,400 years after its construction, the Parthenon—the sanctuary to the goddess Athena—still dominates the skyline of the Acropolis in Athens. The structure, originally painted in brilliant shades of red, green and blue, remained largely intact until 1687, when a force of Venetians laying siege to invading Turkish troops ignited a gunpowder magazine stored there. The explosion reduced the sanctuary to near ruins.

    Today, the Greek government is overseeing a massive restoration effort. Although the edifice cannot be returned to its pre-1687 condition, the goal is to minimize, as much as possible, damage to what is left. (Replacement marble, for example, is being mined from the classical-era quarry that supplied the original.)

    This past October, the final phase began with the creation at the base of the citadel of the Acropolis Museum, which will showcase more than 4,000 ancient statues, friezes and artifacts when it opens in autumn 2008.

    One treasure, however, will remain absent—the marble friezes that England's Lord Elgin removed from the site between 1801 and 1803 and sold to the British Museum, where they remain. The designer of the new museum, Bernard Tschumi, has crowned his building with a glass gallery that awaits their return. "My hope," he recently told the Christian Science Monitor, "is that one day the [Elgin] marbles will be reunited and people can know the story all at once, in one single place."

    More than 2,400 years after its construction, the Parthenon—the sanctuary to the goddess Athena—still dominates the skyline of the Acropolis in Athens. The structure, originally painted in brilliant shades of red, green and blue, remained largely intact until 1687, when a force of Venetians laying siege to invading Turkish troops ignited a gunpowder magazine stored there. The explosion reduced the sanctuary to near ruins.

    Today, the Greek government is overseeing a massive restoration effort. Although the edifice cannot be returned to its pre-1687 condition, the goal is to minimize, as much as possible, damage to what is left. (Replacement marble, for example, is being mined from the classical-era quarry that supplied the original.)

    This past October, the final phase began with the creation at the base of the citadel of the Acropolis Museum, which will showcase more than 4,000 ancient statues, friezes and artifacts when it opens in autumn 2008.

    One treasure, however, will remain absent—the marble friezes that England's Lord Elgin removed from the site between 1801 and 1803 and sold to the British Museum, where they remain. The designer of the new museum, Bernard Tschumi, has crowned his building with a glass gallery that awaits their return. "My hope," he recently told the Christian Science Monitor, "is that one day the [Elgin] marbles will be reunited and people can know the story all at once, in one single place."


     
    Comments

    Are there any videos or photos of the restoration effort that give details of the work in progresss? might we see a program or study in the future about this interesting undertakng?

    Posted by Fred B. Simpson on January 22,2008 | 04:25PM

    Having visited the Parthenon in 2002 I can truly appreciate the task being undertaken to restore this truly wonder of Greek architecture. For those who will never get to Athens but have a deep interest in this magnificent structure, I would highly recommend a visit to Nashville Tennessee to see the full scale replica of this marvel of engineering. As I understand it, it very closely resembles the original structure including the friezes. Not only that, it contains the giant statue of Athena. You truly can sense the effort of construction with its many fine details.

    Posted by Jim Schroeder on January 24,2008 | 05:34PM

    I read the article by Evan Hadingham and it was really outstanding. He gave a lot of interesting facts and ideas. My only question is why don't the restorationists mix marble dust with the cement they are using to do a better job of blending the color to its natural finish. Another thing they could do is put a patina on the finished cement. If they should do this they should consult Disney world because they have some of the best patina artists in the world.In Italy they used these thechniques to repair the Piata after some idiot tried to destroy it. Thanks, hope these ideas help. Bill Morrison

    Posted by william morrison/ sculptur on January 27,2008 | 02:53PM

    Be sure to catch the new Nova, Secrets of the Parthenon, on Tuesday, January 29th on PBS stations. The Boston channel is airing it at 8 p.m. Check your local listings and enjoy! There is a Parthenon cover article in the Smithsonian Feb '08 issue.

    Posted by Kat Braden on January 28,2008 | 11:06AM

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