The Object at Hand
How a great snake, attended by alarums and excursions, made it from an Asian jungle to the National Zoo and so, eventually, to its present berth in a Smithsonian museum
- By Adele Conover
- Smithsonian magazine, June 1995, Subscribe
(Page 2 of 2)
Eventually they got the monstrous, squirming reptile on the ground but had nothing to tie it up with. Buck noticed some rattan vines, and he quickly lashed three thicknesses of vine, tying the snake's neck against its body "a few feet down," and added loops of rattan until, as he put it, "Mr. Python looked for all the world like a coiled-up fire hose." Slipping a pole through the coils, the four python hunters marched back to camp with the "abashed" snake on their shoulders.
One hopes that the spectacular creature at NMNH never suffered such indignity. In an interview, Watson Mondell Perrygo, a taxidermist and collector at NMNH from 1925 to 1965, described what may have been this python's earliest visit to the museum. "I was out to the Zoo one time," Perrygo reported, "in real cold, bitter weather. Bill Blackburne, the head keeper, said, 'I've got a big snake. . . . Will you take it down [to the museum]?' It was dead, you know. Piled up in a great big bag." Perrygo was heading toward NMNH when his heater began to warm up the car. Suddenly he heard a shoooh. "Oh, my lord,"he thought, "there's not enough antifreeze; the radiator's frozen." Jumping out, he checked the radiator. No problem. So he went around and opened the car door, "and there was this snake coming out of the bag . . . and he was live, and I mean live, hissing as loud as he could hiss!"
Quickly turning the heater off, he opened both doors, waited until the snake got chilled, and drove on with both windows down.
After its death at the Zoo in 1944, the python took a journey to immortality in a museum display. In the 1940s the taxiderming of snakes to look lifelike was a new undertaking. First, a plaster cast was made of its entire body. After the body was removed, the cast was painted on the inside with a thick layer of clear cellulose acetate, which dried into a hard "skin" shell in the exact dimensions of the snake. Once the acetate layer had hardened in the cast, each of the python's scales had to be hand-painted backward on the skin's inner surface. The laborious task was performed by the distinguished taxidermist Edgar G. Laybourne. Says his widow, NMNH zoologist Roxie Laybourne, "E.G. used a dental mirror to paint every scale in reverse."
The serpent was installed in the Malayan jungle diorama. Today the museum has 40,000 snakes in its collection, ranging from the cigarette-length worm snake to the object at hand, although only 40 specimens are on display. Many people are fascinated by snakes. But NMNH guards report that others, often including little girls, it would appear, avoid the herpetology displays or are actively hostile. Few have such strong feelings on the subject, however, as an intruder who showed up in the museum on April 4, 1969.
He was a small man, carrying a paper sack. Reaching the Hall of Reptiles, he put down the sack, took out a hatchet and began smashing holes in the glass front of the Malayan exhibit, which included the reticulated python and a king cobra rearing, with its hood spread. Having broken through the glass, the man took a butcher knife out of the sack and began decapitating the snakes. All were damaged, but other reptiles escaped injury-except for a Komodo dragon, which, perhaps because it had a snakelike forked tongue, took a couple of blows before, presumably, the man saw that it was not a snake. Before he could escape, the man was caught and taken to Captain Wilfred L'Abbe, chief of the museum's guard force. Something about him was familiar to L'Abbe. Checking back records, he found a report for January 1968 on a visitor who had brought a long pole into the museum. When questioned by a guard, the man explained that a large snake in one of the exhibit halls had stolen $20,000 from him in a poker game; he intended to get even by killing it.
After many months and $5,000, the big python was made as lifelike as ever. But the cobra never played poker again.
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Comments (1)
I found this a very interesting article though I am not one fascintated by reptiles and snakes, but I must admit being admirable of wildlife, I would agree with Frank Buck about the Python....it was only following it's natural instinct's in a hunt for food. Too often we humans forget that there are times our insticts are very admirable either.
Posted by Barbara Kamman on February 25,2008 | 07:08 PM