To Fly!
A new book traces the Wright brothers' triumph 100 years ago to an innovative design and meticulous attention to detail
- By James Tobin
- Smithsonian magazine, April 2003, Subscribe
(Page 3 of 8)
Wilbur’s favorites were the buzzards, which soared more often than the others. One day, atop the summit of the West Hill, he watched a buzzard at eye level only 75 feet away. It hung all but motionless over the steep slope. Wilbur believed his own artificial wings were—or could be—as good as this bird’s. He was less sure he could develop the buzzard’s skill. “The bird’s wings are undoubtedly very well designed indeed, but it is . . . the marvelous skill with which they are used. . . . The soaring problem is apparently not so much one of better wings as of better operators.” To develop that skill remained the brothers’ chief desire, and they could attain it only with the prolonged practice that long, safe glides could afford them.In the shed at Kitty Hawk, the brothers took apart their old glider from the summer of 1901 to make room for their new one. Over 11 days, the machine took shape.
It was an extraordinary work of art, science and craft. It was created to serve a function, so the form, following the function, took on its own ungainly beauty. The leading corners of the wings were quarter-circles, the trailing corners shaped like scoops. In cross-section, the wings humped in front and trailed away in a graceful curve to the rear. The linen skin was taut, the wires tight. Viewed directly from in front or from the side, there was hardly anything to see but a spare collection of lines—horizontal, vertical, diagonal and curved. Only when viewed from above or below did the craft seem substantial, owing to the wings, 32 feet tip to tip and 5 feet front to back. Yet the glider weighed only 112 pounds. Three men could pick it up and carry it with little trouble. “It was built to withstand hard usage,” Wilbur said, and though it looked thin and spare, it felt sturdy. When they faced it into a steady breeze, it no longer seemed ungainly. Suddenly they were no longer holding it up but holding it down.
Their first gliders, especially the one built in 1900, had flown as any child’s kite flies, with the line at a slanting angle of about 45 degrees. The closer a kite’s line ascends to the vertical, the greater the kite’s efficiency. One whose cord runs on a vertical line down to the operator is, in effect, soaring. It is aerodynamically perfect. If it could move forward under its own power, it would be flying.
On Wednesday, September 10, 1902, the brothers tested the upper wing as a kite. Two days later they tested the lower wing. They found that these curved surfaces, flown by themselves, exerted less pull on the lines than had their 1901 machine. This meant the wind was guiding the wing into a flatter angle of attack, which promised flatter, longer glides.
Next, the brothers assembled the entire glider and carried it to a slope they measured at about seven degrees. In a steady wind, they let out their lines. The glider rose. The lines stood nearly straight up and stayed there.
On the morning of Friday, September 19, Wilbur made the first 25 test glides of the season, with Orville and their assistant, Dan Tate, running alongside with a hand on the wingtips. That day and the next, Wilbur found that slight adjustments in the angle of the new front elevator, a smaller pair of movable wings, offered him control of the glider’s fore-and-aft movements.
But the new control device was tricky. To turn up, the operator had to push the elevator-control bar down—the reverse of the 1901 controls. With this movement not yet instinctive, Wilbur found himself aloft in a cross-gust that caught the left wingtip and pushed it skyward “in a decidedly alarming manner.” Wilbur, in confusion, turned the elevator up instead of down and found the glider suddenly “bent on a mad attempt to pierce the heavens.” He recovered and landed without damage. But he continued to have problems keeping the wingtips level in crosswinds.
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