• Smithsonian
    Institution
  • Travel
    With Us
  • Smithsonian
    Store
  • Smithsonian
    Channel
  • goSmithsonian
    Visitors Guide
  • Air & Space
    magazine

Smithsonian.com

  • Subscribe
  • History & Archaeology
  • Science
  • Ideas & Innovations
  • Arts & Culture
  • Travel & Food
  • At the Smithsonian
  • Photos
  • Videos
  • Games
  • Shop
  • Human Behavior
  • Mind & Body
  • Our Planet
  • Technology
  • Space
  • Wildlife
  • Art Meets Science
  • Science & Nature

Review of 'My Vegetable Love: A Journal of a Growing Season'

| | | Reddit | Digg | Stumble | Email |
  • By Emily d'Aulaire
  • Smithsonian magazine, May 1997, Subscribe
 

My Vegetable Love:
A Journal of a Growing Season

Carl H. Klaus
Houghton Mifflin Company, $22.95

I am not much of a gardener. I have a small patch of lettuce and tomatoes that I call my "salad," and a flower garden, smaller still. Some years the gardens do well; others they don't. I have no idea why. So it was not with a green thumb that I turned the pages of Carl H. Klaus' My Vegetable Love. But a gardener's touch was not required for enjoying a book that so wholeheartedly celebrates friendship, love, pets, the elements, family, academia, cooking, eating -- and of course, gardening.

For 25 years Klaus, a professor of English at the University of Iowa, has cultivated vegetables on a three-quarter-acre lot in Iowa City where he lives with his wife, Kate. For just as long he has been asking himself "why I go through it day after day, week after week, month after month, year after year."

In search of an answer to his perennial question, the author kept a journal during the growing season of 1995, beginning March 16 when he planted his first radishes and onions and ending eight months later on November 24 when he lifted a row cover to find his remaining bok choy wearing a "hangdog look."

As the months, and the garden, progress, Klaus discovers that keeping a daily journal can be a formidable task. "No longer do I feel free just to live a day without considering how the circumstances of the moment . . . will fit into the daybook," he writes; ". . . I garden to write, I eat to write, I think to write, I live to write. . . ."

A succession of family and friends pass through the professor's life. Rebecca, who helps Klaus and Kate in their gardens (Kate's flowers rival her husband's vegetables), has the delightful habit of showing up with a bottle of champagne tucked under one arm. Neighbor Jim drops down on all fours and rubs his head against the trunk of Klaus' dwarf cherry tree to illustrate how deer stripped its bark.

Though never stated outright, it is clear that to the author, Kate is the garden's most precious flower. Remembering their courtship some 30 years earlier, he writes, "How many times did I drive the twenty miles from Iowa City to Lisbon, by the rolling cornfields lickety-split, sometimes so fast I got picked up in Solon, halfway there, and taken to the local cafe, where I paid the speeding ticket right at the bar?" And a subsequent entry: ". . . I was standing at the back door watching Kate go from the terrace to the gazebo, placing her trays of seedlings on its sunny edge, just so, and then returning, her hair and her robe waving slightly in the breeze of her movement, her empty fingers pointing outward, just so."

As much as he loves to grow food, Klaus likes to eat food, and the lyric simplicity of his writing is well suited to describing the fruits of his labor: "a spinach salad that tasted so mild, some of its leaves so sweet and tender they reminded me of game fish caught in the chill waters of early spring." Radishes grew "so crisp and mild they tasted like spring rain."

The language of Klaus' garden spills into the language of his life. His students' theses "come to fruition." When the English department hires new, young professors, Klaus feels "like a late summer tomato in an early spring garden." When one fine day he declares, "And I myself felt as good as the soil," the reader knows that for Carl Klaus it doesn't get any better than this.

Though straightforward, Klaus' lean style can pack an emotional wallop. No one who has put a beloved pet to sleep can read with a dry eye his description of burying his 20-year-old cat. "There's a hump there now," he writes after tamping down the earth beneath the apple tree where he buried her, ". . . but Kate says that in time the hump will sink and the grass grow back until we hardly know it's there at all."

Near the end of the growing season Klaus notes, "It's only a vegetable garden, after all," but anyone who reads his book understands that it is far more than that. Just as anyone who reads his book will long for one of the meals so vividly described throughout -- like the one planned around the last stir-fried snow peas of the season: "Charcoal-grilled mahi-mahi marinated in canola oil, lime juice, garlic, and our own lemon grass; steamed basmati and jasmine rich with chopped garlic chives from the herb bed; a special side dish of fermented black beans mixed with chopped ginger, hot pepper flakes, and oil that we prepared this morning; a bowl of fresh cherry tomatoes from the garden, standing by to cool our palates, just in case; and a salad of sliced cucumbers, marinated in a vinaigrette of sesame oil, rice wine vinegar, sugar, tamari, and Tabasco." As Klaus put it, "So much fuss was ne'er lavished over a bunch of pea pods."

Bon appetit -- and good reading.

Reviewer Emily d'Aulaire writes from her home in Connecticut.


My Vegetable Love:
A Journal of a Growing Season

Carl H. Klaus
Houghton Mifflin Company, $22.95

I am not much of a gardener. I have a small patch of lettuce and tomatoes that I call my "salad," and a flower garden, smaller still. Some years the gardens do well; others they don't. I have no idea why. So it was not with a green thumb that I turned the pages of Carl H. Klaus' My Vegetable Love. But a gardener's touch was not required for enjoying a book that so wholeheartedly celebrates friendship, love, pets, the elements, family, academia, cooking, eating -- and of course, gardening.

For 25 years Klaus, a professor of English at the University of Iowa, has cultivated vegetables on a three-quarter-acre lot in Iowa City where he lives with his wife, Kate. For just as long he has been asking himself "why I go through it day after day, week after week, month after month, year after year."

In search of an answer to his perennial question, the author kept a journal during the growing season of 1995, beginning March 16 when he planted his first radishes and onions and ending eight months later on November 24 when he lifted a row cover to find his remaining bok choy wearing a "hangdog look."

As the months, and the garden, progress, Klaus discovers that keeping a daily journal can be a formidable task. "No longer do I feel free just to live a day without considering how the circumstances of the moment . . . will fit into the daybook," he writes; ". . . I garden to write, I eat to write, I think to write, I live to write. . . ."

A succession of family and friends pass through the professor's life. Rebecca, who helps Klaus and Kate in their gardens (Kate's flowers rival her husband's vegetables), has the delightful habit of showing up with a bottle of champagne tucked under one arm. Neighbor Jim drops down on all fours and rubs his head against the trunk of Klaus' dwarf cherry tree to illustrate how deer stripped its bark.

Though never stated outright, it is clear that to the author, Kate is the garden's most precious flower. Remembering their courtship some 30 years earlier, he writes, "How many times did I drive the twenty miles from Iowa City to Lisbon, by the rolling cornfields lickety-split, sometimes so fast I got picked up in Solon, halfway there, and taken to the local cafe, where I paid the speeding ticket right at the bar?" And a subsequent entry: ". . . I was standing at the back door watching Kate go from the terrace to the gazebo, placing her trays of seedlings on its sunny edge, just so, and then returning, her hair and her robe waving slightly in the breeze of her movement, her empty fingers pointing outward, just so."

As much as he loves to grow food, Klaus likes to eat food, and the lyric simplicity of his writing is well suited to describing the fruits of his labor: "a spinach salad that tasted so mild, some of its leaves so sweet and tender they reminded me of game fish caught in the chill waters of early spring." Radishes grew "so crisp and mild they tasted like spring rain."

The language of Klaus' garden spills into the language of his life. His students' theses "come to fruition." When the English department hires new, young professors, Klaus feels "like a late summer tomato in an early spring garden." When one fine day he declares, "And I myself felt as good as the soil," the reader knows that for Carl Klaus it doesn't get any better than this.

Though straightforward, Klaus' lean style can pack an emotional wallop. No one who has put a beloved pet to sleep can read with a dry eye his description of burying his 20-year-old cat. "There's a hump there now," he writes after tamping down the earth beneath the apple tree where he buried her, ". . . but Kate says that in time the hump will sink and the grass grow back until we hardly know it's there at all."

Near the end of the growing season Klaus notes, "It's only a vegetable garden, after all," but anyone who reads his book understands that it is far more than that. Just as anyone who reads his book will long for one of the meals so vividly described throughout -- like the one planned around the last stir-fried snow peas of the season: "Charcoal-grilled mahi-mahi marinated in canola oil, lime juice, garlic, and our own lemon grass; steamed basmati and jasmine rich with chopped garlic chives from the herb bed; a special side dish of fermented black beans mixed with chopped ginger, hot pepper flakes, and oil that we prepared this morning; a bowl of fresh cherry tomatoes from the garden, standing by to cool our palates, just in case; and a salad of sliced cucumbers, marinated in a vinaigrette of sesame oil, rice wine vinegar, sugar, tamari, and Tabasco." As Klaus put it, "So much fuss was ne'er lavished over a bunch of pea pods."

Bon appetit -- and good reading.

Reviewer Emily d'Aulaire writes from her home in Connecticut.

    Subscribe now for more of Smithsonian's coverage on history, science and nature.


Related topics: Book Reviews


| | | Reddit | Digg | Stumble | Email |
 

Add New Comment


Name: (required)

Email: (required)

Comment:

Comments are moderated, and will not appear until Smithsonian.com has approved them. Smithsonian reserves the right not to post any comments that are unlawful, threatening, offensive, defamatory, invasive of a person's privacy, inappropriate, confidential or proprietary, political messages, product endorsements, or other content that might otherwise violate any laws or policies.

Comments


Advertisement


Most Popular

  • Viewed
  • Emailed
  • Commented
  1. The Gut-Wrenching Science Behind the World’s Hottest Peppers
  2. 16 Photographs That Capture the Best and Worst of 1970s America
  3. Why You Like What You Like
  4. The Scariest Monsters of the Deep Sea
  5. Microbes: The Trillions of Creatures Governing Your Health

  6. Ten Inventions Inspired by Science Fiction
  7. Why Fire Makes Us Human
  8. How Titanoboa, the 40-Foot-Long Snake, Was Found
  9. Photos of the World’s Oldest Living Things
  10. Jack Andraka, the Teen Prodigy of Pancreatic Cancer
  1. Is a Lack of Water to Blame for the Conflict in Syria?
  2. Lisa Randall’s Guide to the Galaxy
  3. Why Fire Makes Us Human
  1. Breeding Cheetahs
  2. Why You Like What You Like
  3. The Coldest Place in the Universe
  4. What Darwin Didn't Know

View All Most Popular »

Advertisement

Follow Us

Smithsonian Magazine
@SmithsonianMag
Follow Smithsonian Magazine on Twitter

Sign up for regular email updates from Smithsonian.com, including daily newsletters and special offers.

In The Magazine

June 2013

  • The Mind on Fire
  • Burning Desire
  • 10 Epiphanies
  • Rocket Fuel
  • Accounting for Taste

View Table of Contents »






First Name
Last Name
Address 1
Address 2
City
State   Zip
Email


Travel with Smithsonian




Smithsonian Store

Stars and Stripes Throw

Our exclusive Stars and Stripes Throw is a three-layer adaption of the 1861 “Stars and Stripes” quilt... $65



View full archiveRecent Issues


  • Jun 2013


  • May 2013


  • Apr 2013

Newsletter

Sign up for regular email updates from Smithsonian magazine, including free newsletters, special offers and current news updates.

Subscribe Now

About Us

Smithsonian.com expands on Smithsonian magazine's in-depth coverage of history, science, nature, the arts, travel, world culture and technology. Join us regularly as we take a dynamic and interactive approach to exploring modern and historic perspectives on the arts, sciences, nature, world culture and travel, including videos, blogs and a reader forum.

Explore our Brands

  • goSmithsonian.com
  • Smithsonian Air & Space Museum
  • Smithsonian Student Travel
  • Smithsonian Catalogue
  • Smithsonian Journeys
  • Smithsonian Channel
  • About Smithsonian
  • Contact Us
  • Advertising
  • Subscribe
  • RSS
  • Topics
  • Member Services
  • Copyright
  • Site Map
  • Privacy Policy
  • Ad Choices

Smithsonian Institution