Barbaro's Legacy
The effort to save the fallen champion shows how far equine medicine has come in recent years. And how far it still has to go
- By Steve Twomey
- Smithsonian magazine, April 2007, Subscribe
(Page 4 of 9)
Perhaps in the Preakness he did nothing more than take "a bad step," the phrase often heard after a horse breaks a leg. Or perhaps an incident that occurred just before the bell was a factor. Barbaro burst through his gate and had to be checked before being led back to his post position. No injury was found, but that doesn't guarantee that nothing was wrong. We might never know why, moments later, the skeletal structure of his lower leg failed massively.
After seeing the images in Stall 40, Dreyfuss told Matz and the Jacksons, who had gathered just outside, that the leg was "bad." Then he returned to Barbaro, ducked beneath him and took off the Kimzey splint. He unwound Barbaro's rundown bandage, the white legging horses wear as protection against abrasions. There was more that Dreyfuss needed to know.
Running his hands up and down the leg, he checked to see if bone splinters had pierced the skin. Incredibly, none had—a small piece of luck. An open wound would have meant that dirt and germs from the track were inside, creating a grave risk of infection. Then Dreyfuss checked circulation near the hoof. Without good blood flow to promote healing, the future would be very bleak. "I could feel a pulse," he said. Another good sign.
The doctor never considered putting Barbaro down. Nobody did. This was the Derby champion. And Dreyfuss knew the Jacksons by reputation as owners who cared. "I knew we were going to try to save this horse," Dreyfuss said. "No matter what."
He knew who would do the saving too.
Barbaro had been hurt only 82 miles from one of the best large-animal hospitals in the country, and from the very surgeon who had pioneered the use of a surgical device that would be central to Barbaro's salvation. Some 90 minutes after the Preakness, the horse was secured inside a trailer heading northeast to Kennett Square, Pennsylvania.
On a shelf in a nurse's room at the New Bolton Center is a framed photograph of the chief of large-animal surgery. Scrawled beneath is a caption: "He is as blunt as his crew cut." Dean W. Richardson, who is 53, can be intimidating—but is "a marshmallow" inside, Dreyfuss said. He can be hard—on himself as much as anyone. And his fan base among his peers is sizable. Midge Leitch, who supervised Richardson when he was a surgical intern at New Bolton, said he gives great speeches off the cuff, loves tools and loves solving the puzzles of surgery on massive animals.
Shortly before he performed a recent arthroscopic operation, Richardson entered a small conference room at New Bolton and tossed a hefty stack of mail on a table. "This is what I get," he said. Americans had been thanking him, offering home remedies and, in rare instances, urging him to euthanize Barbaro. He found the last sentiment odd: "Their knee-jerk reaction to any animal that's uncomfortable is to think they're doing them a favor by killing them."
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Comments (2)
This article brought back so many memories of Barbaro and his fight for life. I never saw Barbaro in person, but I felt as if I knew a little part of him because of following his fight. When I first saw Barbaro in the paddock before the Kentucky Derby, I thought that he was the most beautiful horse that I had ever seen. His life lesson to me is to always try, to never give up, to keep trying because there may be a bright light just around the corner. Because of Barbaro and the Jacksons, much good has happened and is happening. Long Live Barbaro's Legacy!! WELL DONE BARBARO!!
Posted by Martha Kinkead on June 24,2011 | 12:31 PM
I'm looking for a way to obtain permission from photographer Eliot J. Schechter to copy the picture of Barbaro's head used on the cover of My Guy Barbaro. I'm a quilter and would so like to use this picture as a model for a small wall hanging. It is for myself as I so loved Barbaro, but it might appear in a few local competitive quilt shows. I will never sell it. I would do the work in hand applique --- a technique called "pictorial" which uses tiny pieces to achieve the shading in the photograph. Thank you so much. Carol Schwankl
Posted by Carol Schwankl on April 30,2008 | 10:38 AM