• Smithsonian
    Institution
  • Travel
    With Us
  • Smithsonian
    Store
  • Smithsonian
    Channel
  • goSmithsonian
    Visitors Guide
  • Air & Space
    magazine

Smithsonian.com

  • Subscribe
  • History & Archaeology
  • Science
  • Ideas & Innovations
  • Arts & Culture
  • Travel & Food
  • At the Smithsonian
  • Photos
  • Videos
  • Games
  • Shop
  • Human Behavior
  • Mind & Body
  • Our Planet
  • Technology
  • Space
  • Wildlife
  • Art Meets Science
  • Science & Nature

The Secret Lives of Animals Caught on Camera

Photographs shot by camera traps set around the world are capturing wildlife behavior never before seen by humans

| | | Reddit | Digg | Stumble | Email |
  • By Megan Gambino
  • Smithsonian.com, March 24, 2011, Subscribe
View More Photos »
Snow leopard
Using motion-activated camera-traps, Smithsonian WILD captured unsuspecting animals, such as this snow leopard in China, from all over the world. (Smithsonian WILD)

Photo Gallery (1/19)

Temmincks tragopan

Explore more photos from the story

Related Links

  • Smithsonian WILD

More from Smithsonian.com

  • The Way of the Wolverine
  • Wild Animals Caught on Camera
  • The Hidden World of Ants

Great photography is about being in the right place at the right time. But to capture the most candid shots of wild animals, perhaps the right place to be is far away—out of sight, hearing and scent of them.

That’s the concept behind camera trapping, a niche of wildlife photography that has been around for nearly 120 years. It was invented by George Shiras, a one-term congressman working in Michigan’s Upper Peninsula, who rigged a clunky camera with a baited trip wire. All types of animals—raccoons, porcupines and grizzly bears—tugged on the wire, which released the camera’s shutter, ignited a loud magnesium powder flash and snapped a portrait of the startled animal. Modern camera traps are digital and take photographs when an animal’s body heat registers on an infrared sensor or the animal crosses a motion-sensitive beam of light. To wildlife, says Roland Kays, a biologist at the New York State Museum, a camera trap is “just a piece of plastic on a tree. They don’t hear anything. There is nothing that they realize is going on.”

Traps from the Appalachian Trail to the Amazon rain forest to giant panda reserves in China have collected so much data that the challenge now is to efficiently organize and analyze it. To encourage sharing among researchers and with the public, the Smithsonian Institution recently unveiled Smithsonian WILD, a portal to more than 200,000 camera-trap photographs from around the world.

In their simplest application, camera traps let biologists know what species inhabit a given area. “For many smaller species it is difficult to tell from track or feces,” says William McShea, a research ecologist with the Smithsonian’s National Zoo and Kays’ partner in launching Smithsonian WILD. “This provides ‘proof’ that a specific species was at a specific place on a specific date.” The evidence becomes even more valuable when the species photographed is elusive, threatened or even previously unknown. The only evidence for a tree-dwelling relative of the mongoose called a Lowe’s servaline genet was a pelt that was collected in 1932—until 2000, when one traipsed in front of a camera trap in Tanzania. The furry rump of a wolverine, perhaps the only one living in California, appeared in a photograph taken in the Sierra Nevada Mountains in 2008. And a strange, long-snouted insectivore, also in Tanzania, wandered in front of a lens in 2005; scientists eventually captured live specimens and named the newfound species the gray-faced sengi, a kind of elephant shrew.

To estimate the size of an endangered population in the wild, researchers have traditionally used a capture-recapture method, which entails sedating animals, tagging them, releasing them and then recording how many tagged animals are recaptured. For animals that have distinctive markings, such as tigers, “capturing” and “recapturing” can be done less invasively, with camera traps. Photographs of the rare giant sable antelope in Angola inspired a team of scientists to start a breeding program. The cameras can also confirm the success of a conservation effort: In Florida in the mid-1990s, panthers and other wildlife were photographed using highway underpasses that had been built to protect the cats from being hit by cars.

Traps often snap sequences of photographs that can be stitched together to provide insight into complex behaviors. The view is not always glamorous. Traps have caught two white-lipped peccary pigs mating in Peru and golden snub-nosed monkeys urinating on cameras in China. Kays has seen an ocelot curl up for a nap and a vampire bat feed on a tapir’s leg. “If you run enough cameras,” Kays says, “you capture some cool things about what animals do when there is not a person there watching them.”

Researchers often design studies with this in mind. Scientists in Florida and Georgia mounted video cameras near nests of northern bobwhite quail to find out which species were preying on eggs and chicks. They were surprised to find armadillos among the bandits. Remote cameras stationed outside black bear dens in the Allegheny Mountains of western Virginia revealed that hibernating bears leave their dens and their cubs frequently during the winter months. “People have been observing bear dens for years and never documented this phenomenon,” says ecologist Andrew Bridges of the Institute for Wildlife Studies, who led the study.

In one photograph on Smithsonian WILD, a jaguar, head hanging and eyes locked on a camera, closes in. In another, an African buffalo’s mug is so close to the lens that you can see its wet nose glisten. The encounters are dramatic, even entertaining. “We run out and check the camera trap, bring the pictures back, look at them on a computer and get really excited,” says Kays. “We want to share some of that with the public and let them see.”


Great photography is about being in the right place at the right time. But to capture the most candid shots of wild animals, perhaps the right place to be is far away—out of sight, hearing and scent of them.

That’s the concept behind camera trapping, a niche of wildlife photography that has been around for nearly 120 years. It was invented by George Shiras, a one-term congressman working in Michigan’s Upper Peninsula, who rigged a clunky camera with a baited trip wire. All types of animals—raccoons, porcupines and grizzly bears—tugged on the wire, which released the camera’s shutter, ignited a loud magnesium powder flash and snapped a portrait of the startled animal. Modern camera traps are digital and take photographs when an animal’s body heat registers on an infrared sensor or the animal crosses a motion-sensitive beam of light. To wildlife, says Roland Kays, a biologist at the New York State Museum, a camera trap is “just a piece of plastic on a tree. They don’t hear anything. There is nothing that they realize is going on.”

Traps from the Appalachian Trail to the Amazon rain forest to giant panda reserves in China have collected so much data that the challenge now is to efficiently organize and analyze it. To encourage sharing among researchers and with the public, the Smithsonian Institution recently unveiled Smithsonian WILD, a portal to more than 200,000 camera-trap photographs from around the world.

In their simplest application, camera traps let biologists know what species inhabit a given area. “For many smaller species it is difficult to tell from track or feces,” says William McShea, a research ecologist with the Smithsonian’s National Zoo and Kays’ partner in launching Smithsonian WILD. “This provides ‘proof’ that a specific species was at a specific place on a specific date.” The evidence becomes even more valuable when the species photographed is elusive, threatened or even previously unknown. The only evidence for a tree-dwelling relative of the mongoose called a Lowe’s servaline genet was a pelt that was collected in 1932—until 2000, when one traipsed in front of a camera trap in Tanzania. The furry rump of a wolverine, perhaps the only one living in California, appeared in a photograph taken in the Sierra Nevada Mountains in 2008. And a strange, long-snouted insectivore, also in Tanzania, wandered in front of a lens in 2005; scientists eventually captured live specimens and named the newfound species the gray-faced sengi, a kind of elephant shrew.

To estimate the size of an endangered population in the wild, researchers have traditionally used a capture-recapture method, which entails sedating animals, tagging them, releasing them and then recording how many tagged animals are recaptured. For animals that have distinctive markings, such as tigers, “capturing” and “recapturing” can be done less invasively, with camera traps. Photographs of the rare giant sable antelope in Angola inspired a team of scientists to start a breeding program. The cameras can also confirm the success of a conservation effort: In Florida in the mid-1990s, panthers and other wildlife were photographed using highway underpasses that had been built to protect the cats from being hit by cars.

Traps often snap sequences of photographs that can be stitched together to provide insight into complex behaviors. The view is not always glamorous. Traps have caught two white-lipped peccary pigs mating in Peru and golden snub-nosed monkeys urinating on cameras in China. Kays has seen an ocelot curl up for a nap and a vampire bat feed on a tapir’s leg. “If you run enough cameras,” Kays says, “you capture some cool things about what animals do when there is not a person there watching them.”

Researchers often design studies with this in mind. Scientists in Florida and Georgia mounted video cameras near nests of northern bobwhite quail to find out which species were preying on eggs and chicks. They were surprised to find armadillos among the bandits. Remote cameras stationed outside black bear dens in the Allegheny Mountains of western Virginia revealed that hibernating bears leave their dens and their cubs frequently during the winter months. “People have been observing bear dens for years and never documented this phenomenon,” says ecologist Andrew Bridges of the Institute for Wildlife Studies, who led the study.

In one photograph on Smithsonian WILD, a jaguar, head hanging and eyes locked on a camera, closes in. In another, an African buffalo’s mug is so close to the lens that you can see its wet nose glisten. The encounters are dramatic, even entertaining. “We run out and check the camera trap, bring the pictures back, look at them on a computer and get really excited,” says Kays. “We want to share some of that with the public and let them see.”

    Subscribe now for more of Smithsonian's coverage on history, science and nature.


Related topics: Bears Cats Elephants


| | | Reddit | Digg | Stumble | Email |
 

Add New Comment


Name: (required)

Email: (required)

Comment:

Comments are moderated, and will not appear until Smithsonian.com has approved them. Smithsonian reserves the right not to post any comments that are unlawful, threatening, offensive, defamatory, invasive of a person's privacy, inappropriate, confidential or proprietary, political messages, product endorsements, or other content that might otherwise violate any laws or policies.

Comments (4)

I would really like to be able to get pictures like that. Who knows what types of animals i can find by the creek in my backyard?

Posted by Alissa on March 13,2012 | 05:38 PM

I suddenly understand the term,"Like a deer in the headlights!" Wow! That snow leopard is amazing!

Posted by Ricia Sorum on April 12,2011 | 11:40 AM

Amazing how many different species they've caught in these photos. The reflections from many of the animals' retinas is sometimes a little distracting, but in a few cases it's actually rather entertaining ("laser-eyes!"). Well done!!

Posted by Joel on April 8,2011 | 06:33 PM

This footage is absolutely phenomenal!! I'm so impressed with what they've been able to capture!

Posted by Anna on March 27,2011 | 04:48 PM



Advertisement


Most Popular

  • Viewed
  • Emailed
  • Commented
  1. Jack Andraka, the Teen Prodigy of Pancreatic Cancer
  2. When Did Humans Come to the Americas?
  3. The Scariest Monsters of the Deep Sea
  4. The Ten Most Disturbing Scientific Discoveries
  5. Ten Inventions Inspired by Science Fiction
  6. Photos of the World’s Oldest Living Things
  7. How Titanoboa, the 40-Foot-Long Snake, Was Found
  8. How Our Brains Make Memories
  9. Top Ten Most-Destructive Computer Viruses
  10. Ten Historic Female Scientists You Should Know
  1. When Did Humans Come to the Americas?
  2. Jack Andraka, the Teen Prodigy of Pancreatic Cancer
  3. The Pros to Being a Psychopath
  4. Who's Laughing Now?
  1. The Evolution of Charles Darwin
  2. Conquering Polio
  3. Ten Inventions Inspired by Science Fiction
  4. The Spotted Owl's New Nemesis
  5. The World's Worst Invasive Mammals

View All Most Popular »

Advertisement

Follow Us

Smithsonian Magazine
@SmithsonianMag
Follow Smithsonian Magazine on Twitter

Sign up for regular email updates from Smithsonian.com, including daily newsletters and special offers.

In The Magazine

February 2013

  • The First Americans
  • See for Yourself
  • The Dragon King
  • America’s Dinosaur Playground
  • Darwin In The House

View Table of Contents »






First Name
Last Name
Address 1
Address 2
City
State   Zip
Email


Travel with Smithsonian




Smithsonian Store

Framed Lincoln Tribute

This Framed Lincoln Tribute includes his photograph, an excerpt from his Gettysburg Address, two Lincoln postage stamps and four Lincoln pennies... $40



View full archiveRecent Issues


  • Feb 2013


  • Jan 2013


  • Dec 2012

Newsletter

Sign up for regular email updates from Smithsonian magazine, including free newsletters, special offers and current news updates.

Subscribe Now

About Us

Smithsonian.com expands on Smithsonian magazine's in-depth coverage of history, science, nature, the arts, travel, world culture and technology. Join us regularly as we take a dynamic and interactive approach to exploring modern and historic perspectives on the arts, sciences, nature, world culture and travel, including videos, blogs and a reader forum.

Explore our Brands

  • goSmithsonian.com
  • Smithsonian Air & Space Museum
  • Smithsonian Student Travel
  • Smithsonian Catalogue
  • Smithsonian Journeys
  • Smithsonian Channel
  • About Smithsonian
  • Contact Us
  • Advertising
  • Subscribe
  • RSS
  • Topics
  • Member Services
  • Copyright
  • Site Map
  • Privacy Policy
  • Ad Choices

Smithsonian Institution