Second Nature
More and more, innovative scientists are turning to the natural world for inspiration...and design solutions
- By Jim Robbins
- Smithsonian magazine, July 2002, Subscribe
After donning white Tyvek suits and slipping plastic booties over our shoes, Jeffrey Turner and I enter a cavernous metal building on a farm outside Montreal. Having never seen a genetically modified animal before, I don’t know quite what to expect. The goats I see immediately disarm me with their intensely curious doe eyes. One buckskin-colored nanny with long, floppy ears rears up on her hind legs, begging for a scratch. I’m under strict orders, however, not to touch her or any of the others because I might inadvertently pass along germs that could make them sick. That would not be good—these animals represent more than $20 million in research. In a feat of technical wizardry, biotechnicians have inserted genetically modified fertilized eggs into the goats’ wombs. Their offspring will carry a silk-producing gene from a golden orb weaver spider in their genetic libraries. Turner expects that milk from these goats will contain the essence of spider webs. Move over, Spider-Man.
Turner, a molecular biologist and the president and CEO of Nexia Biotechnologies, Inc., is betting his career and a great deal of money that these animals will make history. While they may never be as famous as Dolly, the sheep cloned by Ian Wilmut of the Roslin Institute in Scotland, they could prove far more lucrative. Pound for pound, the gossamer silk threads created by orb weaver spiders are five times stronger than steel. One day spider silk might be found in everything from air bags, fishing line and non-tear sports jerseys to ophthalmic sutures and artificial tendons.
The quest to harvest spider silk is one of the latest and most promising experiments in biomimicry, a burgeoning field in which scientists and designers alike mine nature for solutions to all sorts of problems. Says Janine Benyus, a science writer who popularized the term biomimicry in her 1997 book of the same name: “Unlike the Industrial Revolution, the Biomimicry Revolution introduces an era based not on what we can extract from nature, but on what we can learn from her.” Biomimicry has the potential to make products cheaper, better, more efficient and ecologically friendlier.
Human engineers, of course, have always looked to nature for inspiration. “Human ingenuity may make various inventions,” Leonardo da Vinci wrote in the 16th century, “but it will never devise any inventions more beautiful, nor more simple, nor more to the purpose than Nature does; because in her inventions nothing is wanting and nothing is superfluous.” Witness the multifrequency echolocation system of the bat, which enables it to navigate in pitch darkness at breakneck speeds, or the remarkable stamina of the arctic tern, which migrates 22,000 miles a year.
The most significant biomimicry breakthroughs have come not from merely copying nature, however, but from learning the principles and mechanics behind natural systems and then applying them to human needs. In fact, direct copying of biological organisms can lead to poor, or even disastrous, engineering designs. Consider all the failed attempts humans made to fly by building contraptions with flapping wings. The Wright brothers found success not by replicating the motions of a bird but by discerning the subtleties of lift and stability in the action of a bird’s wing and translating them to a fixed-winged craft. “My observations of the flight of buzzards,” wrote Wilbur Wright to engineer Octave Chanute in 1900, “lead me to believe that they regain their lateral balance, when partly overturned by a gust of wind, by a torsion of the tips of their wings.” Says Robert J. Full, a biologist at the University of California at Berkeley, “This is biological inspiration, not direct copying from nature. I can’t fly across the country on a bird—planes are pretty good.”
Likewise, inspired by a shrubby tree found in Texas, entrepreneur Michael Kelly filed a patent for barbed wire in 1868. He had observed that farmers would install thorny plants to contain their animals in areas where wood for fencing was in short supply. But the plants took a long time to grow and weren’t portable. So Kelly decided to give “fences of wire a character approximating . . . that of a thorn-hedge,” mimicking the barbs on the Osage orange tree. Like the Wright airplane, it was not strict emulation: the angle of the thorns was not the same, and the wire was more vine than tree branch. But it worked. (Today, more than 100,000 tons of barbed wire are sold in the United States alone each year.)
So, too, the mandibles of the larvae of a wood-boring beetle became the model for the teeth of one modern chain saw design. And, in perhaps the most well-known example of biomimicry, Swiss engineer George de Mestral, in the early 1940s, drew inspiration from the annoying cockleburs that stuck tenaciously to his hiking pants and to the hair of his dog, to come up with the Velcro fastener, a product in which one surface, consisting of many small hooks, secures to another covered with loops. It became commercially feasible when engineers designed machines that could shape nylon into masses of small, flexible hooks that do not lose their shape.
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Related topics: Design Innovation Geological
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