Content ID:
Field:


  • About Smithsonian
  • Email Updates
  • Member Services
  • Shop
  • Archive
Smithsonian.com
  • Smithsonian Institution
  • Smithsonian Channel
  • goSmithsonian
  • Air & Space magazine
  • Home
  • History & Archaeology
  • People & Places
  • Science & Nature
  • Arts & Culture
  • Travel
  • Photos & Videos
  • Games & Puzzles
  • Subscribe
  • Anthropology & Behavior
  • Dinosaurs
  • Environment
  • Technology & Space
  • Wildlife
Randy Olson Flock of Dodos Marine biology professor-turned-Hollywood filmmaker Randy Olson contends that people missed the message in his first two films because film is not their language.

Emmett Schmotkin

  • Science & Nature

Are Scientists or Moviemakers the Bigger Dodos?

Scientist-turned-filmmaker Randy Olson says that academics must be more like Hollywood in how they share their love for science

  • By Abby Callard
  • Smithsonian.com, October 30, 2009

Article Tools

  • Font
  • Share/Save/Bookmark Share
  • Email
  • Print
  • Digg Digg
  • Comments
  • StumbleUpon StumbleUpon
  • RSS
  • Reddit Reddit

    Related Topics

    Film-Making

    Movies

    Thought Innovation

    21st Century

    North America

    Photo Gallery

    Randy Olson Dont Be Such A Scientist

    Are Scientists or Moviemakers the Bigger Dodos?

    Explore more photos from the story

    Related Books

    Don't Be Such a Scientist: Talking Substance in an Age of Style

    by Randy Olson
    Island Press, 2009

    Randy Olson, a tenured marine biology professor-turned-Hollywood filmmaker, has caught some flack for allegedly “dumbing down” science in his two movies. In his new book, Don’t Be Such A Scientist, he challenges that claim and teaches others how to harness the power of arousal.

    You were a tenured professor at the University of New Hampshire and you left to pursue filmmaking in Hollywood. Why?

    Storytelling. As I look back on the past 30 years, I realize that the single biggest thing that drew me into science were great scientists who told great stories that caught my attention and enraptured me. I went off and did science for a long time and thoroughly enjoyed it, and then I really enjoyed eventually telling my own stories. I got so wrapped up in that that I got sidelined into a whole, separate aspect of that which is telling the stories for their own sake. That’s what drew me into filmmaking in the early ’90s. The deeper I got into that, the more serious I became and finally decided to go to film school in the mid ’90s. That’s when I changed careers.

    But you started making films before you changed careers.

    Yes. Shortly after I became a professor at the University of New Hampshire, I began making films. In 1989, I had my first kind of life altering experience where I began to see the power of video as a communication device. Not so much to communicate information but rather to grab people’s attention… to arouse and fulfill. Video and film have enormous arousal potential if used properly.

    What’s this “arouse and fulfill” thing?

    It’s such a simple pairing of elements yet it’s just endlessly difficult and important. The vast majority of academics can’t even figure out how to do the arousal part. All they know how to do is stand up and spew out information. Having lived in Hollywood for 15 years, I can say that the vast majority of Hollywood people only know how to do the first part. They can arouse the hell out of you, but when you finally get interested in what they have to say, you find out they got no clue, no substance, nothing to fulfill with. The goal is to hit it on both of those points. Get the audience really interested and then give them exactly what they’re interested in. The further I’ve gone in this process, the more I’ve come to realize that those two elements are really 99 percent of the entire dynamic of how to communicate.

    When you originally went to Hollywood, did you want to make science films?

    I was interested in eventually fulfilling, but for the near term developing my capabilities for arousing. So I headed off to film school to learn comedy filmmaking. I have a kind of crazy sense of humor at times, and I enjoy comedy. When I started making films, I began with humorous films. So I was headed in that direction, and I was interested in the power of both humor and film to arouse people’s interests and stimulate their interests in subjects. I did have the long-term interest in circling back around to the science world and, of course, all those years of training and knowledge, I wasn’t about to throw that away.

    In your film, Flock of Dodos, you refer to yourself as a dodo.

    Oh yes, I definitely do.

    So, who are the dodos?

    I think for starters, everybody in our society today is a bunch of dodos. We’ve gotten so overloaded with information that there’s no way that anyone can be that smart. Show me the best scholar and the greatest intellect, and I’ll show you a person who’s probably totally clueless on pop culture. And vice versa. There’s such a breadth of information that we’re all clueless at one level or another. The irony of the movie is that most people when they saw the title assumed that it was referring to creationists and intelligent designers. And that it was an insulting or pejorative title. But in fact, once you watch the movie it’s basically hinting that it’s quite possible that these heavily educated intellectuals could be just as big of dodos.

    Randy Olson, a tenured marine biology professor-turned-Hollywood filmmaker, has caught some flack for allegedly “dumbing down” science in his two movies. In his new book, Don’t Be Such A Scientist, he challenges that claim and teaches others how to harness the power of arousal.

    You were a tenured professor at the University of New Hampshire and you left to pursue filmmaking in Hollywood. Why?

    Storytelling. As I look back on the past 30 years, I realize that the single biggest thing that drew me into science were great scientists who told great stories that caught my attention and enraptured me. I went off and did science for a long time and thoroughly enjoyed it, and then I really enjoyed eventually telling my own stories. I got so wrapped up in that that I got sidelined into a whole, separate aspect of that which is telling the stories for their own sake. That’s what drew me into filmmaking in the early ’90s. The deeper I got into that, the more serious I became and finally decided to go to film school in the mid ’90s. That’s when I changed careers.

    But you started making films before you changed careers.

    Yes. Shortly after I became a professor at the University of New Hampshire, I began making films. In 1989, I had my first kind of life altering experience where I began to see the power of video as a communication device. Not so much to communicate information but rather to grab people’s attention… to arouse and fulfill. Video and film have enormous arousal potential if used properly.

    What’s this “arouse and fulfill” thing?

    It’s such a simple pairing of elements yet it’s just endlessly difficult and important. The vast majority of academics can’t even figure out how to do the arousal part. All they know how to do is stand up and spew out information. Having lived in Hollywood for 15 years, I can say that the vast majority of Hollywood people only know how to do the first part. They can arouse the hell out of you, but when you finally get interested in what they have to say, you find out they got no clue, no substance, nothing to fulfill with. The goal is to hit it on both of those points. Get the audience really interested and then give them exactly what they’re interested in. The further I’ve gone in this process, the more I’ve come to realize that those two elements are really 99 percent of the entire dynamic of how to communicate.

    When you originally went to Hollywood, did you want to make science films?

    I was interested in eventually fulfilling, but for the near term developing my capabilities for arousing. So I headed off to film school to learn comedy filmmaking. I have a kind of crazy sense of humor at times, and I enjoy comedy. When I started making films, I began with humorous films. So I was headed in that direction, and I was interested in the power of both humor and film to arouse people’s interests and stimulate their interests in subjects. I did have the long-term interest in circling back around to the science world and, of course, all those years of training and knowledge, I wasn’t about to throw that away.

    In your film, Flock of Dodos, you refer to yourself as a dodo.

    Oh yes, I definitely do.

    So, who are the dodos?

    I think for starters, everybody in our society today is a bunch of dodos. We’ve gotten so overloaded with information that there’s no way that anyone can be that smart. Show me the best scholar and the greatest intellect, and I’ll show you a person who’s probably totally clueless on pop culture. And vice versa. There’s such a breadth of information that we’re all clueless at one level or another. The irony of the movie is that most people when they saw the title assumed that it was referring to creationists and intelligent designers. And that it was an insulting or pejorative title. But in fact, once you watch the movie it’s basically hinting that it’s quite possible that these heavily educated intellectuals could be just as big of dodos.

    Your second film, Sizzle, about global warming, received some mixed reviews, right?

    Well, the reviews were not mixed in the entertainment world, but the reviews were mixed in the science world. It’s important to point out the distinction. We show the movie to broad audiences. Everybody laughs and has a good time with it. But there was a significant number in the science crowd, particularly science bloggers, who were infuriated by the movie. They felt that the proper type of movie to make is an Al Gore type of movie that is packed full of information. My feeling is that that is simply reflective of scientists’ lack of understanding of the way in which to use film. Film is not a particularly effective educational medium. It is an incredibly powerful motivational medium. It’s a great way to reach inside of people’s hearts and their guts and everything else. But it’s not a good medium to pack full of information.

    So, your films are more about getting people interested rather than actually educating them on that topic?

    Absolutely. I’m not interested in education. I’m interested in motivation and trying to light a fire inside of people to make them want to learn a few things about what they just got interested in.

    And scientists don’t get that?

    I tried to make a movie that was in a voice that younger, less committed audiences might be willing to listen to. And that is simply not the same audience as the scientists. If you make a film in French and all the Greek people get mad because they couldn’t understand it. Is that because you didn’t make the right film? That wasn’t the intended audience.

    How do you respond to people who say you’re “dumbing down” science?

    I tell them that they’re being dumb. They don’t understand the difference between “dumbing down” and concision. “Dumbing down” is just chopping down information and throwing it away to lighten the load. Concision is taking the same information and taking a lot of time and energy to rearrange it until you finally get it in a format that is more easily digested and understood than what you had in the beginning. The nice thing now is that I’ve been through three years of two movies, Flocks of Dodos and Sizzle, in which lots of people missed the message and got all wound up because it was film and that’s not their language. Now, it’s like I’ve aroused a lot of interest through the two movies. Now I’m fulfilling the message with the book.

    Is your book just for scientists?

    Oh no. We have a little video on our website, and I open it by saying that this is a book that could be just as well for lawyers or doctors or accountants, anybody that deals with trying to communicate a lot of information to the broader audience. I do think it’s advantageous to anybody involved in the broad communication of information.


    1 2


    Related topics: Film-Making Movies Thought Innovation 21st Century North America

     
    Comments

    I have to agree with the man. We're in a science literacy crisis because people feel alienated from science. They don't understand the data as it's presented and therefore are now hostile to it. It's also published in places the average science buff can't access much less the general public, and written as if it's a congressional bill!!
    If an infotainment talking head on Fox tells them "Climate change is bunk" they will believe him as he has just brought it down to the Cliff's notes version for them.
    Scientists need to start packaging the big issues in forms that can be understood but also that keep the audience's attention long enough to grasp the concepts and that's where entertainment comes in. Otherwise we will have a citizenry of idiots voting in idiot politicians who will write idiot legislation.

    Posted by Michal Mudd on November 2,2009 | 09:31AM

    Randy Olson is really on to something. It is very difficult to be educational and informative at the same time. One must emphasize one or the other. Some examples I've noticed over the years: Kids really love the Magic Schoolbus and Bill Nye science series, but they learn very little from them. On the other hand, I recall George Lucas' Young Indiana Jones series was not successful because it emphasized education over entertainment. But the adult Indiana Jones movies inspired a generation of archaeologists just as Star Trek encouraged young people to go into space sciences.

    What we need now are science heroes and really interesting projects! While kids love to do hands on science, they are later turned off by dreary textbook-based science education, cook book projects for science fairs which are often competitions between parents rather than by and for kids, plus pretty consistent TV portrayals of scientists as obnoxious maniacs. The character of Samantha Carter in the Star Gate series is a welcome exception.

    Posted by Susan Weikel Morrison on November 5,2009 | 02:30PM

    make films about science ,that's a good idea. i support it.as a power of arousal, we have to harness the science prefer than waste it

    Posted by ao on November 9,2009 | 05:34PM

    I really enjoyed reading Olson's different responses, views, and opinions throughout this interview. I thought his response to the question, "So, Who are the dodos?" was very interesting and I have to say that I agree. There really is so much information out there that it is impossible for any one person to grasp.

    A major topic that many people don't understand is science and Olson is coming up with ways that make many concepts much easier to grasp for someone who may not know much about them. Movies and entertainment are huge in our society today and I am surprised that it took this long for science to get on board with it. If it wasn't for Olson, many concepts that he has covered would still be unknown by so many.

    Posted by The Prize on November 12,2009 | 08:50PM

    Carl Sagan would have fallen on Olson's neck weeping with joy.

    And he's right, in that film isn't good at putting across abstract information, but it is absolutely superb at generating emotion - so use it to generate the emotions of curiosity and awe.

    I think it's similar to what Zahi Hawass has been doing with Egyptology. Like him or not, he's been getting outsiders interested in Ancient Egypt - magazines, TV shows, glitzy exhibitions, etc. As opposed to decades of other Egyptologists who publish papers only for each other, and have completely ignored outsiders.

    Posted by Dusty on November 20,2009 | 04:56AM

    Post a Comment


    Name: (required)

    Email: (required)

    Comment:



    Advertisement


    Most Popular Video

    • Newest
    • Most Viewed
    Coral Reef Spawn

    How Coral Reefs Spawn

    Watch coral reefs reproduce in a flurry of carefully-timed action

    Flipping Out Over Pinball

    David Silverman has collected more than 800 pinball machines to preserve their history

    Sing Along to the Messiah

    Sing Along to the Messiah

    The story within Handel's famous piece is what drives its enduring popularity

    A Rare Look at Tucker Cars

    A Rare Look at Tucker Cars

    Collector David Cammack owns three of the 43 remaining cars in existence designed by Preston Tucker

    The Residents of Arlington Cemetery

    The Residents of Arlington Cemetery

    While President Kennedy may be one of the best known gravesites in Arlington, there are many other notable Americans buried there

    The Ju/Hoansi Tribe in Action

    The Ju/'Hoansi Tribe in Action

    Over the course of 50 years, John Marshall filmed the African tribe, tracking how their nomadic culture slowly died out

    Watch the Geckos Tail Flip

    Watch the Gecko's Tail Flip

    Leopard geckos can shed their tail to distract predators, and the tails can leap up to 3 cm in one jump

    A Final Takeoff

    A Final Takeoff

    Watch one of Amelia Earhart's final takeoffs

    Most Popular

    • Viewed
    • Emailed
    • Commented
    1. Ten Notable Apocalypses That (Obviously) Didn’t Happen
    2. Tattoos
    3. A Brief History of the Salem Witch Trials
    4. Top Ten Places Where Life Shouldn't Exist... But Does
    5. Wolves and the Balance of Nature in the Rockies
    6. 28 Places to See Before You Die—the Taj Mahal, Grand Canyon and More
    7. John Brown's Day of Reckoning
    8. Ethiopia's Exotic Monkeys
    9. How Arlington National Cemetery Came to Be
    10. Evolution in the Deepest River in the World
    1. Ten Notable Apocalypses That (Obviously) Didn’t Happen
    2. Crawling Around with Baltimore Street Rats
    3. How Arlington National Cemetery Came to Be
    4. Invasion of the Longhorn Beetles
    5. 28 Places to See Before You Die—the Taj Mahal, Grand Canyon and More
    6. Ethiopia's Exotic Monkeys
    7. The Surprising Satisfactions of a Home Funeral
    8. Boise, Idaho: Big Skies and Colorful Characters
    9. Memoirs of a World War II Buffalo Soldier
    10. Terra Cotta Soldiers on the March
    1. Ten Notable Apocalypses That (Obviously) Didn’t Happen
    2. How Arlington National Cemetery Came to Be
    3. Evolution in the Deepest River in the World
    4. A Brief History of the Salem Witch Trials
    5. Artist William Wegman
    6. Memoirs of a World War II Buffalo Soldier
    7. Man Ray’s Signature Work
    8. From Brooklyn to Worthington, Minnesota
    9. The Rescue of Henry Clay
    10. What would you add to the Smithsonian Life List?

    - - - Advertisements - - -


    Join Us

    Facebook

    Facebook

    Become a fan of Smithsonian magazine's official Facebook page!

    Twitter

    Follow Smithsonian magazine on Twitter

    In The Magazine

    December 2009 Issue Cover

    December 2009

    • Wildlife Trafficking
    • Hallelujah
    • The Pyramid Man
    • Glee Mail
    • Savoring Puebla

    View Table of Contents »

    Smithsonian magazine presents

    6th Annual Smithsonian Photo Contest Winners

    Out of more than 17,000 entries contributed from around the world, Smithsonian and its readers select the year's best

    • Smithsonian Store
    • Smithsonian Journeys

    Kokeshi Dolls

    Item No. 85070

    Antarctica: Aboard National Geographic Explorer

    Journey to Antarctica to experience this otherworldly and unparalleled wilderness up close. (Jan 7 - 21, 2010)



    View full archiveRecent Issues

    • December 2009 Issue Cover
      Dec 2009

    • November 2009 Issue
      Nov 2009

    • October 2009 Issue Cover
      Oct 2009

    Newsletter

    Sign up for regular email updates from Smithsonian magazine, including free newsletters, special offers and current news updates.

    Subscribe Now

    About Us

    Smithsonian.com expands on Smithsonian magazine's in-depth coverage of history, science, nature, the arts, travel, world culture and technology. Join us regularly as we take a dynamic and interactive approach to exploring modern and historic perspectives on the arts, sciences, nature, world culture and travel, including videos, blogs and a reader forum.

    Explore our Brands

    • goSmithsonian.com
    • Smithsonian Air & Space Museum
    • Smithsonian Institution
    • Smithsonian Catalogue
    • Smithsonian Journeys
    • Smithsonian Channel
    • Site Map
    • Privacy Policy
    • Copyright
    • About Smithsonian
    • Contact Us
    • Advertising
    • Reader Panel
    • Subscribe
    • RSS
    • Topics

    Smithsonian Institution

    Produced by Clickability