Content ID:
Field:


  • About Smithsonian
  • Email Updates
  • Member Services
  • Shop
  • Archive
Smithsonian.com
  • Smithsonian Institution
  • Smithsonian Channel
  • goSmithsonian
  • Air & Space magazine
  • Home
  • History & Archaeology
  • People & Places
  • Science & Nature
  • Arts & Culture
  • Travel
  • Photos & Videos
  • Games & Puzzles
  • Subscribe
  • Africa & the Middle East
  • Asia Pacific
  • Europe
  • The Americas
  • People & Places

S. Dillon Ripley 1913 - 2001

  • By Don Moser
  • Smithsonian.com, May 01, 2001

Article Tools

  • Font
  • Share/Save/Bookmark Share
  • Email
  • Print
  • Digg Digg
  • Comments
  • StumbleUpon StumbleUpon
  • RSS
  • Reddit Reddit

    S. Dillon Ripley, the secretary of the Smithsonian Institution from 1964 to 1984, died in March at the age of 87. He created this magazine.

    He was patrician but with a common touch, an urbane man who was right at home slogging through the jungles of New Guinea and India. When he took over the Smithsonian, he was determined to change the image of the place as a dusty attic populated solely by researchers counting beetles. He wanted to let in the air. He wanted to take this great scholarly complex to the people.

    As part of that effort, he wanted to have a magazine aimed at a large general audience, a magazine that would cover all those subject areas that were of interest to the Institution. He proceeded to do so at considerable personal risk. There was little money for a start-up; general interest magazines had been dying left and right; and many people thought he was daft for even trying such a harebrained scheme. But Ripley prevailed. He hired Edward K. Thompson, a legendary editor of Life magazine, and Smithsonian was off and running.

    Ripley had a particular fondness for his creation. Each month he liked to come to the layout room—in part perhaps to play hooky from the pressures of his office—to look at color proofs of the next issue and schmooze with the staff. When he saw or heard something that pleased him, his face would light up with an impish smile.

    In some ways he seemed a man of the 19th century. His office was filled with Victorian furnishings, and his speech on occasion reflected another time—when he felt he needed to get busy, he was apt to say: “I’ll have to stir my stumps.” Yet his compass always pointed toward the future.

    Dillon Ripley was born to privilege. As a youth he went to private schools and traveled widely in Europe and India. After graduating from Yale, he studied zoology at Columbia. At 23, he jumped at the chance to participate in an expedition to New Guinea, where he spent 18 months in the jungle collecting bird specimens.

    Birds were always Ripley’s first love. At age 17, to attract waterfowl, he built a duck pond at the family estate in Connecticut. The pond, with its rafts of ducks and geese, would remain a focus of his life from then on. Ultimately, he would choose ornithology as his scientific field.

    During World War II he joined the Office of Strategic Services, coordinating U.S. and British intelligence efforts in Southeast Asia. Once he was airlifted into a Thai jungle to meet with the king’s regent. He jumped from the plane with a machine gun in his hands and a tuxedo in his backpack. It’s a role he would have played with relish.

    S. Dillon Ripley, the secretary of the Smithsonian Institution from 1964 to 1984, died in March at the age of 87. He created this magazine.

    He was patrician but with a common touch, an urbane man who was right at home slogging through the jungles of New Guinea and India. When he took over the Smithsonian, he was determined to change the image of the place as a dusty attic populated solely by researchers counting beetles. He wanted to let in the air. He wanted to take this great scholarly complex to the people.

    As part of that effort, he wanted to have a magazine aimed at a large general audience, a magazine that would cover all those subject areas that were of interest to the Institution. He proceeded to do so at considerable personal risk. There was little money for a start-up; general interest magazines had been dying left and right; and many people thought he was daft for even trying such a harebrained scheme. But Ripley prevailed. He hired Edward K. Thompson, a legendary editor of Life magazine, and Smithsonian was off and running.

    Ripley had a particular fondness for his creation. Each month he liked to come to the layout room—in part perhaps to play hooky from the pressures of his office—to look at color proofs of the next issue and schmooze with the staff. When he saw or heard something that pleased him, his face would light up with an impish smile.

    In some ways he seemed a man of the 19th century. His office was filled with Victorian furnishings, and his speech on occasion reflected another time—when he felt he needed to get busy, he was apt to say: “I’ll have to stir my stumps.” Yet his compass always pointed toward the future.

    Dillon Ripley was born to privilege. As a youth he went to private schools and traveled widely in Europe and India. After graduating from Yale, he studied zoology at Columbia. At 23, he jumped at the chance to participate in an expedition to New Guinea, where he spent 18 months in the jungle collecting bird specimens.

    Birds were always Ripley’s first love. At age 17, to attract waterfowl, he built a duck pond at the family estate in Connecticut. The pond, with its rafts of ducks and geese, would remain a focus of his life from then on. Ultimately, he would choose ornithology as his scientific field.

    During World War II he joined the Office of Strategic Services, coordinating U.S. and British intelligence efforts in Southeast Asia. Once he was airlifted into a Thai jungle to meet with the king’s regent. He jumped from the plane with a machine gun in his hands and a tuxedo in his backpack. It’s a role he would have played with relish.

    After the war he taught at Yale, and was serving as director of the Peabody Museum of Natural History when he was tapped to take over the Smithsonian. He decided from the beginning that he wanted the staid old place to become a destination where people could not only learn but have fun doing it. He made it kid-friendly by installing a carousel on the Mall and setting up a life-size fiberglass triceratops named Uncle Beazley in front of the Natural History Building so that the youngsters could play on its back. He inaugurated the very popular Folklife Festival with singing and dancing and arts and crafts from cultures around the nation and the world.

    He generated a flurry of new initiatives, new programs, new museums. During his term, Harvard and the Smithsonian created the Center for Astrophysics in Cambridge, Massachusetts. He started, revamped or completed the Smithsonian American Art Museum, the National Portrait Gallery, the Renwick Gallery, the Hirshhorn Museum and Sculpture Garden, the National Museum of African Art, the Arthur M. Sackler Gallery, the Anacostia Museum, the Cooper-Hewitt, National Design Museum, and the National Air and Space Museum. He established new ecological research centers in Florida and Maryland.

    He was a man who enjoyed his life and work to the fullest. I recall a summer afternoon at his house in western Connecticut. He was sitting on the patio, drinking a glass of wine and looking out over the pond he built so long ago at his beloved ducks and geese. A pair of Cochin bantam hens swirled around his feet like windup toys. A man at ease. And there it was—that impish smile.

    —Don Moser


    1 2

     
    Comments

    Post a Comment


    Name: (required)

    Email: (required)

    Comment:



    Advertisement


    Most Popular Video

    • Newest
    • Most Viewed
    Coral Reef Spawn

    How Coral Reefs Spawn

    Watch coral reefs reproduce in a flurry of carefully-timed action

    Flipping Out Over Pinball

    David Silverman has collected more than 800 pinball machines to preserve their history

    Sing Along to the Messiah

    Sing Along to the Messiah

    The story within Handel's famous piece is what drives its enduring popularity

    A Rare Look at Tucker Cars

    Collector David Cammack owns three of the 43 remaining cars in existence designed by Preston Tucker

    The Residents of Arlington Cemetery

    While President Kennedy may be one of the best known gravesites in Arlington, there are many other notable Americans buried there

    The Ju/'Hoansi Tribe in Action

    Over the course of 50 years, John Marshall filmed the African tribe, tracking how their nomadic culture slowly died out

    Watch the Gecko's Tail Flip

    Leopard geckos can shed their tail to distract predators, and the tails can leap up to 3 cm in one jump

    A Final Takeoff

    Watch one of Amelia Earhart's final takeoffs

    Most Popular

    • Viewed
    • Emailed
    • Commented
    1. Ten Notable Apocalypses That (Obviously) Didn’t Happen
    2. Tattoos
    3. A Brief History of the Salem Witch Trials
    4. Wildlife Trafficking
    5. How Arlington National Cemetery Came to Be
    6. Ethiopia's Exotic Monkeys
    7. Crawling Around with Baltimore Street Rats
    8. 28 Places to See Before You Die—the Taj Mahal, Grand Canyon and More
    9. Top Ten Places Where Life Shouldn't Exist... But Does
    10. Wolves and the Balance of Nature in the Rockies
    1. Ten Notable Apocalypses That (Obviously) Didn’t Happen
    2. Crawling Around with Baltimore Street Rats
    3. Invasion of the Longhorn Beetles
    4. Ethiopia's Exotic Monkeys
    5. How Arlington National Cemetery Came to Be
    6. The Glorious History of Handel's Messiah
    7. Teaching Cops to See
    8. Terra Cotta Soldiers on the March
    9. Boise, Idaho: Big Skies and Colorful Characters
    10. UBI in the Knife and Gun Club
    1. Ten Notable Apocalypses That (Obviously) Didn’t Happen
    2. A Brief History of the Salem Witch Trials
    3. How Arlington National Cemetery Came to Be
    4. Evolution in the Deepest River in the World
    5. For Smithsonian, Mangione Memorabilia 'Feels So Good'
    6. German POWs on the American Homefront
    7. Wildlife Trafficking
    8. Abandoned Basketball Hoop
    9. From Brooklyn to Worthington, Minnesota
    10. Underwater Photo of the Human Body

    - - - Advertisements - - -


    Join Us

    Facebook

    Facebook

    Become a fan of Smithsonian magazine's official Facebook page!

    Twitter

    Follow Smithsonian magazine on Twitter

    In The Magazine

    December 2009 Issue Cover

    December 2009

    • Wildlife Trafficking
    • Hallelujah
    • The Pyramid Man
    • Glee Mail
    • Savoring Puebla

    View Table of Contents »

    Enter Now!

    Smithsonian magazine 7th Annual Photo Contest

    Smithsonian magazine 7th Annual Photo Contest

    So, what makes a photograph a Smithsonian winner? Enter the contest to see if you have what it takes

    • Smithsonian Store
    • Smithsonian Journeys
    Smithsonian magazine 7th Annual Photo Contest

    Kokeshi Dolls

    Item No. 85070

    Smithsonian magazine 7th Annual Photo Contest

    Antarctica: Aboard National Geographic Explorer

    Journey to Antarctica to experience this otherworldly and unparalleled wilderness up close. (Jan 7 - 21, 2010)



    View full archiveRecent Issues

    • December 2009 Issue Cover
      Dec 2009

    • November 2009 Issue
      Nov 2009

    • October 2009 Issue Cover
      Oct 2009

    Newsletter

    Sign up for regular email updates from Smithsonian magazine, including free newsletters, special offers and current news updates.

    Subscribe Now

    About Us

    Smithsonian.com expands on Smithsonian magazine's in-depth coverage of history, science, nature, the arts, travel, world culture and technology. Join us regularly as we take a dynamic and interactive approach to exploring modern and historic perspectives on the arts, sciences, nature, world culture and travel, including videos, blogs and a reader forum.

    Explore our Brands

    • goSmithsonian.com
    • Smithsonian Air & Space Museum
    • Smithsonian Institution
    • Smithsonian Catalogue
    • Smithsonian Journeys
    • Smithsonian Channel
    • Site Map
    • Privacy Policy
    • Copyright
    • About Smithsonian
    • Contact Us
    • Advertising
    • Reader Panel
    • Subscribe
    • RSS
    • Topics

    Smithsonian Institution

    Produced by Clickability