Wonders and Whoppers
Following in Marco Polo's footsteps through Asia leads our intrepid author to some surprising conclusions
- By Mike Edwards
- Smithsonian magazine, July 2008, Subscribe
(Page 2 of 3)
Polo practically bubbled with enthusiasm as he described the palace of Kublai Khan, the Mongol ruler of Catai, in what is today Beijing. (He called the capital Cambaluc, a corruption of its Turkish name, Khanbalikh, "Khan's city.") The palace was "the greatest that ever was seen," with a hall large enough to accommodate 6,000 diners, and was encompassed by a wall four miles around. In some versions of his book, the wall grew even longer, in one case to 32 miles. Mangling his claims according to their own whims, The Description's translators, scribes and finally printers (beginning in 1477) often took his inconstant veracity down a further peg or two.
Whenever Polo mentioned Kublai, he laid it on thick. His hunting retinue, we are told, included 20,000 dog handlers; 10,000 falconers carrying gyrfalcons, peregrines, saker falcons and goshawks (Polo showed himself to be an avid birder); and unstated numbers of lions, leopards and lynxes to go after wild boars and other big animals. Still extolling his overlord—he claimed to have been a trusted servant of Kublai's regime—Polo wrote that the new year was celebrated in Cambaluc with a parade of Kublai's elephants, "which are quite five thousand, all covered with beautiful cloths," and with gifts to the ruler of "more than 100,000 white horses very beautiful and fine."
It's true that Mongol lords reveled in the royal hunt, a huge spectacle, and that they celebrated holidays grandly. And no doubt Kublai, like many Asian potentates, kept stables of elephants as a mark of power—but nothing like 5,000. And historians are confident that he didn't hunt with any 20,000 dog handlers or 10,000 falconers. "The numbers are staggering—they're obviously exaggerated," says Professor Morris Rossabi of the City University of New York, author of the definitive study of Kublai's reign. It is difficult to imagine his people maintaining, for example, a royal herd of 100,000 steeds in the region of Beijing. "People in the north didn't grow enough food to sustain themselves," Rossabi says. "Most of it had to be brought from the south. I can't believe they devoted tremendous amounts of pastureland to having 100,000 horses." Some scribes who copied Polo's text shrank the elephant herd to 500 or omitted it altogether, probably smelling excess, while one version raised it to 105,000.
Still, Polo had plenty of authentic marvels with which to astonish his countrymen—black stones that burned better than wood; money made of paper, porcelain, asbestos; huge oceangoing ships. And he documented China's wealth in silk and spices as well as its commerce with India, Java and other parts of Asia—valuable information for a trading state like Venice.
So why all the hyperbole? We'll never know for sure, but exaggeration is sometimes a character defect in adventurers—Walter Raleigh's gold-strewn El Dorado comes to mind. And in 13th-century Europe, even outright lies were a literary conceit. Grotesque beasts and magical doings were routine in the modest libraries available to even the most educated Europeans. The Histories of Herodotus, for example, told of gold-digging ants in India and winged snakes in Egypt.
I believe Polo kept a journal during his travels; if not, how did he manage, when at last home in Venice, to set down the wealth of detail that he had accumulated during his two dozen years of travel? Polo's diary: what a sensational discovery that would be! He doesn't say he kept one, but a version of The Description that appeared in Venice in the 1500s, supposedly based on authentic manuscripts, declares that he brought home "writings and memoranda." And these, it is said, were shared with a writer who helped him produce his book. That person is identified at the beginning of the text as Rustichello of Pisa, who'd been reworking some of the romantic stories of King Arthur, and whose writings had found their way into European libraries. According to Polo, he met Rustichello in a Genoa prison, into which Polo had been thrown after being captured in a sea battle between Venice and rival Genoa about 1298. Sounds like another tall Polo tale, but so far as scholars know, it's true.
Scholars see the hand of Rustichello in the book's account of a battle between Genghis Khan and Prester John, a Christian ruler in Asia, early in the 13th century. With its huge loss of life—although no body count was recorded—the engagement made a good story. Too bad there was no such person as Prester John; as historians know today, he was entirely a European invention. The legend was no doubt well known to Rustichello, while less so to Polo.
I also suspect Rustichello of concocting the tale of robbers able to "make the whole day become dark" as they swept down upon travelers. Polo described such an attack on his caravan in the desert of Iran. The passage continues, suspiciously, in the third person: "Moreover I tell you that Master Marc himself was as good as taken by that people in that darkness."
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Comments (5)
That was awful
Posted by Elina mojahedieh on January 28,2013 | 01:22 PM
What a great feat to travel 6,000 miles in Marco Polo's footsteps to prove and/or disprove his claims. Did Mr. Edwards write a travelogue himself or edit a footnoted version of Marco Polo's travels?
Posted by Reina on November 9,2009 | 09:49 PM
I heartily agree with Tim's posting. "Enourmous unicorns" would most certainly apply to the Sumatran Rhino, or perhaps the Javan Rhino. As a European, Marco Polo would have been greatly impressed by these animals - not surprising that he would equate them to a form he knew (unicorns). The largest Sumatran Rhino horn ever reported measured 32" - if Polo saw an example like that, one could certainly understand his mistake!
Posted by Robert K. on November 7,2008 | 06:22 PM
"Enormous unicorns" sounds like the sumatran rhino. Another ring of truth?
Posted by Tim on July 18,2008 | 10:35 AM
Loved the article! Can you give me any information on the painting illustrating it? Thanks much.
Posted by Shirley on July 11,2008 | 09:00 AM