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Abraham Lincoln cottage Abraham Lincoln's Gothic Revival cottage three miles from the White House has been restored.

Regis Lefebure (2)

  • People & Places

Points of Interest

Notable American Destinations and Happenings

  • By David Zax, Wendee Holtcamp and Jennifer Moses
  • Smithsonian magazine, April 2008

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    Points of Interest

    Laura Helmuth, Korry Keeker, Sonya Padgett, Constance Hale and Michelle Nijhuis

    This month's guide to notable American destinations and happenings

    Related Links

    Lincoln Cottage
    New Orleans Jazzfest
    Attwater Prairie Chicken information on the U.S. Fish and Wildlife Service

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    Abe's Getaway
    Washington, D.C.—Despite the convenient option to live where he worked, during his presidency Abraham Lincoln commuted 45 minutes most summer days by horseback or carriage to a cottage three miles from the White House.

    Now, after a seven-year, $15 million restoration by the National Trust for Historic Preservation, the 34-room Gothic Revival house, built in 1842, is open to the public for the first time. It stands on the 270 acres of Soldiers' Home, the first federal retirement facility for disabled war veterans.

    Though Rutherford B. Hayes and Chester A. Arthur also retreated to the hilltop cottage, an escape from the city's bustle and muggy heat, its significance is tied to Lincoln, who made use of it while drafting the Emancipation Proclamation and developing Civil War strategies. The Lincolns first occupied the house in June 1862, still mourning the death of their 12-year-old son, Willie.

    Visitors can tour ten rooms, including a wood-paneled library that contains copies of Lincoln's favorite books (Shakespeare and the Bible among them) and a bedroom featuring a reproduction of Lincoln's black walnut desk and a facsimile of the Proclamation.

    During his commute, Lincoln often passed poet Walt Whitman, who lived on the route; the two would exchange "very cordial" bows, Whitman wrote. One August night in 1864, a sniper shot off the president's hat as he approached the cottage grounds. Lincoln would be killed nine months later.

    Boom Time
    Eagle Lake, Texas—As the sun rises over the tallgrass prairie, one of the world's last wild Attwater's prairie chickens performs an unusual mating dance. The mottled brown grouse (Tympanuchus cupido attwateri), the size of a football, puffs out his neck and emits a low "woo woo" sound not unlike the sound made when blowing into a soft drink bottle. His neck and tail feathers stand erect, and he rapidly stamps his feet, turning 180 degrees. As a few females approach, he explodes in a dancing frenzy. Males are eager to impress: typically only one mates with all the females in his area.

    The prairie chicken's elaborate mating ritual, called booming, is one of nature's fascinating little spectacles and even the inspiration for some Native American pow wow dances. But this particular species, the Attwater's, which hunkers down in the tallgrass prairies of the Gulf coastal region, is critically endangered. Fewer than 45 free-range birds are left in the country. The Attwater Prairie Chicken National Wildlife Refuge is home to 38 of them. On April 12 and 13, the refuge, located 50 miles west of Houston, will allow visitors inside the birds' protected area to view the elaborate courtship dance from 100 yards away through binoculars and telescopes. The 10,528-acre refuge, established to rescue the birds as well as the prairie, also attracts other grassland birds such as owls and raptors, and is open year-round for birding and hiking.

     A century ago, a million Attwater's prairie chickens lived on six million acres of Gulf coastal prairie. With the loss of prairie to agriculture and urban development, barely 1 percent of the Attwater's habitat remains. Also contributing to their decline was their popularity on the 19th-century dinner table. "One of the perqs of a railroad worker's job," says refuge manager Terry Rossignol, "was the guarantee of a prairie chicken dinner every day." Texas wildlife authorities banned hunting of the birds in the 1930s to help preserve the dwindling population.

    Although the refuge releases captive-bred Attwater's into the wild every year, half are lost to weather, disease and predation. "We've been able to raise the little guys past the critical stage," says Rossignol, but "they're at the bottom of the food chain. Everything eats them."

    Encore
    NEW ORLEANS—For 21 years, the Neville Brothers were the closing act for their hometown jazz festival, but "Katrina messed up life for everybody," says Aaron Neville, 67, who now lives near Nashville. "I couldn't go back," he says. "Too many memories." The 2005 hurricane damaged or destroyed his home and those of family members. Even as the Neville Brothers took their act to other cities, they donated proceeds from concerts and recordings to the relief effort. This month, Aaron Neville and his brothers Art, Charles and Cyril will reclaim their traditional spot at the 2008 Jazz & Heritage Festival, now in it's 39th year. "My family, my children are here. I buried my wife here," Aaron says of New Orleans. (His wife, Joel, died of cancer in January 2007.) "It will always belong to me and I will always belong to it." The festival, scaled back after Hurricane Katrina, returns this year to a seven-day schedule (April 25-27, May 1-4) at the Fair Grounds Race Course. The "Jazz Fest is back," says Quint Davis, its producer and director, and "speaks to our serious effort to grow the festival at a time when New Orleans needs it the most." Other artists scheduled to perform include Stevie Wonder, Billy Joel, Sheryl Crow and Jimmy Buffet. Additional information is at www.nojazzfest.com.

    Abe's Getaway
    Washington, D.C.—Despite the convenient option to live where he worked, during his presidency Abraham Lincoln commuted 45 minutes most summer days by horseback or carriage to a cottage three miles from the White House.

    Now, after a seven-year, $15 million restoration by the National Trust for Historic Preservation, the 34-room Gothic Revival house, built in 1842, is open to the public for the first time. It stands on the 270 acres of Soldiers' Home, the first federal retirement facility for disabled war veterans.

    Though Rutherford B. Hayes and Chester A. Arthur also retreated to the hilltop cottage, an escape from the city's bustle and muggy heat, its significance is tied to Lincoln, who made use of it while drafting the Emancipation Proclamation and developing Civil War strategies. The Lincolns first occupied the house in June 1862, still mourning the death of their 12-year-old son, Willie.

    Visitors can tour ten rooms, including a wood-paneled library that contains copies of Lincoln's favorite books (Shakespeare and the Bible among them) and a bedroom featuring a reproduction of Lincoln's black walnut desk and a facsimile of the Proclamation.

    During his commute, Lincoln often passed poet Walt Whitman, who lived on the route; the two would exchange "very cordial" bows, Whitman wrote. One August night in 1864, a sniper shot off the president's hat as he approached the cottage grounds. Lincoln would be killed nine months later.

    Boom Time
    Eagle Lake, Texas—As the sun rises over the tallgrass prairie, one of the world's last wild Attwater's prairie chickens performs an unusual mating dance. The mottled brown grouse (Tympanuchus cupido attwateri), the size of a football, puffs out his neck and emits a low "woo woo" sound not unlike the sound made when blowing into a soft drink bottle. His neck and tail feathers stand erect, and he rapidly stamps his feet, turning 180 degrees. As a few females approach, he explodes in a dancing frenzy. Males are eager to impress: typically only one mates with all the females in his area.

    The prairie chicken's elaborate mating ritual, called booming, is one of nature's fascinating little spectacles and even the inspiration for some Native American pow wow dances. But this particular species, the Attwater's, which hunkers down in the tallgrass prairies of the Gulf coastal region, is critically endangered. Fewer than 45 free-range birds are left in the country. The Attwater Prairie Chicken National Wildlife Refuge is home to 38 of them. On April 12 and 13, the refuge, located 50 miles west of Houston, will allow visitors inside the birds' protected area to view the elaborate courtship dance from 100 yards away through binoculars and telescopes. The 10,528-acre refuge, established to rescue the birds as well as the prairie, also attracts other grassland birds such as owls and raptors, and is open year-round for birding and hiking.

     A century ago, a million Attwater's prairie chickens lived on six million acres of Gulf coastal prairie. With the loss of prairie to agriculture and urban development, barely 1 percent of the Attwater's habitat remains. Also contributing to their decline was their popularity on the 19th-century dinner table. "One of the perqs of a railroad worker's job," says refuge manager Terry Rossignol, "was the guarantee of a prairie chicken dinner every day." Texas wildlife authorities banned hunting of the birds in the 1930s to help preserve the dwindling population.

    Although the refuge releases captive-bred Attwater's into the wild every year, half are lost to weather, disease and predation. "We've been able to raise the little guys past the critical stage," says Rossignol, but "they're at the bottom of the food chain. Everything eats them."

    Encore
    NEW ORLEANS—For 21 years, the Neville Brothers were the closing act for their hometown jazz festival, but "Katrina messed up life for everybody," says Aaron Neville, 67, who now lives near Nashville. "I couldn't go back," he says. "Too many memories." The 2005 hurricane damaged or destroyed his home and those of family members. Even as the Neville Brothers took their act to other cities, they donated proceeds from concerts and recordings to the relief effort. This month, Aaron Neville and his brothers Art, Charles and Cyril will reclaim their traditional spot at the 2008 Jazz & Heritage Festival, now in it's 39th year. "My family, my children are here. I buried my wife here," Aaron says of New Orleans. (His wife, Joel, died of cancer in January 2007.) "It will always belong to me and I will always belong to it." The festival, scaled back after Hurricane Katrina, returns this year to a seven-day schedule (April 25-27, May 1-4) at the Fair Grounds Race Course. The "Jazz Fest is back," says Quint Davis, its producer and director, and "speaks to our serious effort to grow the festival at a time when New Orleans needs it the most." Other artists scheduled to perform include Stevie Wonder, Billy Joel, Sheryl Crow and Jimmy Buffet. Additional information is at www.nojazzfest.com.


     
    Comments

    Am courious how can this 34 room Gothic Revival house is called a "Cottage?"

    Posted by flora cramer on March 25,2008 | 08:41PM

    I didn't find info on where, how to, when, directions, etc., etc., on how to visit.

    Posted by Donna Nolf on March 27,2008 | 06:50PM

    Looking up cottage in the dictionary nearest my desk isn't helpful in answering Flora's question. I'm from Maine, and the huge, luxurious "cottages" owned by the Rockefellers and others on Mt. Desert Island don't fit that common definition, either. The only comment I have is one I heard from an old man I met in Prague many years ago. He spoke English, learned during The War (II), but he didn't like the language. "Too many exceptions," he said. A definition I would add to the dictionary would be "a get-away house," meaning a place of retreat from one's normal routine, one's normal business.

    Posted by Rick Souza on April 16,2008 | 08:48AM

    Flora's question actually touches on an interesting bit of history from the gilded age of the 19th century. Many of the wealthiest families in New York City had glamorous mansions in Manhattan and would use such diminutive terms as a form of affectation. Mansions along the Hudson, in Newport, Rhode Island, Maine and elsewhere were described in similar terms even though many were glittering architectural confections of 100 rooms or more. I am sure that in the circles of today's financial elite similar terms exist as the wealthy struggle to impress each other. It's actually a fascinating phenomena. For background, Thorstein Veblen's Theory of the Leisure Class is a great read.

    Posted by Sue Morrow Flanagan on May 20,2008 | 09:59AM

    Hold on. I missed a major point. The "cottage" was built in 1842. That was the same year that the legendary landscape designer and architect Andrew Jackson Downing published his book, Victorian Cottage Residences. Many of the designs in his book are similar. While many drawings in his book are quite substantial buildings, none are as large. Downing was a powerful influence long before his book came out so Downing may have played a role in the design of this particular "cottage." When Downing's student, Calvert Vaux, published his book on the Hudson River School, his book was entitled "Villa and Cottage Architecture." His villas were huge. The carriage houses are delightful and would easily convert to a fabulous home. Downing discovered Vaux in England and encouraged him to come to the US. They worked together only a brief time before Downing died in a steamboat accident. (He escaped the wreck, but died when he return to try to save a drowning woman.) Vaux dedicates his book to Downing's widow and his memory. Vaux later allied with Olmstead and went on to give us such treasures as Central Park, Prospect Park in Brooklyn, Morningside and Riverside Parks, South Park in Chicago and worked on the Metropolitan and Natural History Museums in Manhattan. Both books are a delight to read. Neither may use their architectural terms as linguists would prefer, but they surely knew the language of the heart and definitions of beauty and elegance. Sue

    Posted by Sue Morrow Flanagan on May 20,2008 | 10:18AM

    Would like more info how to visit, directions, hours of operation, phone number Thanks

    Posted by CW Brogden on July 13,2008 | 10:43AM

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