• Smithsonian
    Institution
  • Travel
    With Us
  • Smithsonian
    Store
  • Smithsonian
    Channel
  • goSmithsonian
    Visitors Guide
  • Air & Space
    magazine

Smithsonian.com

  • Subscribe
  • History & Archaeology
  • Science
  • Ideas & Innovations
  • Arts & Culture
  • Travel & Food
  • At the Smithsonian
  • Photos
  • Videos
  • Games
  • Shop
  • People & Places

On the Totem Trail

| | | Reddit | Digg | Stumble | Email |
  • By Mary Jane Lenz
  • Smithsonian magazine, June 2001, Subscribe
 

Totem poles, those giant red cedar poles elaborately carved with images of animals and people, can be thought of as three-dimensional family histories; histories that began in the time before people lived on the earth, when birds and animals spoke to each other; histories that tell of journeys from distant places, marriages and births, supernatural transformations and heroic deeds. For the Tlingit, Haida, Tsimshian, Nisga'a, Gitksan, Kwakiutl and other people living along the wooded shores and rivers of the Pacific Northwest, totem poles embody their tribal, clan, family and individual identities, and serve as visible reminders of the past and the present.

The figures carved on totem poles, some animals and some human, are family crests. A few families claim Raven, who brought light to the world; others, the Bear or Eagle or Killer Whale or Thunderbird—mighty beings who, through encounters with people in the distant past, founded powerful lineages whose creation stories are told today in song, in dance, and through oratory.

There are many kinds of poles—poles for the entrance of a house; mortuary poles, which sometimes contain a cavity in which the person's ashes are placed; ridicule poles to poke fun at an enemy; and, most often, poles to commemorate particular important events. The dedication and raising of a totem pole is accompanied by a great potlatch, a public feast often involving lavish gift giving.

No one knows how long totem poles have been made. A carved cedar pole left outdoors will decay in less than a hundred years, and we have no archaeological record to help with answers. But 18th-century voyagers to Alaska and Vancouver Island described and illustrated poles in their records, indicating that totem poles were clearly a well-established tradition at that time.

A hundred years ago totem poles nearly disappeared from their home villages. Some poles were taken to museums, while others decayed or were destroyed. But by the 1950s a remarkable cultural revival, led by a few gifted artists and some apprenticeship programs, revitalized not only the carving art but the songs, dances and ceremonies that give cultural meaning to the carving of a totem pole. Today, totem poles can be found in parks and heritage centers, in villages such as Ketchikan where older poles such as the Chief Kyan pole are being preserved, in museums and corporate headquarters all over the world, and in the homes of private collectors who have commissioned their own three-dimensional family histories.


Totem poles, those giant red cedar poles elaborately carved with images of animals and people, can be thought of as three-dimensional family histories; histories that began in the time before people lived on the earth, when birds and animals spoke to each other; histories that tell of journeys from distant places, marriages and births, supernatural transformations and heroic deeds. For the Tlingit, Haida, Tsimshian, Nisga'a, Gitksan, Kwakiutl and other people living along the wooded shores and rivers of the Pacific Northwest, totem poles embody their tribal, clan, family and individual identities, and serve as visible reminders of the past and the present.

The figures carved on totem poles, some animals and some human, are family crests. A few families claim Raven, who brought light to the world; others, the Bear or Eagle or Killer Whale or Thunderbird—mighty beings who, through encounters with people in the distant past, founded powerful lineages whose creation stories are told today in song, in dance, and through oratory.

There are many kinds of poles—poles for the entrance of a house; mortuary poles, which sometimes contain a cavity in which the person's ashes are placed; ridicule poles to poke fun at an enemy; and, most often, poles to commemorate particular important events. The dedication and raising of a totem pole is accompanied by a great potlatch, a public feast often involving lavish gift giving.

No one knows how long totem poles have been made. A carved cedar pole left outdoors will decay in less than a hundred years, and we have no archaeological record to help with answers. But 18th-century voyagers to Alaska and Vancouver Island described and illustrated poles in their records, indicating that totem poles were clearly a well-established tradition at that time.

A hundred years ago totem poles nearly disappeared from their home villages. Some poles were taken to museums, while others decayed or were destroyed. But by the 1950s a remarkable cultural revival, led by a few gifted artists and some apprenticeship programs, revitalized not only the carving art but the songs, dances and ceremonies that give cultural meaning to the carving of a totem pole. Today, totem poles can be found in parks and heritage centers, in villages such as Ketchikan where older poles such as the Chief Kyan pole are being preserved, in museums and corporate headquarters all over the world, and in the homes of private collectors who have commissioned their own three-dimensional family histories.

    Subscribe now for more of Smithsonian's coverage on history, science and nature.


Related topics: Historically Relevant Artifacts Family Ancient Cultures: Americas


| | | Reddit | Digg | Stumble | Email |
 

Add New Comment


Name: (required)

Email: (required)

Comment:

Comments are moderated, and will not appear until Smithsonian.com has approved them. Smithsonian reserves the right not to post any comments that are unlawful, threatening, offensive, defamatory, invasive of a person's privacy, inappropriate, confidential or proprietary, political messages, product endorsements, or other content that might otherwise violate any laws or policies.

Comments (1)

People need to be carefull how they use this word totem pole. It shouldn't even be included on the Olympic National Park website. Totem poles are seen and used from Canada up to Alaska. WA and OR have Story Poles. They are different and many people confuse the two.

Posted by Crissy Marshall on March 21,2013 | 07:51 PM



Advertisement


Most Popular

  • Viewed
  • Emailed
  • Commented
  1. Why Are Finland's Schools Successful?
  2. PHOTOS: The Distressing Worldwide Boom in Cosmetic Surgery
  3. What Became of the Taíno?
  4. Keepers of the Lost Ark?
  5. Children of the Vietnam War
  6. The Mystery of Easter Island
  7. Capturing Appalachia's "Mountain People"
  8. To Be or Not to Be Shakespeare
  9. In Northern Ireland, Getting Past the Troubles
  10. In John They Trust
  1. Why Are Finland's Schools Successful?

View All Most Popular »

Advertisement

Follow Us

Smithsonian Magazine
@SmithsonianMag
Follow Smithsonian Magazine on Twitter

Sign up for regular email updates from Smithsonian.com, including daily newsletters and special offers.

In The Magazine

May 2013

  • Patriot Games
  • The Next Revolution
  • Blowing Up The Art World
  • The Body Eclectic
  • Microbe Hunters

View Table of Contents »






First Name
Last Name
Address 1
Address 2
City
State   Zip
Email


Travel with Smithsonian




Smithsonian Store

Stars and Stripes Throw

Our exclusive Stars and Stripes Throw is a three-layer adaption of the 1861 “Stars and Stripes” quilt... $65



View full archiveRecent Issues


  • May 2013


  • Apr 2013


  • Mar 2013

Newsletter

Sign up for regular email updates from Smithsonian magazine, including free newsletters, special offers and current news updates.

Subscribe Now

About Us

Smithsonian.com expands on Smithsonian magazine's in-depth coverage of history, science, nature, the arts, travel, world culture and technology. Join us regularly as we take a dynamic and interactive approach to exploring modern and historic perspectives on the arts, sciences, nature, world culture and travel, including videos, blogs and a reader forum.

Explore our Brands

  • goSmithsonian.com
  • Smithsonian Air & Space Museum
  • Smithsonian Student Travel
  • Smithsonian Catalogue
  • Smithsonian Journeys
  • Smithsonian Channel
  • About Smithsonian
  • Contact Us
  • Advertising
  • Subscribe
  • RSS
  • Topics
  • Member Services
  • Copyright
  • Site Map
  • Privacy Policy
  • Ad Choices

Smithsonian Institution